
Drew Hanson
What’s it like to be a local media personality? I sat down with Drew Hanson, former WNCI DJ and self-proclaimed “D-List Celebrity,” for a freewheeling conversation about his experience in Columbus media, why he decided to leave Columbus and why he ultimately came back.
Shownotes:
- WNCI
- Mark Dantzer
- “Parents Just Don’t Understand”
- Bradley Cooper
- Power 107.5
- The Art of War
- Jym Ganahl
- Sunny 95
- Confluence Cast Episode 6: Columbus Film Commission
- I Am Wrath
- Rookie of the Year
- “Chelsea Dagger”
- Star 107.9
- Drew Hanson
- Adam Kontras
Support for this episode of the Confluence Cast comes from Little Rock Bar. Little Rock Bar is located at 944 North Fourth Street in Italian Village. With 30 beers on tap, Little Rock Bar has happyhour from 4 to 7 everyday. Every Tuesday, get $3 draft beers all night while you enjoy Rock Your Cock Off Karaoke. Wednesdays is Everybody’s a Comedian, hosted by Travis Hoewischer, it’s like trivia but you prove your snark instead of smarts. Everyone’s night should have a little rock.
Read the transcript
Ladies and gentlemen, welcome to the Confluence Cast presented by Columbus Underground. We are a weekly Columbus-centric podcast focusing on the civics, lifestyle, entertainment, and people of our city. I'm your host, Tim Fulton. This week I sat down with Drew Hanson, former WNCI DJ and self-proclaimed D-list celebrity, for a freewheeling conversation about his experience in Columbus media, why he decided to leave Columbus, and why ultimately he came back. You can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. Also, The Confluence Cast is on Patreon. Find out how to support this podcast on our website, theconfluencecast.com, or at patreon.com/confluence. The Confluence Cast is sponsored by Little Rock Bar. Little Rock Bar is located at 944 North Fourth Street in Italian Village. With 30 craft beers on tap, Little Rock Bar has happy hour from 4:00 to 7:00 PM every day. Every Tuesday is $3 draft beers all night while you enjoy Rock Your Cock Off Karaoke. Wednesdays is Everybody's a Comedian, hosted by Travis Hawitcher. It's like trivia, but you prove your snark instead of smarts. Info, hours, and upcoming events at littlerockbar.net. Everyone's night should have a little rock. Enjoy the interview. Sitting down here with Drew Hanson, entertainer, DJ, actor, former professional wrestler. Yeah. Semi-professional wrestler. Well, the semi- if you're a semi-professional wrestler you're a legit college athlete.
Well, so you're- In my head the definition of professional is getting paid sometimes. Yeah. Well, that happened occasionally. Right. During-
When you won ... but not, when... Oh, no, no, no. It was just, you know, how the house did. Gotcha. I don't know if you know this or not, but wrestling is a little predetermined.
Uh, oh. I'm not sure if you had heard that. Well, I did watch- I didn't know how, I mean, we are-
... some of Raw 25, and you're right, it did seem staged. It did, it did. It was weird how the commercial breaks happened exactly when no action was happening in the ring, and it was just very odd how that happened. I imagine most people in this audience, if I know my audience, will know you from your time at WNCI. You were there for- I don't know, this is Columbus Underground.
Well- That's hardly underground. Yeah, what, the demographic, at least for podcast listening and for the format of this podcast skew a bit older. Yeah.
You know, this is not the, these are not the 23-year-olds that are showing up at nine- '90s night at Three Sheets every Sunday. Well- So... Well, you are... Oh, by the way, I have a '90s night on Sunday- ... they should go to, but we'll get to that.
Right. But by the way, I was gonna say, if this is Columbus Underground, you're a complete farce. We're on the second floor. We're on the second floor of a building. Indeed. So the, so the truth is out there.
How did you, you started when you were 19. 19. Yeah. Oh, we were saying- Yeah ... 'cause I had my first audition.
Okay. This is back when you had to audition. Basically, the, uh, boss of the station was driving through my hometown, which is a significantly smaller place. Mm-hmm. And he was driving home from a Cleveland Indians game, he had the Indians tickets or something.
Okay. So he's driving past and he hears, he, he listened, he would listen to Top 40 stations when he would drive, you know, through Ohio, 'cause he was, you know, a radio dude. He wanted to hear radio DJs. Well, he's checking out the competition, right? Well, not necessarily competition because, you know, I, I worked at, like, a 3,000-watt station, you know, at a top-
Oh, okay ... at a Top 40 station on the weekends. So he was listening basically for, you know, weekend people that he could maybe bring into WNCI. 'Cause WNCI kinda had a system for things. They would get, you know, a weekend person. If that person did good on the weekends they would, uh, either get a specialty show like I did or- Okay ... or they would get, you know, an overnight shift-
Okay ... during the week. So you'd be a- Similar to what you see on, like, a local television station. Yeah, yeah.
Or even- Very similar, actually ... like CNN. Yeah. I would argue that that's probably the same exact thing.
Okay. But yeah, you'd move up kinda that way. But the thing with WNCI, in their heyday they were such a great station that nobody would wanna leave. Okay. So part-timers would come through and they would build up their resume or they would build up their experience or, you know, whatever, and then they would send it out to places and then they would basically... You know, I was at WNCI, which was, like, this major thing-
Mm-hmm ... to have, you know, on your... And Columbus never r- you know, maybe they did- ... they realized WNCI was a great local station, but to the country WNCI used to be- It was a benchmark ... you know, where every DJ wanted to end up going, where, where every jock in the country wanted to be.
Okay. Not only for the company, because it was a great company, Nationwide Ins- Insurance. Right. But it was, you know, it had a reputation of just, they were never number... They were the New York, uh, or the, I'm sorry, the New England Patriots of-
Okay ... of radio. Okay. I mean, and that was the same reason a lot of people hated them, loved them, whatever.
Right. But, you know, they, I had to audition. The first time they put me on an overnight shift with Dave Sharp, who, you know, old time radio people- Mm-hmm ... will remember that name 'cause he was on overnights. A- and the same thing I just said, he couldn't ever move past overnights, and he knew he never would, so he eventually got sick of it and moved on.
Okay. So, um, Dancer actually was the first person to shake things up there. Mark Dancer, right. He probably... Yeah, Mark Dancer, in probably 20 years-
Okay ... I mean, to, to really shake things up there. So I, you know, had my first audition. I'm kind of going Tarantino-style and going forward and backwards. But, uh, I had my audition, the first one- They didn't contact me for two and a half, three months. Okay. I didn't, I didn't think, I did it.
You were like, "I didn't get it." Yeah, I didn't get it. They said, "Well, we had some changes here, you know, we lost this person here and this person here." Right. "And we were basically just giving you a shot for future what we would have," 'cause they didn't tell you anything.
Right. So then, you know, when I did have a spot, I started, you know, I got pulled in, I was doing overnights and everything else, and it was so anticlimactic because this was this powerhouse of a radio station, but it was at a time period that they were really terrible. Okay. 'Cause they were trying to compete with Sunny 95, so they changed it to, like, "We're the more variety."
Okay. "We're the, we're the station playing your adult favorites without the kiddie rap," and all that stuff. And what really made them hot was, you know, "New on WNCI- Right ... the, the world premiere of Kid Rock," or, you know, not Kid Rock at the time, but-
Right ... you know, I'm thinking, I remember WNCI as a kid in junior high, and they had the world premiere of, uh, Parents Just Don't Understand. Okay. The DJ Jazzy Jeff song.
Right. And it was, and first of all, it was like, "Who the hell's W- Will Smith and DJ Jazzy Jeff?" Right. 'Cause you'd never heard of them do anything before, and the song was such a banger, like right out of the box, that I'm like, "WNCI breaks these awesome, cool, new rap songs," which was like the beginning of rap. Not, you know, Sugarhill Gang was kinda the beginning of rap, but-
Right ... but, like, you know, Will Smith was- But, you know, we're, we're gonna hear that on the radio, right? You were not gonna... This is the beginning of rap that you would hear, you know, on your, on your radio station, which was unheard of at the time.
Right. So this was, you know, the reputation WNCI had. So I have my second audition, and I go back and I do that, and then that's when they gave me the third one, which was an actual, like, an hour- Okay ... midday, midday with Andy Clark.
Okay. Which basically, Andy just basically goes, "Hey, man, welcome to the team." I go, "Uh, I don't think so." He goes- I don't, I'm not hired yet. I'm not hired yet. He goes, "No, if you're doing the hour midday, you're, you're hired."
Right. He said, "They, they-" They're just making sure that you're not gonna break FCC vio- you know, regulations, and, and that everything's gonna be okay. Yeah, that everything-
Right ... was gonna be cool, and, and that I wasn't, you know, uh, no, they, they wanted me to see the light of day- Right ... and see people and meet people and shake hands with people and this is the sales, introduce me to people. And kinda more or less 'cause they were such a tight-knit, you know, y- a group-
Okay ... they, they kinda went yay or nay on, on whoever. Right. And I was the kid. I was, you know, I was the youngest kid, maybe until the kid that succeeded me, actually.
Okay. Um, I was probably the youngest kid in the history of that station to, to kinda be in the prom- in the spots that I had. And so how long were you there? I was there in stints.
Okay. The first stint was from '95 until 2001. Okay. So that was the biggest-
Well, that's not a small s- I mean, that's six years, right? No. No. Yeah, but that was the, the '90s show that I did, and then that got me the full-time spot when Dancer finally moved on. Okay. And I don't say that like, you know, finally. If you're working there, that's extremely frustrating. Nobody ever leaves.
Right. You know, they, man, every time a new DJ would come and build a house, I'd be like, "Ah, that's another three years I'm not getting-" Well, and my experience in the space is with formerly CD101 and now CD102.5, I was an intern in actually high school and then also in college, and a lot of those folks are still there. Yeah, yeah.
You know? Or they came on almost immediately after I was done. You know, they don't leave. No. So what don't... You know, I think people have this perception of what it's like to work in that field, radio specifically. Mm-hmm.
We'll get to the, the, you know, the DJ and the, and the wedding gigs and the, and the bar gigs and the- Two vastly different animals. Right. We'll get to that- Vastly different
... we'll get to that in a minute, but talk about, you know, at least from the folks that I've talked about, you know, the pay's not great. Well, it, it goes like everything else. Like, you know, just a, just like the stint in wrestling, the higher up the card you are, the better the pay is. Got it. Okay. So I was, I, I got about, mm, midway to about a th- you know, I was like the highest you can get but not be a morning show or an afternoon show.
Okay. So- Well, and there's also sort of this additional income part of it, too, right? Yeah.
Like, you're a personality that the sales staff can then hire out to go to a cellphone store opening, to go DJ- Which would be a- ... DJ at a bar ... large percentage of your cash.
Right. Like, a l- the bulk of it sometimes. Okay. 'Cause you're basically paid a pretty menial hourly, and then theoretically you become a personality that they can then hire out, right? Yeah, yeah.
Okay. I, I always looked at it like the, the actual doing the air shift, that's like an actor that goes onto a talk show. Okay. Like, where, where they're pr-
Basically you're promoting yourself ... promoting, promoting a movie or promoting a product, you know, that- You're not getting paid per se for that. Right, yeah.
Right. Like Bradley Cooper, oh, wow, why am I seeing Bradley Cooper on Letterman tonight? Does he wanna tell me about this wonderful trip he took to Aruba? No. Because it's a great story. I can't believe he got on this talk show just to tell me, oh, hang on, the first commercial break when they go to commercial after his appearance is coming soon, The Hangover 6.
Right. You know, like, so I'm going, "Oh, there's a science and a business to all this." So the radio really, in essence to me, as much as it, it is really what the job, the whole reason you are able to do side projects and be put in appearances or have any sort of notoriety is the radio. Right. But in essence, the radio is a commercial.
Okay. I, I, now this is my personal philosophy. This is obviously not anyone's personal philosophy- Right ... that is a lifer in radio. They are, they, they have a love of tran-
They do ... transmission. Okay. I have love of transmission and-
And do you? Uh, somewhat. Okay. Yeah, yeah, yeah.
It's cool. Yeah, it is. It's cool. I like it. I mean, I never got into the business because I was sitting in shop class one day learning about the finer arts of a signal being transferred from one place to another. You don't have an amateur radio license. I do.
Oh, you do? Oh, wait a minute. Is that the- That's like the- Maybe I was an amateur-
That's like- ... when I got my radio ... that's like the hobbyist, that's not like being an engineer at a station. Okay.
That's like the hobbyist Morse code, shortwave radio, volunteering at, like, marathons to communicate with the emergency responders. I remember- That's what amateur radio- Okay, I-
My father did amateur radio, so that was- Well, I didn't get that, then. Okay. I got, I got my FCC license-
Right ... when I was an amateur. G- right. That's the- When I was, like, 15. I remember I had a math test and I had my FCC license test on the same day.
Okay. And one- So you knew you wanted to do this ... one of those I failed at. Oh, I knew, yeah. Oh, well-
Where'd you grow up? ... I knew I wanted to be in entertainment, period. Okay. That was, I mean- The first, I vividly remember when I went, "Yep, that. That's me. That's what I'm doing."
Where'd you grow up? I grew up in Marion. Okay. And so Columbus was always sort of- Columbus was the big city
... was the big city- Oh, yeah ... right by. Okay. Yeah. Columbus was a b- a big old city.
And so is, and I'm just curious about this, 'cause the, the folks that I've talked to that have worked in, primarily in television, at least on a, on a local scale, they always have sort of this risk of, is my contract gonna get renewed? Is, you know, is, are the higher-ups gonna like me? Yeah. At least WNCI at the time was not that way. It was ver- 'Cause what you're saying is, those folks who, you know, they got their shift, and they kinda didn't leave. No, not for a long time. Now-
Okay ... when, when Nationwide sold- Right ... the, people were turning over like crazy.
To, and was that because of the higher-ups? Clear Channel was like, "We're gonna find, you know, who's the best fit for this so that we can get our rankings up"? It was, it was weird. I have heard so many stories from program directors' point of view of the first year- Mm-hmm ... of Clear Channel really being in charge.
Okay. Now, at this point, I'm clueless, 'cause nothing's changing as far as I'm concerned. My paycheck is the exact same. Everything's, nothing has changed with me. I- But you're on-air talent. You're not, like, the program director. Right.
Okay. I'm not having to really see any major changes with this. Okay. Where the changes I started seeing were when people started, in higher up positions, leaving.
Okay. And I'm going, "Why are these people leaving?" And I'm not connecting the dots, that they're doing that clean, pretty, you know, "I'm moving on to future endeavors," and, you know, whatever, where you never really know who was fired and who is really actually leaving. Or who's pissed off and l- Who's pissed off, and yeah. I mean-
Or who truly got a better job, right. Right, exactly. Okay. So, and I, and if we get to this, I've never been one of those people that have one ... It's always very clear what, what happened with me-
Okay ... whenever something like this Okay. If, if, if it gets that far and we get to that kind of part where it goes-
I'm excited to hear that story now. Yeah, well, oh, boy. But it's, uh, I, I've done some questionable things in the name of networking and character. Okay. But, uh, yeah.
So it was weird, that first y- you know, that- The first year- ... there's transitional time ... that it was Clear Channel, a- again, I, I didn't start noticing anything really different until people that were higher-ups that, you know, I knew and respected and, and whatever would go to work for other companies.
Mm-hmm. And none of them moved sideways. None of them went to another Clear Channel company. Okay. Everybody had went to someplace else, and the biggest was Dave Robbins-
Okay ... who was the WNCI, you know, mega, you know, one of, one of the big reasons that they had the reputation was he was one of the guys that made WNCI just the giant. Was he, like, the station manager or- He was the, he w- literally went through the ranks. Like, he was a jock-
Okay ... and then he was the program director. Then he was the general manager of the radio station. Okay. Like, and then he left the station as general manager when he coulda, I mean, e- he would've been on, he would've been partner by now, 'cause he's been partner-
Okay ... in radio companies ever since. He went to CBS and- But he's not gonna be at someplace like Clear Channel, where it's just this big national- He would never be at a s- yeah
... right ... at someplace like that. So it's, it j- it really started changing when I started seeing people, higher-ups leaving, and then I started seeing s- you know, little changes. Okay. Like, we can't do this, we can't do that, that we used to be able to do, or-
Give me an example of that ... uh, um, when sales became less local and they became more national- Okay ... you could tell that they were steering towards a national product.
Okay. So they would want us to, if we had local bar appearances- Right ... we would not be able to really mention those as-
Unless- ... much as we were able to ... unless that there was, like, a liquor brand associated with it or- Well, no, it wasn't like that. It was just e- it, it was so subtle how they tightened the nooses-
Okay ... because they didn't want to shake up that WNCI morale that we kind of were famous for. Okay. So-
Well, they were protecting their investment to an extent. They were, yeah. Right? Yeah, yeah. They, uh, despite the fact that they were eventually gonna completely gut that place and-
Okay ... and do, you know, do a Clear Channel to it. Right. But, you know, and a lot of things I started seeing changing and, and, and I didn't see the writing on the wall, because when, when our show was fired, it was a complete shock to everybody.
Okay. We found out about it- So when was this? This was the-
This was second stint? This, this was the first stint. Okay. This is how the first stint at the station was finished, was over.
So this is 2001, 2002? This was 2001. Okay. Yeah. Well, it was actually the end of 2000-
Okay ... almost into 2001. Okay. We w- we were set to be fired, one of those December 31st things.
So how did that happen? We found out about it, 'cause the, the program director that came to the station, uh, Jimmy Steele, who's been in the Columbus market two or three times- Okay ... he's been fired every time. Sorry, sorry.
Sorry, Jimmy. I occasionally get a little dig in on the guy. He, he came into the market at the beginning of November, and we didn't have a program director at the radio station for almost eight months- Okay ... because all the jocks were s- And it w- I guess it was a compliment to us. We didn't-
That you guys could handle yourselves ... we could handle ourselves. Right. We didn't really need anybody slapping us on the wrist or any- We knew the mission of the, of the station. You know, we knew the goals and everything else.
You knew what you were supposed to be playing in g- generally, right. Yeah, and a lot of us were still running on that nationwide mindset, despite the fact that, you know, Clear Channel was, was in charge. They were almost like a substitute teacher that we didn't believe was our real, "You're not our real dad." Like- Okay ... or, you know, a stepmom or a stepdad-
Right ... or something. None, none of the, the lifers or the, the WNCI purists that came over- Uh-huh ... in the sale ever really, I think, maybe for a year or two, until things really shook up-
You were like, "It's fine, whatever." It's, yeah- "I'm getting a paycheck" ... nothing's really gonna be different.
Right. Everything's gonna be, you know, we're, we're, we're okay. And then, well, the first major thing that happened was we moved into The Continent- Mm ... from, from, you know, higher up, the one nationwide building.
Right. You know, and we moved into The Continent, which was mold-infested and everything else, where everybody had out- That was well past its heyday. Well, well past its heyday. There were, I don't, I think even the skaters quit going there to skate- ... at the time that we were in The Continent.
Right. There was nothing left there. Well, actually, there was the bars. The bars were always kinda still hopping there until- Right ... until they got, you know-
So new guy comes in ... immediately, um, starts meeting with, like, every talent on the air staff except for myself and Fish. Fish was my partner at night. Okay. So we started questioning, like, "Why haven't we had a meeting with this guy yet?"
Right. And we found out that Matt Ryan, who was, like, this part-time kid who was ironically enough 19- Okay ... which we're, so were, so was I the first time I came in. So he's been meeting with him, and I'm going, "Why is a part- you know, why is he meeting with the Saturday night overnight kid?"
Essentially the intern, right. Yeah, the, the overnight kid on Saturdays. So we started, I started snooping, doing a little my investigative work. Right. That's gotten me out of many relationships. There's my-
Business and personal ... th- right there, boom, got something on her, there's my out. Yeah. No, so I started kinda snooping and going, "I think that, I think we're getting replaced at the end of the year by Matt Ryan," and Fish was like, "No, there's no chance we're getting replaced." So- People love us. Yeah.
Sales is- We were number one. Right. We had never dipped to number two.
Okay. We, we were n- the n- and not even close. We were number one by far. And- Well, and let's, I just wanna point out that is most likely because of, one, strength of s- signal, and two, format, right? Like, you- He might... Oh, yeah
... yeah, but I don't want to at a- all insult, like, you- All right, C101 boy. I'm just- Okay
... you know. All right. No, it, it is strength, no, it is those factors, and- Right ... they di- I don't think they even made any bones about that, you know?
Right. We're, we reached the most people. In fact- You're the elephant, right ... in fact, Dave Robbins had his theory of the art of war where he goes, you know, "If we play a song that, you know, uh, uh, Chan- uh, 98," what was the Al- hot alternative for a while in the '90s and early 2000s?
Oh, like 105.7? Channel Z. Channel Z. 93 whatever, Channel Z. Yeah, yeah, yeah. Okay. Or, or Hot 105 or Hot 107-
Yep ... or in the '90s, or, uh, Power 107- Yeah ... if it, if it's still a thing.
Yep, still there. That's how out of radio I am. I don't know what's what. But if they would play a, a, a song, and then we would play a song, we would basically advertise that song for them to play it. We, they would hear it on WNCI- People were pulling from you, basically. Well, no, it was more, Dave Robbins' belief, and it's, I guess it's in The Art of War book.
Okay. If you starve your enemy by giving them your rations, or, or no, if you give the enemy your rations, they, they, they can eat. If you starve them by taking your rations, the enemy doesn't eat. So if a smaller station played a song and it didn't sound familiar to the average listener, they would pop out and they would go to WNCI. This is acting on the belief- You were feeding them. Yeah ... you're feeding them by playing, like, if we played a hip hop song, when Power started getting a little bit of momentum in the, in the-
Right ... in the ratings, if we played a hip hop song, we were advertising Power 107. Mm-hmm. So, uh, hip- we're going, "WNCI is officially not making hip hop cool." That's literally, it would be on a memo. It would say, "We are no longer playing anything that Power 107, we are not sharing a playlist with anything Power 107 plays," because we're advertising their station, because if people hear it on WNCI, it's a hit. If they hear it on Power 107 that they heard on WNCI-
Right ... it's a hit that they just happened to hear on Power 107. It's freaking genius when you think about it. Yeah. When you've got the bigger stick, and, and, you know, I've applied that in business, like, okay, you know, if more people know me, or if more peop- or my audience or whatever is, is this-
Right ... and it's this big, and this person's audience is this, and it's, you know, it's only this big- And there's some crossover ... and, and there's a little bit of crossover, or that person is any way related to me, I can just tell my audience, you know, eh, let, let's, uh, that-
There is no crossover here ... there's no crossover here. I don't know that person, or that's a karaoke DJ, or that's a- Right ... that's a whatever. And that's, I guess it's smart business, 'cause there's a lot of people that are gonna do a lot more ruthless things than me.
Right. But, but that's, was the philosophy Dave Robbins had with music. Like, with- And so guy's not taking your calls, guy's not taking a meeting with you, and basically within a month and a half you're sort of let go. What's funny is we, we confronted him.
Okay. I, I go, "Do you wanna..." I said, "Do you wanna sit this, have this sitting over us for a month?" And Fish was like, "Yeah, let's make the money. Like, let's not... 'Cause if we confront him, he might just fire us on the spot." Right. I go, "Well, you know, I, I can't live-
I'm not comfortable with that ... I can't live like that." No, I mean, it had been two, three days that, that I knew. Like, I, I had an instinctual knowing because he wasn't meeting with us and whatever else. Right. And then I just knew, just 'cause whenever I know something and it's horrible, it's always true.
Okay. It, it is. Whenever I just know it and I go, "Damn it, I know this is true, and it's horrible," it, uh, it always is. Okay. Um, that's a horrible affirmation, but, uh, uh, but I just knew.
It's fair. I said, "Let's just confront him." I said, "If we're going down, I'm going down in flames." He goes, "Well, I'll go in with you, but whatever." I go, "Just trust me, you know, like, I'm not gonna steer you wrong on this." Right. So we confront him, and he's like... And I remember the statement, he goes, he goes, "Uh, man, I swear the wall's got ears around here. I said I don't know what I'm gonna do with the station at the end of the year. I know I may make changes, I may not." And, uh, we were just like, you know-
That wouldn't make me comfortable at all. Right ... yeah, we were not comfortable. And he goes, you know, "Sometimes the walls are talking, I guess, you know, blah, blah, blah." And so I go, "So what, are you saying this is true? Uh, 'cause you haven't met with us. This is the first you've met with us, and you've met with- Because we asked for the meeting, right. Yeah, we asked for it to get it. So we get the meeting, and, you know, guy was real twitchy, dude. He was on coffee and, uh, well, whatever. He goes, "Oh, yeah, you know, I don't know. I don't know how it's gonna work. I don't know how it's gonna happen. I don't know what's gonna go on."
Right. So we go on and we do the show as, as he wanted us to do the show. Right. You're taking- Which-
... direction from him ... we were taking direction- Right ... from him and not treating him or Clear Channel like the stepmother or stepfather.
Mm-hmm. "You're not my real dad." Right. We, we took direction and we did it. We did everything he wanted us to do. So Thursday, it's a Thursday, and on Thursdays all the carpet cleaners came and all this stuff. So one of the carpet cleaners left the door unlocked, so this dude just walks in and he goes, "Hey, what's up, guys?" We're like, I look at Fish and I'm like, "Are, is this guy with you?" And he looks at me like, "This guy with you?" I go-
Why is this guy in the studio, right? Why is this guy in the studio? He goes, "Is Matt Ryan here?" We're like, "No, Matt R- why would Matt Ryan be here?" And he goes, "Oh," he goes, "I just, I came to see him 'cause I thought he got the night show." And I look at Fish, and Fish looks at me, and I go, "Let's f-..." I go, "No, he's not here. How did you get in here?" He's like, "Oh, the door was just unlocked." Right. So the guy, the guy leaves. To this day, I don't know who that guy was-
But he's the one that- ... or if this was planted, or if this was supposed to happen, but the first thing we did was get on the phone and call Jimmy Steele. And we said, "Dude, this guy just came in the station while the carpet cleaner's and left one of the doors unlocked- Right ... and said he was here to see Matt Ryan." And-
We know what's up now ... and, and like, "What, what's going on?" And he goes, "Guys, I don't know what's going on. I don't know who that would've been." Or, I mean, it couldn't have been, like it, it couldn't have been a worse cover- So now he's just lying to you ... well, now he's lying to us.
Right. And then I'm go- I'm looking at Fish, and I'm just, my face is beet red, and I have the tape of the last hour of us at the station, and it's so funny to listen to, 'cause there's so many inside things to me and him about, like, you know, if it was gonna be our last night or whatever. Just talking about burning bridges and, yeah. No, nothing like that. It was so subtle. No listener would've known.
Okay. Okay. No listener would've known. And e- and even when I'm listening to it, I'm going, "I don't remember what that jab was," but it, like, whatever- But it cer- it sounds like a jab ... they were all ribs.
Right. They were all ribs directly related to Jimmy Steele. So sure enough, Friday we come into the station, and Chris Davis is there, and he goes, "Hey, guys, Jimmy's upstairs waiting for you." We're like, "Yeah, I f- kind of figured." So we go upstairs, and he's, you know, he's got Joe Kelly. Poor Joe Kelly, we had gone to his father's funeral- Okay ... two months before this. So we had g- and he, this was our boy at-
Right ... at the radio station. Fish's boy longer than mine. I, you know, I like the guy. Okay. But he, we had gone to his dad's funeral, and we were all real tight with him. Jimmy freaking pulls him in and makes him be the witness. So he's sitting there, he's watching two of his best friends get fired by a guy who's been in the building for less than a month.
Ugh. And who's, who's, you know, got this plan to make Matt Ryan this, you know, hot- Right ... young, he's like, you know, "You guys are 25. You sound stale." "And even though you, you know, you're, you can't be hot young night guys at 25 years old." What are you, what, what is 25 old?
Yeah. I could be a night... I had an audition to be a night guy at 35. I mean, what are you talking about? And he was just rattling off all these reasons why it was over. So then it was it. It was over, and he told the staff that we quit. Okay. It was i- in a memo, which w-
So but you went back there. I went back, like, three years after, when I knew, when he was finished. Okay. 'Cause they had put him through, they put him through rehab.
Okay. Like, and, uh, you know, this, this boss. Like, it was all this, you know, stuff with him being there, and, and, and just all the other changes that cl- you know, they finally moved, and they, they started getting into a better place- Okay ... as a company. So they all moved under one roof over on the Fifth Avenue.
Okay. And then they hired Mike McCoy, who was a really great program director, and once Jimmy Steele was completely out of the building and out of whatever. Okay. They started farming that old talent. They started... Well, they didn't really farm it. They just, McCoy was ready to do some stuff with some, and Jimmy, Jimmy Jam is one of my best friends.
Okay. And he was like, "Hey, man, if you wanna come back, like, this is the time to do it." Right. Like, so, you know, I met with McCoy, and I went back, and there wasn't anything full-time, and there was a little bit of that, uh, a little sourness.
Right. Not really from me, 'cause I was just, you know, I thought the whole thing was a fluke, and the fluke is over and I'm back. Right. But they, there, there was, when it was over, I, I kinda... 'Cause I had a, uh, mailing list with my radio show.
Mm-hmm. An internet mailing list. I was o- I was on, on top of the internet- Okay ... in the '90s.
Right. Like, I was all over it. I had an internet newsletter before the radio station had a website. Okay. So I was sending out this internet newsletter and developing all these, and really what you're getting is y- is information gathering.
Absolutely. Right. So I was so early on that. I got 3, 4, 5,000 email addresses- Mm-hmm ... from that newsletter. So when I left the station, I had all those, those e-mail-
They were yours. They had, they had no- Right ... they had no claim on that.
Right. That was my s- my information. So I started a website and started posting to people what had happened and- Oh, okay ... kind of the internal, and this is before, I may have inspired that in the Clear Channel contract, that you can't do anything on the web-
Hmm ... with a blog or anything like that after you're fired for a certain- Good to know ... number of, anyway.
Right. I, I, I don't know, but I know that that's in there now, that you can't, you can't do anything like that. You can't have a private, you know- And so you went back. How much longer were you, were you there for that second stint? Well, I was always there.
Okay. But, well, no, no, no. I was not there there. Okay. I stayed on doing impressions for The Zoo and things like that.
Oh, okay. Because Dave and Jimmy, a lot of people don't know this, Dave and Jimmy are their own company. Okay. They work for the station.
Right. But Dave and Jimmy, the syndication that they do for stations, you know, over the Midwest or whatever- Mid-market, right ... that's Dave and Jimmy's company.
Okay. That's, that's not Clear Channel that's doing that, 'cause I think there may be, they may, I don't know, I may be wrong, but they might be on stations that aren't even Clear Channel. Okay. Just as Dave and Jimmy the product.
Okay. So I was a valuable impressionist to them, so whenever I came on, I never got paid unless I got paid out of Dave's pocket or out of Jimmy's pocket. But- Okay ... I was coming into the station all the time to do-
Gotcha ... projects for them. I just was not an employee, and I didn't have an air shift or anything like that. So were you doing, like, the jingles and the s- like, the, they would do, like, mock songs and stuff, right? Do you know what I'm talking about? Yeah, yeah, yeah, yeah.
Okay. Yeah. Like, I was, I was Jim Ganahl. Got it. I was the Jim Ganahl impression, yeah. That was the big one, but that's only local, so-
Right ... but there was a few other ones That only works in this market. Yeah, like celebrities, you know, like, uh, Christopher Walken, Donald Trump, like, stuff like that.
Gotcha. They would bring me in to do, to do some of those, so. And so did you, so you keep sort of referencing, like, what happened in the end. Did you basically burn it down, or was it just that you had made it clear what happened with your blog? I never burned, I never burned WNCI as a station.
Okay. Because WNCI was, to me it was like a girlfriend that I loved so much. Right. And she was being beaten in this abusive relationship by-
That you had no- ... not only her boyfriend, but her boyfriend's parents. Right. And you have just no control over it at that point. And I have no control over it, and, you know, I mean, I've said this, and I, and I'll say this, you know, that's the only radio station I'll ever work for again.
Okay. Like, I, I, I couldn't see me going to... You know, I worked for a few stations after I quit- Okay ... or, or left. You know, I I left by, by Jimmy Steele firing, then I went back, then I quit, and then I've gone back and done freelance stuff. So-
Okay ... and I, and I did a little freelance with Mancow in Chicago. Okay. But I've never worked for a station since WNCI.
Gotcha. And I would never, I would never do that s- for any other station. That, 'cause that's my childhood station. For anything- Right ... did you grow up in Central Ohio?
Yes. Yeah. That's, you know, I mean- I mean, that's what... Yeah ... maybe it's not your style of music, but WNCI, come on. That's-
Well, I mean, that's what, you know, it was that or, or Sunny that, you know, we were listening to in elementary school, middle school, in the, you know, backseat of the minivan, of course. Yeah. That's, 'cause that's what moms listen to. Yeah.
But yeah. And that's the perfect comparison, 'cause that was the compar- That's who the program director always said we were talking to was about in the minivan. Right. The girl with the, the, the, the m- the, the cool mother-
Mm-hmm ... that ships her kids, you know, she has her kids in the minivan. Well, 'cause she's making the purchasing decisions in the house. I mean, that's, that's a valuable demographic. Yeah.
Absolutely. So then you, when did you go to Chicago? That was after I had cancer. You're like, "Man, I thought we were gonna wrap this up." So tell- And then you just pop open another can of worms.
I was not aware that you had cancer. I did. Yeah, actually, where I met you, we just met, what, a month ago? Yeah. About a month ago.
We did a wedding together, yeah. So we met, and I booked that wedding because the bride, I knew her a decade ago, and her brother-in-law had the same exact cancer I had. Okay. So I don't know w- how that ended up a selling point for me, but she was like, you know, I got to know her. She would... 'Cause it was close to her.
Okay. So she got to check in with me and stuff like that when I was sick and, and whatever else, and, um, that's how I kind of really got to know her. We, we started off on the horrible foot, but th- ... this is a whole other story. Anyhow, but that's how I ended up booking that, was it was Hodgkin's lymphoma. Okay. So her, the bride that, at the wedding that we met at-
Right ... her brother-in-law had it. So were you treated here? I was treated at The James Cancer, which is, I can't even say, the greatest institution.
Okay. I, I've never had cancer at any other institution in the country. But I can't imagine- But I can't imagine it being any better than The James.
Okay. I mean, it, they, uh, the, and I'm talking the nuances. Like, I, I will not do something for weeks, months, whatever on end if I think it involves a phone call or paperwork. Right. If I have to get on a phone, like, if I have an overdraft charge and, and I wanna fight it, like, but they make you get on the phone and call the person or whatever, I'll-
You'll just eat it ... I'll literally wait. Well, not always. If I really- Okay ... really need it, if I need, you know, 35 bucks, I'm like-
Right ... "Ah, I need that," like, I'll go fight for it. But if, if I don't need it and I'm like, "Uh, what is this worth to me? What is this worth to me? Do I, do I have to, I have to get on a phone. I have to actually go physically see a person. Ah, 35- How did you- ... what is 35 bucks?"
How'd you find out that you had cancer? I just had a cough and sweats for a, a prolonged period of time. Slightly too long. Longer than, longer than you should have cough and sweats.
Right. And my doctor, and I, I've developed, over the years I've developed kind of a beat-up voice anyhow, but my doctor was like, "Man, it's even worse than normal." Okay. And I was like... He goes, "It sounds like you have an obstruction," like, or, or it's, or something. You have something-
Something's different ... something is up. Right. And, uh, sure enough, it was, like, a knot, like, the size of a baseball in my chest. I'm showing the audience like there's a camera on me.
Right. So, and how long were you, did you end up having to be in treatment? Like- It's about a year. Okay. Yeah.
Wow. Totally about a year. Yeah, but it, it, there was never, um... I mean, I was late, too. I was, like, 3B, which is, like, four is when it's in your organs and stuff. Okay. But everybody was real calm. I mean, they were just... And my mother died of the same, same cancer.
Oh. At same age as I was, too. Okay. And everybody was real calm, and I just kind of had this thought, like, "This is just gonna be a really big inconvenience for about a year," and then, and that's what it was.
Right. It was a big... And, uh, and then chemo has some kind of toxic effects on you after. Okay. Like, I still, if it's, like, really, really cold outside, all my fingertips will be sheet white.
Okay. They'll all go white. It'll look like all the blood's just completely- And how long ago was this? 2008.
Okay. About a decade ago. Yeah, it was the summer of 2008, so almost 10 years. And you are currently- I, I'm free. I'm, everything-
That's awesome. Yeah. Congratulations. I mean, I've had a few, I've had a few related illnesses in the past few years, you know, from it, but nothing-
Okay ... anything like the initial, yeah, the initial thing. So- And so why did you... So are you saying that cancer prompted you to move- Yeah
... to Chicago? Yes. Yeah. How so? Cancer prompted me, well, 'cause I wanted to move to Los Angeles.
Okay. But that was just too big of a jump- Okay ... because I still had to have functional operations, you know, in Ohio. Six hours, I, I mean-
That tether had to be there. That dre- Yeah. You, you, okay. It had to be something I could get to within a, a day or-
Okay ... or something that I could get to without an exorbitant amount of money spent. Right. Quickly. Yeah. And, and I was building an acting career at that time.
Okay. That's what made me go to Second, uh, City in Chicago and then- Okay ... go to ImprovOlympic and everything else. So, and, and it's a good thing that I did because now it's, for an actor, moving to LA is the worst thing you could do.
Okay. It, 'cause the, all the shooting happens, you know... Oh, that sounds so morbid. All the shooting happens- Yeah ... all around the country.
But we know what you mean. Right. All, all, all of the, all of the, uh, yeah, like Louisiana would be a better move- Right ... than Los Angeles. Michigan would be a better move than Los Angeles.
Well, but not permanently, right? No, for- 'Cause it's not enough- But I'm saying if you're trying to break into to acting-
Right ... because there's so many studios and productions that are now being in- All over the country, right ... in this, yeah, in these locations. And well, plus also the tax breaks, you know, uh, Louisiana is, so many movies shoot there.
Yeah. It looks like it's in Southern California or it looks like it's, it's in Brazil. Right. And, you know, it's-
And I will refer listeners to a previous interview with the Ohio Film Council to talk about sort of O- how Ohio ... works itself in there with the film credits and stuff. Yeah. And so it's- Ohio actually, you know, there's a lot of stuff, Fast and Furious and The Avengers and everything-
Yeah ... that was here. Well, but they, so the argument there is that, that productions like that soak up literally a year's worth of credits for any productions that can happen within the state. Exactly.
So we just need more or a different, different system, so- some would argue. Yeah, and I think that'll happen. I think Ohio's gonna get a piece of that. I mean, it already has gotten a piece of that pie. Yeah. But, uh, w- everything that's shot here, like that Travolta movie.
Right. Oh, did you see it? I did not. Oh.
I knew better. Oh, it's, I mean, it's cool 'cause you watch it and you go, "Oh. Oh, oh, oh, oh." "I know that place." Right. Yeah, and I got a lot of that, you know, with, a lot of movies that are beloved in Chicago are just 'cause they were m- in Chicago.
Right. Like, uh, the Rookie of the Year movie. That terrible movie. Yeah. But, but that kid who was also in American Pie.
Yeah. I don't know, it was, it, it's, it's three names. I, I, I'm never good with actors' names- I don't know ... on the spot. It's Thomas Ian Nicholas, but whatever. But he is in a band, and he goes in Chicago and plays just-
And people just love him ... just as, and the bands packs venues. That's funny. Terrible music, and the bands pack 'cause it's that kid from Rookie of the Year in Chicago.
And we all love them- And, and we love 'em ... here in Chicago. We all love-
Right? We all love them here in Chicago. It's the easiest formula in the world 'cause people will latch on. Like, they'll still go Blues Brothers for things in Chicago- Oh, yeah ... 'cause it was shot there. Ferris Bueller's like a holiday- ... in that city. Ferris Bueller's seriously like a national holiday in Chicago. People in Chicago love that they're from Chicago.
Yeah. They love it. And I wish I could have that kinda pride about anything like people in Chicago have it. Well, we're working on it here for Columbus. Yeah. Well...
So, and then why'd you come back? Just because I did everything there- Okay ... that I wanted to do. I got mugged a couple of times.
Okay. After the second time- That's not as bad as cancer. No. Well- ... it's not as quick, or not as- ... not as lengthy, I should say.
Right. Yeah. I, a- a- and, and I had done everything, and it was really just, I was just having fun at the bars and doing, you know, doing all the wrong things for my age. Okay. And I was like, "Yeah, I'm not gonna change my, my behavior, so I might as well change my surroundings."
Well, go somewhere where it's a little cheaper- Gotta- ... to do it. A little cheaper to do it, and it's a little bit less of a risk of getting mugged walking home every night.
I think it's a lot less- Yeah ... of a risk. I mean, I, I lived in Grandview the first year I was back here and just left the door unlocked half the time. If I w- I'd be gone for the whole day and just, "Oh, I left the door unlocked. Whoops."
And so what are you doing now? I've got this side business going. A lot of my concept-based entertainment is replacing DJ stuff. Okay. Because I, I think the DJ thing-
So define that, concept-based entertainment. I just made that up. Do you like that? That's good. I think I, I think I made that up.
Now you have to tell us what it is. I, I made it up right there. I made, I made it up. Instead of having a trivia night- Uh-huh ... I have a trivia concept.
Okay. So mine is #Trivia- Okay ... where I ask the questions, you know, on the microphone in the bar.
Right. Nobody has to get up. Nobody has to move. They can just answer the a- answer on Twitter. Okay. Put the answer, then put hashtag whatever the name of the venue is. Well, we establish what the hashtag is-
Right ... so that there's not 50 different hashtags. You just put it up on a screen or whatever. Yeah. Like, I would ask the questions. I would go, "#AverageJoesNewAlbany."
Right. So we would establish that hashtag as a brand over time. So when I go to people and I s- and I pitch this, I go, "You know, this is not only a trivia concept. Like, it's, it's-" It will elevate your- It's, it's gonna elevate-
... your brand as well. Right ... your social media presence. It's gonna elevate your hashtag as a brand- Right ... where people, when they come to your place, instead of checking in and whatever, they can also give you a feed of people specifically talking about your place.
Yeah. Uh, you know, in Twitter or Facebook or Instagram or whatever. So I said, "Well, you know, what this does is essentially it's a commercial for your, your brand." And the, you know, the topics that I choose are all pop culture. They're all stupid funny- Right ... m- movies, you know, TV shows, longstanding pop culture things. You know, sometimes I'll occasionally just throw everything into a bowl and go, "The, the '90s are this week."
Right. Or, "The '80s are this week," or whatever. Yeah. 'Cause I think that the people doing trivia on pens and papers and w- running up and holding their hand and yelling out answers, why are we doing this in 2018?
I mean, you know, as a proprietor of, you know, probably four different trivia nights at this point, not as a host anymore, but I farm out the, the hosting, the question from the bars a lot of times, at least the forward-thinking ones who aren't just looking for basically a karaoke night- Yeah ... are like, "Why is there no, like, instantaneous feedback?" Right.
Like, "Why do we have to wait for round two in order to, like, give answers?" Gotcha. And so, you know, it's a, it's a technology problem at this point. I do it on every question. I, a- I'll give you, you know, if you're first correct, 'cause then I just refresh the feed.
That's smart. Whichever- No, I love it ... whichever one I see on there that's first correct gets the points. So then I'll just give it a, you know, I'll give away... And sometimes, you know, it depends upon-
You just keep a running list on a pad, right, of, like, okay, that team's, you know- Yeah ... got that one first. You got, you got 100 points, you get 100 points, whatever. Nobody has to get out of their seat. We're Americans. We're lazy. We don't, we don't, we don't wanna get out of our seat.
Right. So yeah, and then the- We should talk more about this, definitely. Yeah. And then I make the, but, um, I've got it on hiatus. I run it in stints.
Okay. Like, I just ran it for the entire year for the first time since I've done this 'cause- Okay ... it started as something I would just do during the commercials of sports events.
Okay. Like, as a way to give away, you know, a, like a case. 'Cause you're, like, the guy that's running the PA at that point. Running the PA-
Okay ... and just, just so bars don't have commercials playing during the- Absolutely. Yeah ... so they have something happening during the commercials, music-
Well, and the- ... or whatever ... the, you know, in my experience when I've done it, it's always been, like, okay, you pull up the, you know, Top 40 music at commercial breaks, and you play the fight song when Ohio State scores. Yeah, exactly.
Or when, depending on what bar you're in. Oh, God. Right. In Chicago with the Blackhawks, man.
Okay. If you, if you, when they score and you don't play Chelsea Dagger, like, the second, I mean, if you're in the bathroom or something- This guy sucks. Yeah. You are, you are booed, berated-
That's good to know ... because, because we established earlier this week- I got out of that business too ... everyone loves Chicago-
Right ... being from Chicago. Yeah. Everyone in Chicago loves being in Chicago.
And again, we're working on it in Columbus. That's the goal. And we're working on it in Columbus. They also have a better flag. That's the issue that, that I'm constantly- The Blackhawks?
No, Chicago- Oh, yeah, yeah, yeah ... has this better city flag, like the stars. Where I've got a crew working on kinda- You're working on a Columbus flag?
Yeah. Man. I know. Gotta throw it under, like, a not, you know, auspices of a nonprofit. I'm on the ground, I'm on the ground floor of something here, on the second floor of something.
Oh, there's like eight things going on now. The good thing is, is we're 42 minutes in, and so- Oh, then you can- ... you know, who is still listening to this? You.
I'm just revealing everything that I, that I'm working on. So what else are you, in addition to the hashtag comedy, you're- Well, yeah ... hiatus from that. '90s, it's funny you mentioned earlier-
Yeah ... going to Somewhere On Sundays- Uh-huh ... for the '90s. I, 20 years ago, the first show that I had any sort of notoriety with was Sunday Night '90s.
Okay. So, uh, about five years ago or so, I just asked, you know, the powers that be, I said, "Hey, you know, I have all the archives of this show, like, literally all of them." Okay. "I have all the imaging. I have all the everything." I said, "The '90s are kind of coming back."
Right. W- can I have that? Can I have Sunday Night '90s? And they're like, "I don't know. What the fuck do we care?" What, like, at the station, or...? Yeah, like, uh, yeah, 'cause the radio station, that was a big thing. Dave Robins and the, and the station, they trademarked everything whenever they had a, a hit show.
Okay. That's why whenever somebody tried to come at him, like Friday Night '80s, how monstrous that was. Right. When Star 107.9, all '80s all the time, came on the air-
Cease and desist ... they tried, they tried to do a Friday... No, no, no, not this station. Okay. They just couldn't say Friday Night '80s.
Got it. They could say the '80s on Friday or whatever. Right. But they could not say the words Friday Night '80s, you know, subsequently or-
'Cause they paid the hundred bucks- ... whatever, because- ... because, you know, get- ... WNCI, you know, I don't think they do things like that anymore.
Right. Maybe iHeartRadio does, but- Right ... yeah, Dave Robins would, would go, "That's a great idea, and we're gonna trademark it." Like, I'm surprised Drew Hanson didn't end up getting trademarked. I mean, big sur-
Your name, right ... big sur- big surprise. Is that your legal name? Eh, it's not, eh.
It's not your legal name. Let's say I'm married to it. Well, there, but the, I mean, there's a lot of f- I don't... I think there is one on-air talent at City 102.5 that's using their real name. Yeah, like, I mean, it's just not done. Yeah. It, well, it is, and it isn't. It is, but it i- yeah. I, I don't know. Whatever.
Okay. But yeah, they, it didn't get trademarked is, is the good news. So they gave me Sunday Night '90s, and I started doing it in Chicago. Well, it didn't really land in Chicago, 'cause nobody knew me from that show. Okay. So there was no, like, nostalgia feels with it, like-
Okay ... or whatever. And I'm not getting nostalgia feels with it now, because everybody I'm entertaining with it is 21 Okay ... 22 years old, 'cause I'm at a campus bar. I mean-
So are you playing music? What are you doing? I'm doing videos. Okay. I'm doing videos along with pop culture clips-
Okay ... from the '90s, like little snippets. And are you, like, talking them through it? Or do you- No.
Okay. No, no, no, no, no. So what I'll do is- It's just sort of in the background. Yeah. It's, so I advertise it as, obviously, Sunday Night '90s, and then it's '90s, uh, ish until about 12 o'clock, all '90s music videos.
Okay. They're all videos. So then I'll occasionally throw in, like, I'll stop for a commercial break, and I'll play the Cindy Crawford commercial when she's going to get the Pepsi. Cute. Okay. So, and then I'll come back, and then blah, blah, blah, blah, blah. And now a word from our sponsor, and, you know, play a '90s commercial or the... And the, uh, surprisingly, a lot of these you can rip off of YouTube, but I found-
Right ... I found a service that had really good quality versions of- Okay ... of all these things. So then, you know, you've got f- you know, Friends and Seinfeld-
Right ... little, little snippets you'll throw in between a song here and there or whatever. And people love that stuff, right? They do, yeah. But this is more the early crowd, 'cause then they, like 12 o'clock, when it's popping, you know, I can't stop down and do that, or people will boo the crap out of me.
Right. The music's gotta keep going at that point. Absolutely, right. But, uh, the, I'm mixing the videos too, so the, I've, there's got six, seven or eight different screens where we're doing the videos on. And then, you know, once I started getting into videos and things like that, I'm going, "All right." I basically am only gonna DJ weddings now. So I'll just DJ weddings, and then everything else is gonna be concept-based, and videos or trivia or-
Yeah ... you know, whatever else. That's cool. That's very cool. So it's, it's, it's getting off the, the ground with it locally. I don't know.
Do you have sort of a w- like, a home on the web, like drewHanson.com? DJdrewHanson.com is for weddings. Okay. Uh, drewHanson.net is going to be the hub where it links to every single concept and every single archa- archive that I've ever done.
Right. I'm going to release an anthology of every single radio show, every single- That's awesome ... I'm gonna put that out.
Do you know Adam Contras? No. So he at least is credited, I think it was Wired Magazine just credited him with starting the first vlog, video blog. He's a City 10- 102.5 guy. Oh, really?
He owns a totally souped-up DeLorean. He's out in LA now. I think Four TVs is the name of his vlog, but- I like that name ... it's funny that you're putting it all out there. That's great. Yeah, yeah. So I'm, I'm trying to launch a one-stop shop, because I am dif- you know, going into all these other different projects and things like that, and-
Well, and you wanna be able to just say one place of like- Yeah, just tell people one place ... drewHanson.net. There's the link for the DJ stuff if you want. There's a link for the trivia stuff. There's the, you know, back archive of the stuff that you've done and- D- D-List Famous for marinara sauce.
I don't know what that reference is, but- That's I, I have my own marinara sauce. You do? Yes.
Still? Yeah. Is it delicious? It's pretty good.
Okay. It's pretty good, and I sell it at- And you get D-List Famous. That's fantastic. DListFamous.com, but it's not up yet, so don't go to that site.
We'll link to it later. But go, but go to that site. If you're listening to this later, go to that site. Drew, thank you so much for your time tonight. Thank you for letting me come corrupt your such nice, professional-sounding podcast
I love it. I love it. Thank you for listening to The Confluence Cast, presented by Columbus Underground. Again, you can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. Please rate, subscribe, share this episode of The Confluence Cast with your friends, family, contacts, enemies, your favorite media personality. If you're interested in sponsoring The Confluence Cast, get in touch with us. We can be reached by email at info@theconfluencecast.com. Our theme music was composed by Benji Robinson. Our producer is Philip Cogley. I'm your host, Tim Fulton. Have a great week.
Transcript11,173 words
Tim Fulton Ladies and gentlemen, welcome to the Confluence Cast presented by Columbus Underground. We are a weekly Columbus-centric podcast focusing on the civics, lifestyle, entertainment, and people of our city. I'm your host, Tim Fulton. This week I sat down with Drew Hanson, former WNCI DJ and self-proclaimed D-list celebrity, for a freewheeling conversation about his experience in Columbus media, why he decided to leave Columbus, and why ultimately he came back. You can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. Also, The Confluence Cast is on Patreon. Find out how to support this podcast on our website, theconfluencecast.com, or at patreon.com/confluence. The Confluence Cast is sponsored by Little Rock Bar. Little Rock Bar is located at 944 North Fourth Street in Italian Village. With 30 craft beers on tap, Little Rock Bar has happy hour from 4:00 to 7:00 PM every day. Every Tuesday is $3 draft beers all night while you enjoy Rock Your Cock Off Karaoke. Wednesdays is Everybody's a Comedian, hosted by Travis Hawitcher. It's like trivia, but you prove your snark instead of smarts. Info, hours, and upcoming events at littlerockbar.net. Everyone's night should have a little rock. Enjoy the interview. Sitting down here with Drew Hanson, entertainer, DJ, actor, former professional wrestler.
Drew Hanson Yeah.
Tim Fulton Semi-professional wrestler.
Drew Hanson Well, the semi- if you're a semi-professional wrestler you're a legit college athlete.
Tim Fulton Well, so you're- In my head the definition of professional is getting paid sometimes.
Drew Hanson Yeah. Well, that happened occasionally.
Tim Fulton Right.
Drew Hanson During-
Tim Fulton When you won
Drew Hanson ... but not, when... Oh, no, no, no. It was just, you know, how the house did.
Tim Fulton Gotcha.
Drew Hanson I don't know if you know this or not, but wrestling is a little predetermined.
Tim Fulton Uh, oh.
Drew Hanson I'm not sure if you had heard that.
Tim Fulton Well, I did watch-
Drew Hanson I didn't know how, I mean, we are-
Tim Fulton ... some of Raw 25, and you're right, it did seem staged.
Drew Hanson It did, it did. It was weird how the commercial breaks happened exactly when no action was happening in the ring, and it was just very odd how that happened.
Tim Fulton I imagine most people in this audience, if I know my audience, will know you from your time at WNCI. You were there for-
Drew Hanson I don't know, this is Columbus Underground.
Tim Fulton Well-
Drew Hanson That's hardly underground.
Tim Fulton Yeah, what, the demographic, at least for podcast listening and for the format of this podcast skew a bit older.
Drew Hanson Yeah.
Tim Fulton You know, this is not the, these are not the 23-year-olds that are showing up at nine- '90s night at Three Sheets every Sunday.
Drew Hanson Well-
Tim Fulton So...
Drew Hanson Well, you are... Oh, by the way, I have a '90s night on Sunday- ... they should go to, but we'll get to that.
Tim Fulton Right.
Drew Hanson But by the way, I was gonna say, if this is Columbus Underground, you're a complete farce. We're on the second floor. We're on the second floor of a building.
Tim Fulton Indeed.
Drew Hanson So the, so the truth is out there.
Tim Fulton How did you, you started when you were 19.
Drew Hanson 19. Yeah. Oh, we were saying-
Tim Fulton Yeah
Drew Hanson ... 'cause I had my first audition.
Tim Fulton Okay.
Drew Hanson This is back when you had to audition. Basically, the, uh, boss of the station was driving through my hometown, which is a significantly smaller place.
Tim Fulton Mm-hmm.
Drew Hanson And he was driving home from a Cleveland Indians game, he had the Indians tickets or something.
Tim Fulton Okay.
Drew Hanson So he's driving past and he hears, he, he listened, he would listen to Top 40 stations when he would drive, you know, through Ohio, 'cause he was, you know, a radio dude. He wanted to hear radio DJs.
Tim Fulton Well, he's checking out the competition, right?
Drew Hanson Well, not necessarily competition because, you know, I, I worked at, like, a 3,000-watt station, you know, at a top-
Tim Fulton Oh, okay
Drew Hanson ... at a Top 40 station on the weekends. So he was listening basically for, you know, weekend people that he could maybe bring into WNCI. 'Cause WNCI kinda had a system for things. They would get, you know, a weekend person. If that person did good on the weekends they would, uh, either get a specialty show like I did or-
Tim Fulton Okay
Drew Hanson ... or they would get, you know, an overnight shift-
Tim Fulton Okay
Drew Hanson ... during the week. So you'd be a-
Tim Fulton Similar to what you see on, like, a local television station.
Drew Hanson Yeah, yeah.
Tim Fulton Or even-
Drew Hanson Very similar, actually
Tim Fulton ... like CNN. Yeah.
Drew Hanson I would argue that that's probably the same exact thing.
Tim Fulton Okay.
Drew Hanson But yeah, you'd move up kinda that way. But the thing with WNCI, in their heyday they were such a great station that nobody would wanna leave.
Tim Fulton Okay.
Drew Hanson So part-timers would come through and they would build up their resume or they would build up their experience or, you know, whatever, and then they would send it out to places and then they would basically... You know, I was at WNCI, which was, like, this major thing-
Tim Fulton Mm-hmm
Drew Hanson ... to have, you know, on your... And Columbus never r- you know, maybe they did- ... they realized WNCI was a great local station, but to the country WNCI used to be-
Tim Fulton It was a benchmark
Drew Hanson ... you know, where every DJ wanted to end up going, where, where every jock in the country wanted to be.
Tim Fulton Okay.
Drew Hanson Not only for the company, because it was a great company, Nationwide Ins- Insurance.
Tim Fulton Right.
Drew Hanson But it was, you know, it had a reputation of just, they were never number... They were the New York, uh, or the, I'm sorry, the New England Patriots of-
Tim Fulton Okay
Drew Hanson ... of radio.
Tim Fulton Okay.
Drew Hanson I mean, and that was the same reason a lot of people hated them, loved them, whatever.
Tim Fulton Right.
Drew Hanson But, you know, they, I had to audition. The first time they put me on an overnight shift with Dave Sharp, who, you know, old time radio people-
Tim Fulton Mm-hmm
Drew Hanson ... will remember that name 'cause he was on overnights. A- and the same thing I just said, he couldn't ever move past overnights, and he knew he never would, so he eventually got sick of it and moved on.
Tim Fulton Okay.
Drew Hanson So, um, Dancer actually was the first person to shake things up there.
Tim Fulton Mark Dancer, right.
Drew Hanson He probably... Yeah, Mark Dancer, in probably 20 years-
Tim Fulton Okay
Drew Hanson ... I mean, to, to really shake things up there. So I, you know, had my first audition. I'm kind of going Tarantino-style and going forward and backwards. But, uh, I had my audition, the first one- They didn't contact me for two and a half, three months.
Tim Fulton Okay.
Drew Hanson I didn't, I didn't think, I did it.
Tim Fulton You were like, "I didn't get it."
Drew Hanson Yeah, I didn't get it. They said, "Well, we had some changes here, you know, we lost this person here and this person here."
Tim Fulton Right.
Drew Hanson "And we were basically just giving you a shot for future what we would have," 'cause they didn't tell you anything.
Tim Fulton Right.
Drew Hanson So then, you know, when I did have a spot, I started, you know, I got pulled in, I was doing overnights and everything else, and it was so anticlimactic because this was this powerhouse of a radio station, but it was at a time period that they were really terrible.
Tim Fulton Okay.
Drew Hanson 'Cause they were trying to compete with Sunny 95, so they changed it to, like, "We're the more variety."
Tim Fulton Okay.
Drew Hanson "We're the, we're the station playing your adult favorites without the kiddie rap," and all that stuff. And what really made them hot was, you know, "New on WNCI-
Tim Fulton Right
Drew Hanson ... the, the world premiere of Kid Rock," or, you know, not Kid Rock at the time, but-
Tim Fulton Right
Drew Hanson ... you know, I'm thinking, I remember WNCI as a kid in junior high, and they had the world premiere of, uh, Parents Just Don't Understand.
Tim Fulton Okay.
Drew Hanson The DJ Jazzy Jeff song.
Tim Fulton Right.
Drew Hanson And it was, and first of all, it was like, "Who the hell's W- Will Smith and DJ Jazzy Jeff?"
Tim Fulton Right.
Drew Hanson 'Cause you'd never heard of them do anything before, and the song was such a banger, like right out of the box, that I'm like, "WNCI breaks these awesome, cool, new rap songs," which was like the beginning of rap. Not, you know, Sugarhill Gang was kinda the beginning of rap, but-
Tim Fulton Right
Drew Hanson ... but, like, you know, Will Smith was-
Tim Fulton But, you know, we're, we're gonna hear that on the radio, right?
Drew Hanson You were not gonna... This is the beginning of rap that you would hear, you know, on your, on your radio station, which was unheard of at the time.
Tim Fulton Right.
Drew Hanson So this was, you know, the reputation WNCI had. So I have my second audition, and I go back and I do that, and then that's when they gave me the third one, which was an actual, like, an hour-
Tim Fulton Okay
Drew Hanson ... midday, midday with Andy Clark.
Tim Fulton Okay.
Drew Hanson Which basically, Andy just basically goes, "Hey, man, welcome to the team." I go, "Uh, I don't think so." He goes-
Tim Fulton I don't, I'm not hired yet.
Drew Hanson I'm not hired yet. He goes, "No, if you're doing the hour midday, you're, you're hired."
Tim Fulton Right.
Drew Hanson He said, "They, they-"
Tim Fulton They're just making sure that you're not gonna break FCC vio- you know, regulations, and, and that everything's gonna be okay.
Drew Hanson Yeah, that everything-
Tim Fulton Right
Drew Hanson ... was gonna be cool, and, and that I wasn't, you know, uh, no, they, they wanted me to see the light of day-
Tim Fulton Right
Drew Hanson ... and see people and meet people and shake hands with people and this is the sales, introduce me to people. And kinda more or less 'cause they were such a tight-knit, you know, y- a group-
Tim Fulton Okay
Drew Hanson ... they, they kinda went yay or nay on, on whoever.
Tim Fulton Right.
Drew Hanson And I was the kid. I was, you know, I was the youngest kid, maybe until the kid that succeeded me, actually.
Tim Fulton Okay.
Drew Hanson Um, I was probably the youngest kid in the history of that station to, to kinda be in the prom- in the spots that I had.
Tim Fulton And so how long were you there?
Drew Hanson I was there in stints.
Tim Fulton Okay.
Drew Hanson The first stint was from '95 until 2001.
Tim Fulton Okay.
Drew Hanson So that was the biggest-
Tim Fulton Well, that's not a small s- I mean, that's six years, right?
Drew Hanson No. No. Yeah, but that was the, the '90s show that I did, and then that got me the full-time spot when Dancer finally moved on.
Tim Fulton Okay.
Drew Hanson And I don't say that like, you know, finally. If you're working there, that's extremely frustrating. Nobody ever leaves.
Tim Fulton Right.
Drew Hanson You know, they, man, every time a new DJ would come and build a house, I'd be like, "Ah, that's another three years I'm not getting-"
Tim Fulton Well, and my experience in the space is with formerly CD101 and now CD102.5, I was an intern in actually high school and then also in college, and a lot of those folks are still there.
Drew Hanson Yeah, yeah.
Tim Fulton You know? Or they came on almost immediately after I was done. You know, they don't leave.
Drew Hanson No.
Tim Fulton So what don't... You know, I think people have this perception of what it's like to work in that field, radio specifically.
Drew Hanson Mm-hmm.
Tim Fulton We'll get to the, the, you know, the DJ and the, and the wedding gigs and the, and the bar gigs and the-
Drew Hanson Two vastly different animals.
Tim Fulton Right. We'll get to that-
Drew Hanson Vastly different
Tim Fulton ... we'll get to that in a minute, but talk about, you know, at least from the folks that I've talked about, you know, the pay's not great.
Drew Hanson Well, it, it goes like everything else. Like, you know, just a, just like the stint in wrestling, the higher up the card you are, the better the pay is.
Tim Fulton Got it. Okay.
Drew Hanson So I was, I, I got about, mm, midway to about a th- you know, I was like the highest you can get but not be a morning show or an afternoon show.
Tim Fulton Okay.
Drew Hanson So-
Tim Fulton Well, and there's also sort of this additional income part of it, too, right?
Drew Hanson Yeah.
Tim Fulton Like, you're a personality that the sales staff can then hire out to go to a cellphone store opening, to go DJ-
Drew Hanson Which would be a-
Tim Fulton ... DJ at a bar
Drew Hanson ... large percentage of your cash.
Tim Fulton Right.
Drew Hanson Like, a l- the bulk of it sometimes.
Tim Fulton Okay. 'Cause you're basically paid a pretty menial hourly, and then theoretically you become a personality that they can then hire out, right?
Drew Hanson Yeah, yeah.
Tim Fulton Okay.
Drew Hanson I, I always looked at it like the, the actual doing the air shift, that's like an actor that goes onto a talk show.
Tim Fulton Okay.
Drew Hanson Like, where, where they're pr-
Tim Fulton Basically you're promoting yourself
Drew Hanson ... promoting, promoting a movie or promoting a product, you know, that-
Tim Fulton You're not getting paid per se for that.
Drew Hanson Right, yeah.
Tim Fulton Right.
Drew Hanson Like Bradley Cooper, oh, wow, why am I seeing Bradley Cooper on Letterman tonight? Does he wanna tell me about this wonderful trip he took to Aruba?
Tim Fulton No.
Drew Hanson Because it's a great story. I can't believe he got on this talk show just to tell me, oh, hang on, the first commercial break when they go to commercial after his appearance is coming soon, The Hangover 6.
Tim Fulton Right.
Drew Hanson You know, like, so I'm going, "Oh, there's a science and a business to all this." So the radio really, in essence to me, as much as it, it is really what the job, the whole reason you are able to do side projects and be put in appearances or have any sort of notoriety is the radio.
Tim Fulton Right.
Drew Hanson But in essence, the radio is a commercial.
Tim Fulton Okay.
Drew Hanson I, I, now this is my personal philosophy. This is obviously not anyone's personal philosophy-
Tim Fulton Right
Drew Hanson ... that is a lifer in radio. They are, they, they have a love of tran-
Tim Fulton They do
Drew Hanson ... transmission.
Tim Fulton Okay.
Drew Hanson I have love of transmission and-
Tim Fulton And do you?
Drew Hanson Uh, somewhat.
Tim Fulton Okay.
Drew Hanson Yeah, yeah, yeah.
Tim Fulton It's cool.
Drew Hanson Yeah, it is. It's cool. I like it. I mean, I never got into the business because I was sitting in shop class one day learning about the finer arts of a signal being transferred from one place to another.
Tim Fulton You don't have an amateur radio license.
Drew Hanson I do.
Tim Fulton Oh, you do?
Drew Hanson Oh, wait a minute. Is that the-
Tim Fulton That's like the-
Drew Hanson Maybe I was an amateur-
Tim Fulton That's like-
Drew Hanson ... when I got my radio
Tim Fulton ... that's like the hobbyist, that's not like being an engineer at a station.
Drew Hanson Okay.
Tim Fulton That's like the hobbyist Morse code, shortwave radio, volunteering at, like, marathons to communicate with the emergency responders.
Drew Hanson I remember-
Tim Fulton That's what amateur radio-
Drew Hanson Okay, I-
Tim Fulton My father did amateur radio, so that was-
Drew Hanson Well, I didn't get that, then.
Tim Fulton Okay.
Drew Hanson I got, I got my FCC license-
Tim Fulton Right
Drew Hanson ... when I was an amateur.
Tim Fulton G- right. That's the-
Drew Hanson When I was, like, 15. I remember I had a math test and I had my FCC license test on the same day.
Tim Fulton Okay.
Drew Hanson And one-
Tim Fulton So you knew you wanted to do this
Drew Hanson ... one of those I failed at. Oh, I knew, yeah. Oh, well-
Tim Fulton Where'd you grow up?
Drew Hanson ... I knew I wanted to be in entertainment, period.
Tim Fulton Okay.
Drew Hanson That was, I mean- The first, I vividly remember when I went, "Yep, that. That's me. That's what I'm doing."
Tim Fulton Where'd you grow up?
Drew Hanson I grew up in Marion.
Tim Fulton Okay. And so Columbus was always sort of-
Drew Hanson Columbus was the big city
Tim Fulton ... was the big city-
Drew Hanson Oh, yeah
Tim Fulton ... right by. Okay.
Drew Hanson Yeah. Columbus was a b- a big old city.
Tim Fulton And so is, and I'm just curious about this, 'cause the, the folks that I've talked to that have worked in, primarily in television, at least on a, on a local scale, they always have sort of this risk of, is my contract gonna get renewed? Is, you know, is, are the higher-ups gonna like me?
Drew Hanson Yeah.
Tim Fulton At least WNCI at the time was not that way. It was ver- 'Cause what you're saying is, those folks who, you know, they got their shift, and they kinda didn't leave.
Drew Hanson No, not for a long time. Now-
Tim Fulton Okay
Drew Hanson ... when, when Nationwide sold-
Tim Fulton Right
Drew Hanson ... the, people were turning over like crazy.
Tim Fulton To, and was that because of the higher-ups? Clear Channel was like, "We're gonna find, you know, who's the best fit for this so that we can get our rankings up"?
Drew Hanson It was, it was weird. I have heard so many stories from program directors' point of view of the first year-
Tim Fulton Mm-hmm
Drew Hanson ... of Clear Channel really being in charge.
Tim Fulton Okay.
Drew Hanson Now, at this point, I'm clueless, 'cause nothing's changing as far as I'm concerned. My paycheck is the exact same. Everything's, nothing has changed with me. I-
Tim Fulton But you're on-air talent. You're not, like, the program director.
Drew Hanson Right.
Tim Fulton Okay.
Drew Hanson I'm not having to really see any major changes with this.
Tim Fulton Okay.
Drew Hanson Where the changes I started seeing were when people started, in higher up positions, leaving.
Tim Fulton Okay.
Drew Hanson And I'm going, "Why are these people leaving?" And I'm not connecting the dots, that they're doing that clean, pretty, you know, "I'm moving on to future endeavors," and, you know, whatever, where you never really know who was fired and who is really actually leaving.
Tim Fulton Or who's pissed off and l-
Drew Hanson Who's pissed off, and yeah. I mean-
Tim Fulton Or who truly got a better job, right.
Drew Hanson Right, exactly.
Tim Fulton Okay.
Drew Hanson So, and I, and if we get to this, I've never been one of those people that have one ... It's always very clear what, what happened with me-
Tim Fulton Okay
Drew Hanson ... whenever something like this
Tim Fulton Okay.
Drew Hanson If, if, if it gets that far and we get to that kind of part where it goes-
Tim Fulton I'm excited to hear that story now.
Drew Hanson Yeah, well, oh, boy. But it's, uh, I, I've done some questionable things in the name of networking and character.
Tim Fulton Okay.
Drew Hanson But, uh, yeah.
Tim Fulton So it was weird, that first y- you know, that-
Drew Hanson The first year-
Tim Fulton ... there's transitional time
Drew Hanson ... that it was Clear Channel, a- again, I, I didn't start noticing anything really different until people that were higher-ups that, you know, I knew and respected and, and whatever would go to work for other companies.
Tim Fulton Mm-hmm.
Drew Hanson And none of them moved sideways. None of them went to another Clear Channel company.
Tim Fulton Okay.
Drew Hanson Everybody had went to someplace else, and the biggest was Dave Robbins-
Tim Fulton Okay
Drew Hanson ... who was the WNCI, you know, mega, you know, one of, one of the big reasons that they had the reputation was he was one of the guys that made WNCI just the giant.
Tim Fulton Was he, like, the station manager or-
Drew Hanson He was the, he w- literally went through the ranks. Like, he was a jock-
Tim Fulton Okay
Drew Hanson ... and then he was the program director. Then he was the general manager of the radio station.
Tim Fulton Okay.
Drew Hanson Like, and then he left the station as general manager when he coulda, I mean, e- he would've been on, he would've been partner by now, 'cause he's been partner-
Tim Fulton Okay
Drew Hanson ... in radio companies ever since. He went to CBS and-
Tim Fulton But he's not gonna be at someplace like Clear Channel, where it's just this big national-
Drew Hanson He would never be at a s- yeah
Tim Fulton ... right
Drew Hanson ... at someplace like that. So it's, it j- it really started changing when I started seeing people, higher-ups leaving, and then I started seeing s- you know, little changes.
Tim Fulton Okay.
Drew Hanson Like, we can't do this, we can't do that, that we used to be able to do, or-
Tim Fulton Give me an example of that
Drew Hanson ... uh, um, when sales became less local and they became more national-
Tim Fulton Okay
Drew Hanson ... you could tell that they were steering towards a national product.
Tim Fulton Okay.
Drew Hanson So they would want us to, if we had local bar appearances-
Tim Fulton Right
Drew Hanson ... we would not be able to really mention those as-
Tim Fulton Unless-
Drew Hanson ... much as we were able to
Tim Fulton ... unless that there was, like, a liquor brand associated with it or-
Drew Hanson Well, no, it wasn't like that. It was just e- it, it was so subtle how they tightened the nooses-
Tim Fulton Okay
Drew Hanson ... because they didn't want to shake up that WNCI morale that we kind of were famous for.
Tim Fulton Okay.
Drew Hanson So-
Tim Fulton Well, they were protecting their investment to an extent.
Drew Hanson They were, yeah.
Tim Fulton Right?
Drew Hanson Yeah, yeah. They, uh, despite the fact that they were eventually gonna completely gut that place and-
Tim Fulton Okay
Drew Hanson ... and do, you know, do a Clear Channel to it.
Tim Fulton Right.
Drew Hanson But, you know, and a lot of things I started seeing changing and, and, and I didn't see the writing on the wall, because when, when our show was fired, it was a complete shock to everybody.
Tim Fulton Okay.
Drew Hanson We found out about it-
Tim Fulton So when was this?
Drew Hanson This was the-
Tim Fulton This was second stint?
Drew Hanson This, this was the first stint.
Tim Fulton Okay.
Drew Hanson This is how the first stint at the station was finished, was over.
Tim Fulton So this is 2001, 2002?
Drew Hanson This was 2001.
Tim Fulton Okay.
Drew Hanson Yeah. Well, it was actually the end of 2000-
Tim Fulton Okay
Drew Hanson ... almost into 2001.
Tim Fulton Okay.
Drew Hanson We w- we were set to be fired, one of those December 31st things.
Tim Fulton So how did that happen?
Drew Hanson We found out about it, 'cause the, the program director that came to the station, uh, Jimmy Steele, who's been in the Columbus market two or three times-
Tim Fulton Okay
Drew Hanson ... he's been fired every time. Sorry, sorry.
Tim Fulton Sorry, Jimmy.
Drew Hanson I occasionally get a little dig in on the guy. He, he came into the market at the beginning of November, and we didn't have a program director at the radio station for almost eight months-
Tim Fulton Okay
Drew Hanson ... because all the jocks were s- And it w- I guess it was a compliment to us. We didn't-
Tim Fulton That you guys could handle yourselves
Drew Hanson ... we could handle ourselves.
Tim Fulton Right.
Drew Hanson We didn't really need anybody slapping us on the wrist or any- We knew the mission of the, of the station. You know, we knew the goals and everything else.
Tim Fulton You knew what you were supposed to be playing in g- generally, right.
Drew Hanson Yeah, and a lot of us were still running on that nationwide mindset, despite the fact that, you know, Clear Channel was, was in charge. They were almost like a substitute teacher that we didn't believe was our real, "You're not our real dad." Like-
Tim Fulton Okay
Drew Hanson ... or, you know, a stepmom or a stepdad-
Tim Fulton Right
Drew Hanson ... or something. None, none of the, the lifers or the, the WNCI purists that came over-
Tim Fulton Uh-huh
Drew Hanson ... in the sale ever really, I think, maybe for a year or two, until things really shook up-
Tim Fulton You were like, "It's fine, whatever."
Drew Hanson It's, yeah-
Tim Fulton "I'm getting a paycheck"
Drew Hanson ... nothing's really gonna be different.
Tim Fulton Right.
Drew Hanson Everything's gonna be, you know, we're, we're, we're okay. And then, well, the first major thing that happened was we moved into The Continent-
Tim Fulton Mm
Drew Hanson ... from, from, you know, higher up, the one nationwide building.
Tim Fulton Right.
Drew Hanson You know, and we moved into The Continent, which was mold-infested and everything else, where everybody had out-
Tim Fulton That was well past its heyday.
Drew Hanson Well, well past its heyday. There were, I don't, I think even the skaters quit going there to skate- ... at the time that we were in The Continent.
Tim Fulton Right.
Drew Hanson There was nothing left there. Well, actually, there was the bars. The bars were always kinda still hopping there until-
Tim Fulton Right
Drew Hanson ... until they got, you know-
Tim Fulton So new guy comes in
Drew Hanson ... immediately, um, starts meeting with, like, every talent on the air staff except for myself and Fish. Fish was my partner at night.
Tim Fulton Okay.
Drew Hanson So we started questioning, like, "Why haven't we had a meeting with this guy yet?"
Tim Fulton Right.
Drew Hanson And we found out that Matt Ryan, who was, like, this part-time kid who was ironically enough 19-
Tim Fulton Okay
Drew Hanson ... which we're, so were, so was I the first time I came in. So he's been meeting with him, and I'm going, "Why is a part- you know, why is he meeting with the Saturday night overnight kid?"
Tim Fulton Essentially the intern, right.
Drew Hanson Yeah, the, the overnight kid on Saturdays. So we started, I started snooping, doing a little my investigative work.
Tim Fulton Right.
Drew Hanson That's gotten me out of many relationships. There's my-
Tim Fulton Business and personal
Drew Hanson ... th- right there, boom, got something on her, there's my out. Yeah. No, so I started kinda snooping and going, "I think that, I think we're getting replaced at the end of the year by Matt Ryan," and Fish was like, "No, there's no chance we're getting replaced." So-
Tim Fulton People love us.
Drew Hanson Yeah.
Tim Fulton Sales is-
Drew Hanson We were number one.
Tim Fulton Right.
Drew Hanson We had never dipped to number two.
Tim Fulton Okay.
Drew Hanson We, we were n- the n- and not even close. We were number one by far. And-
Tim Fulton Well, and let's, I just wanna point out that is most likely because of, one, strength of s- signal, and two, format, right? Like, you-
Drew Hanson He might... Oh, yeah
Tim Fulton ... yeah, but I don't want to at a- all insult, like, you-
Drew Hanson All right, C101 boy.
Tim Fulton I'm just-
Drew Hanson Okay
Tim Fulton ... you know.
Drew Hanson All right. No, it, it is strength, no, it is those factors, and-
Tim Fulton Right
Drew Hanson ... they di- I don't think they even made any bones about that, you know?
Tim Fulton Right.
Drew Hanson We're, we reached the most people. In fact-
Tim Fulton You're the elephant, right
Drew Hanson ... in fact, Dave Robbins had his theory of the art of war where he goes, you know, "If we play a song that, you know, uh, uh, Chan- uh, 98," what was the Al- hot alternative for a while in the '90s and early 2000s?
Tim Fulton Oh, like 105.7?
Drew Hanson Channel Z. Channel Z. 93 whatever, Channel Z.
Tim Fulton Yeah, yeah, yeah. Okay.
Drew Hanson Or, or Hot 105 or Hot 107-
Tim Fulton Yep
Drew Hanson ... or in the '90s, or, uh, Power 107-
Tim Fulton Yeah
Drew Hanson ... if it, if it's still a thing.
Tim Fulton Yep, still there.
Drew Hanson That's how out of radio I am. I don't know what's what. But if they would play a, a, a song, and then we would play a song, we would basically advertise that song for them to play it. We, they would hear it on WNCI-
Tim Fulton People were pulling from you, basically.
Drew Hanson Well, no, it was more, Dave Robbins' belief, and it's, I guess it's in The Art of War book.
Tim Fulton Okay.
Drew Hanson If you starve your enemy by giving them your rations, or, or no, if you give the enemy your rations, they, they, they can eat. If you starve them by taking your rations, the enemy doesn't eat. So if a smaller station played a song and it didn't sound familiar to the average listener, they would pop out and they would go to WNCI. This is acting on the belief-
Tim Fulton You were feeding them. Yeah
Drew Hanson ... you're feeding them by playing, like, if we played a hip hop song, when Power started getting a little bit of momentum in the, in the-
Tim Fulton Right
Drew Hanson ... in the ratings, if we played a hip hop song, we were advertising Power 107.
Tim Fulton Mm-hmm.
Drew Hanson So, uh, hip- we're going, "WNCI is officially not making hip hop cool." That's literally, it would be on a memo. It would say, "We are no longer playing anything that Power 107, we are not sharing a playlist with anything Power 107 plays," because we're advertising their station, because if people hear it on WNCI, it's a hit. If they hear it on Power 107 that they heard on WNCI-
Tim Fulton Right
Drew Hanson ... it's a hit that they just happened to hear on Power 107. It's freaking genius when you think about it.
Tim Fulton Yeah.
Drew Hanson When you've got the bigger stick, and, and, you know, I've applied that in business, like, okay, you know, if more people know me, or if more peop- or my audience or whatever is, is this-
Tim Fulton Right
Drew Hanson ... and it's this big, and this person's audience is this, and it's, you know, it's only this big-
Tim Fulton And there's some crossover
Drew Hanson ... and, and there's a little bit of crossover, or that person is any way related to me, I can just tell my audience, you know, eh, let, let's, uh, that-
Tim Fulton There is no crossover here
Drew Hanson ... there's no crossover here. I don't know that person, or that's a karaoke DJ, or that's a-
Tim Fulton Right
Drew Hanson ... that's a whatever. And that's, I guess it's smart business, 'cause there's a lot of people that are gonna do a lot more ruthless things than me.
Tim Fulton Right.
Drew Hanson But, but that's, was the philosophy Dave Robbins had with music. Like, with-
Tim Fulton And so guy's not taking your calls, guy's not taking a meeting with you, and basically within a month and a half you're sort of let go.
Drew Hanson What's funny is we, we confronted him.
Tim Fulton Okay.
Drew Hanson I, I go, "Do you wanna..." I said, "Do you wanna sit this, have this sitting over us for a month?" And Fish was like, "Yeah, let's make the money. Like, let's not... 'Cause if we confront him, he might just fire us on the spot."
Tim Fulton Right.
Drew Hanson I go, "Well, you know, I, I can't live-
Tim Fulton I'm not comfortable with that
Drew Hanson ... I can't live like that." No, I mean, it had been two, three days that, that I knew. Like, I, I had an instinctual knowing because he wasn't meeting with us and whatever else.
Tim Fulton Right.
Drew Hanson And then I just knew, just 'cause whenever I know something and it's horrible, it's always true.
Tim Fulton Okay.
Drew Hanson It, it is. Whenever I just know it and I go, "Damn it, I know this is true, and it's horrible," it, uh, it always is.
Tim Fulton Okay.
Drew Hanson Um, that's a horrible affirmation, but, uh, uh, but I just knew.
Tim Fulton It's fair.
Drew Hanson I said, "Let's just confront him." I said, "If we're going down, I'm going down in flames." He goes, "Well, I'll go in with you, but whatever." I go, "Just trust me, you know, like, I'm not gonna steer you wrong on this."
Tim Fulton Right.
Drew Hanson So we confront him, and he's like... And I remember the statement, he goes, he goes, "Uh, man, I swear the wall's got ears around here. I said I don't know what I'm gonna do with the station at the end of the year. I know I may make changes, I may not." And, uh, we were just like, you know-
Tim Fulton That wouldn't make me comfortable at all. Right
Drew Hanson ... yeah, we were not comfortable. And he goes, you know, "Sometimes the walls are talking, I guess, you know, blah, blah, blah." And so I go, "So what, are you saying this is true? Uh, 'cause you haven't met with us. This is the first you've met with us, and you've met with-
Tim Fulton Because we asked for the meeting, right.
Drew Hanson Yeah, we asked for it to get it. So we get the meeting, and, you know, guy was real twitchy, dude. He was on coffee and, uh, well, whatever. He goes, "Oh, yeah, you know, I don't know. I don't know how it's gonna work. I don't know how it's gonna happen. I don't know what's gonna go on."
Tim Fulton Right.
Drew Hanson So we go on and we do the show as, as he wanted us to do the show.
Tim Fulton Right. You're taking-
Drew Hanson Which-
Tim Fulton ... direction from him
Drew Hanson ... we were taking direction-
Tim Fulton Right
Drew Hanson ... from him and not treating him or Clear Channel like the stepmother or stepfather.
Tim Fulton Mm-hmm.
Drew Hanson "You're not my real dad."
Tim Fulton Right.
Drew Hanson We, we took direction and we did it. We did everything he wanted us to do. So Thursday, it's a Thursday, and on Thursdays all the carpet cleaners came and all this stuff. So one of the carpet cleaners left the door unlocked, so this dude just walks in and he goes, "Hey, what's up, guys?" We're like, I look at Fish and I'm like, "Are, is this guy with you?" And he looks at me like, "This guy with you?" I go-
Tim Fulton Why is this guy in the studio, right?
Drew Hanson Why is this guy in the studio? He goes, "Is Matt Ryan here?" We're like, "No, Matt R- why would Matt Ryan be here?" And he goes, "Oh," he goes, "I just, I came to see him 'cause I thought he got the night show." And I look at Fish, and Fish looks at me, and I go, "Let's f-..." I go, "No, he's not here. How did you get in here?" He's like, "Oh, the door was just unlocked."
Tim Fulton Right.
Drew Hanson So the guy, the guy leaves. To this day, I don't know who that guy was-
Tim Fulton But he's the one that-
Drew Hanson ... or if this was planted, or if this was supposed to happen, but the first thing we did was get on the phone and call Jimmy Steele. And we said, "Dude, this guy just came in the station while the carpet cleaner's and left one of the doors unlocked-
Tim Fulton Right
Drew Hanson ... and said he was here to see Matt Ryan." And-
Tim Fulton We know what's up now
Drew Hanson ... and, and like, "What, what's going on?" And he goes, "Guys, I don't know what's going on. I don't know who that would've been." Or, I mean, it couldn't have been, like it, it couldn't have been a worse cover-
Tim Fulton So now he's just lying to you
Drew Hanson ... well, now he's lying to us.
Tim Fulton Right.
Drew Hanson And then I'm go- I'm looking at Fish, and I'm just, my face is beet red, and I have the tape of the last hour of us at the station, and it's so funny to listen to, 'cause there's so many inside things to me and him about, like, you know, if it was gonna be our last night or whatever.
Tim Fulton Just talking about burning bridges and, yeah.
Drew Hanson No, nothing like that. It was so subtle. No listener would've known.
Tim Fulton Okay. Okay.
Drew Hanson No listener would've known. And e- and even when I'm listening to it, I'm going, "I don't remember what that jab was," but it, like, whatever-
Tim Fulton But it cer- it sounds like a jab
Drew Hanson ... they were all ribs.
Tim Fulton Right.
Drew Hanson They were all ribs directly related to Jimmy Steele. So sure enough, Friday we come into the station, and Chris Davis is there, and he goes, "Hey, guys, Jimmy's upstairs waiting for you." We're like, "Yeah, I f- kind of figured." So we go upstairs, and he's, you know, he's got Joe Kelly. Poor Joe Kelly, we had gone to his father's funeral-
Tim Fulton Okay
Drew Hanson ... two months before this. So we had g- and he, this was our boy at-
Tim Fulton Right
Drew Hanson ... at the radio station. Fish's boy longer than mine. I, you know, I like the guy.
Tim Fulton Okay.
Drew Hanson But he, we had gone to his dad's funeral, and we were all real tight with him. Jimmy freaking pulls him in and makes him be the witness. So he's sitting there, he's watching two of his best friends get fired by a guy who's been in the building for less than a month.
Tim Fulton Ugh.
Drew Hanson And who's, who's, you know, got this plan to make Matt Ryan this, you know, hot-
Tim Fulton Right
Drew Hanson ... young, he's like, you know, "You guys are 25. You sound stale." "And even though you, you know, you're, you can't be hot young night guys at 25 years old." What are you, what, what is 25 old?
Tim Fulton Yeah.
Drew Hanson I could be a night... I had an audition to be a night guy at 35. I mean, what are you talking about? And he was just rattling off all these reasons why it was over. So then it was it. It was over, and he told the staff that we quit.
Tim Fulton Okay.
Drew Hanson It was i- in a memo, which w-
Tim Fulton So but you went back there.
Drew Hanson I went back, like, three years after, when I knew, when he was finished.
Tim Fulton Okay.
Drew Hanson 'Cause they had put him through, they put him through rehab.
Tim Fulton Okay.
Drew Hanson Like, and, uh, you know, this, this boss. Like, it was all this, you know, stuff with him being there, and, and, and just all the other changes that cl- you know, they finally moved, and they, they started getting into a better place-
Tim Fulton Okay
Drew Hanson ... as a company. So they all moved under one roof over on the Fifth Avenue.
Tim Fulton Okay.
Drew Hanson And then they hired Mike McCoy, who was a really great program director, and once Jimmy Steele was completely out of the building and out of whatever.
Tim Fulton Okay. They started farming that old talent.
Drew Hanson They started... Well, they didn't really farm it. They just, McCoy was ready to do some stuff with some, and Jimmy, Jimmy Jam is one of my best friends.
Tim Fulton Okay.
Drew Hanson And he was like, "Hey, man, if you wanna come back, like, this is the time to do it."
Tim Fulton Right.
Drew Hanson Like, so, you know, I met with McCoy, and I went back, and there wasn't anything full-time, and there was a little bit of that, uh, a little sourness.
Tim Fulton Right.
Drew Hanson Not really from me, 'cause I was just, you know, I thought the whole thing was a fluke, and the fluke is over and I'm back.
Tim Fulton Right.
Drew Hanson But they, there, there was, when it was over, I, I kinda... 'Cause I had a, uh, mailing list with my radio show.
Tim Fulton Mm-hmm.
Drew Hanson An internet mailing list. I was o- I was on, on top of the internet-
Tim Fulton Okay
Drew Hanson ... in the '90s.
Tim Fulton Right.
Drew Hanson Like, I was all over it. I had an internet newsletter before the radio station had a website.
Tim Fulton Okay.
Drew Hanson So I was sending out this internet newsletter and developing all these, and really what you're getting is y- is information gathering.
Tim Fulton Absolutely. Right.
Drew Hanson So I was so early on that. I got 3, 4, 5,000 email addresses-
Tim Fulton Mm-hmm
Drew Hanson ... from that newsletter. So when I left the station, I had all those, those e-mail-
Tim Fulton They were yours.
Drew Hanson They had, they had no-
Tim Fulton Right
Drew Hanson ... they had no claim on that.
Tim Fulton Right.
Drew Hanson That was my s- my information. So I started a website and started posting to people what had happened and-
Tim Fulton Oh, okay
Drew Hanson ... kind of the internal, and this is before, I may have inspired that in the Clear Channel contract, that you can't do anything on the web-
Tim Fulton Hmm
Drew Hanson ... with a blog or anything like that after you're fired for a certain-
Tim Fulton Good to know
Drew Hanson ... number of, anyway.
Tim Fulton Right.
Drew Hanson I, I, I don't know, but I know that that's in there now, that you can't, you can't do anything like that. You can't have a private, you know-
Tim Fulton And so you went back. How much longer were you, were you there for that second stint?
Drew Hanson Well, I was always there.
Tim Fulton Okay.
Drew Hanson But, well, no, no, no. I was not there there.
Tim Fulton Okay.
Drew Hanson I stayed on doing impressions for The Zoo and things like that.
Tim Fulton Oh, okay.
Drew Hanson Because Dave and Jimmy, a lot of people don't know this, Dave and Jimmy are their own company.
Tim Fulton Okay.
Drew Hanson They work for the station.
Tim Fulton Right.
Drew Hanson But Dave and Jimmy, the syndication that they do for stations, you know, over the Midwest or whatever-
Tim Fulton Mid-market, right
Drew Hanson ... that's Dave and Jimmy's company.
Tim Fulton Okay.
Drew Hanson That's, that's not Clear Channel that's doing that, 'cause I think there may be, they may, I don't know, I may be wrong, but they might be on stations that aren't even Clear Channel.
Tim Fulton Okay.
Drew Hanson Just as Dave and Jimmy the product.
Tim Fulton Okay.
Drew Hanson So I was a valuable impressionist to them, so whenever I came on, I never got paid unless I got paid out of Dave's pocket or out of Jimmy's pocket. But-
Tim Fulton Okay
Drew Hanson ... I was coming into the station all the time to do-
Tim Fulton Gotcha
Drew Hanson ... projects for them. I just was not an employee, and I didn't have an air shift or anything like that.
Tim Fulton So were you doing, like, the jingles and the s- like, the, they would do, like, mock songs and stuff, right? Do you know what I'm talking about?
Drew Hanson Yeah, yeah, yeah, yeah.
Tim Fulton Okay.
Drew Hanson Yeah. Like, I was, I was Jim Ganahl.
Tim Fulton Got it.
Drew Hanson I was the Jim Ganahl impression, yeah. That was the big one, but that's only local, so-
Tim Fulton Right
Drew Hanson ... but there was a few other ones
Tim Fulton That only works in this market.
Drew Hanson Yeah, like celebrities, you know, like, uh, Christopher Walken, Donald Trump, like, stuff like that.
Tim Fulton Gotcha.
Drew Hanson They would bring me in to do, to do some of those, so.
Tim Fulton And so did you, so you keep sort of referencing, like, what happened in the end. Did you basically burn it down, or was it just that you had made it clear what happened with your blog?
Drew Hanson I never burned, I never burned WNCI as a station.
Tim Fulton Okay.
Drew Hanson Because WNCI was, to me it was like a girlfriend that I loved so much.
Tim Fulton Right.
Drew Hanson And she was being beaten in this abusive relationship by-
Tim Fulton That you had no-
Drew Hanson ... not only her boyfriend, but her boyfriend's parents.
Tim Fulton Right. And you have just no control over it at that point.
Drew Hanson And I have no control over it, and, you know, I mean, I've said this, and I, and I'll say this, you know, that's the only radio station I'll ever work for again.
Tim Fulton Okay.
Drew Hanson Like, I, I, I couldn't see me going to... You know, I worked for a few stations after I quit-
Tim Fulton Okay
Drew Hanson ... or, or left. You know, I I left by, by Jimmy Steele firing, then I went back, then I quit, and then I've gone back and done freelance stuff. So-
Tim Fulton Okay
Drew Hanson ... and I, and I did a little freelance with Mancow in Chicago.
Tim Fulton Okay.
Drew Hanson But I've never worked for a station since WNCI.
Tim Fulton Gotcha.
Drew Hanson And I would never, I would never do that s- for any other station. That, 'cause that's my childhood station. For anything-
Tim Fulton Right
Drew Hanson ... did you grow up in Central Ohio?
Tim Fulton Yes. Yeah.
Drew Hanson That's, you know, I mean-
Tim Fulton I mean, that's what... Yeah
Drew Hanson ... maybe it's not your style of music, but WNCI, come on. That's-
Tim Fulton Well, I mean, that's what, you know, it was that or, or Sunny that, you know, we were listening to in elementary school, middle school, in the, you know, backseat of the minivan, of course.
Drew Hanson Yeah.
Tim Fulton That's, 'cause that's what moms listen to.
Drew Hanson Yeah.
Tim Fulton But yeah.
Drew Hanson And that's the perfect comparison, 'cause that was the compar- That's who the program director always said we were talking to was about in the minivan.
Tim Fulton Right.
Drew Hanson The girl with the, the, the, the m- the, the cool mother-
Tim Fulton Mm-hmm
Drew Hanson ... that ships her kids, you know, she has her kids in the minivan.
Tim Fulton Well, 'cause she's making the purchasing decisions in the house. I mean, that's, that's a valuable demographic.
Drew Hanson Yeah.
Tim Fulton Absolutely. So then you, when did you go to Chicago?
Drew Hanson That was after I had cancer. You're like, "Man, I thought we were gonna wrap this up."
Tim Fulton So tell-
Drew Hanson And then you just pop open another can of worms.
Tim Fulton I was not aware that you had cancer.
Drew Hanson I did. Yeah, actually, where I met you, we just met, what, a month ago?
Tim Fulton Yeah.
Drew Hanson About a month ago.
Tim Fulton We did a wedding together, yeah.
Drew Hanson So we met, and I booked that wedding because the bride, I knew her a decade ago, and her brother-in-law had the same exact cancer I had.
Tim Fulton Okay.
Drew Hanson So I don't know w- how that ended up a selling point for me, but she was like, you know, I got to know her. She would... 'Cause it was close to her.
Tim Fulton Okay.
Drew Hanson So she got to check in with me and stuff like that when I was sick and, and whatever else, and, um, that's how I kind of really got to know her. We, we started off on the horrible foot, but th- ... this is a whole other story. Anyhow, but that's how I ended up booking that, was it was Hodgkin's lymphoma.
Tim Fulton Okay.
Drew Hanson So her, the bride that, at the wedding that we met at-
Tim Fulton Right
Drew Hanson ... her brother-in-law had it.
Tim Fulton So were you treated here?
Drew Hanson I was treated at The James Cancer, which is, I can't even say, the greatest institution.
Tim Fulton Okay.
Drew Hanson I, I've never had cancer at any other institution in the country.
Tim Fulton But I can't imagine-
Drew Hanson But I can't imagine it being any better than The James.
Tim Fulton Okay.
Drew Hanson I mean, it, they, uh, the, and I'm talking the nuances. Like, I, I will not do something for weeks, months, whatever on end if I think it involves a phone call or paperwork.
Tim Fulton Right.
Drew Hanson If I have to get on a phone, like, if I have an overdraft charge and, and I wanna fight it, like, but they make you get on the phone and call the person or whatever, I'll-
Tim Fulton You'll just eat it
Drew Hanson ... I'll literally wait. Well, not always. If I really-
Tim Fulton Okay
Drew Hanson ... really need it, if I need, you know, 35 bucks, I'm like-
Tim Fulton Right
Drew Hanson ... "Ah, I need that," like, I'll go fight for it. But if, if I don't need it and I'm like, "Uh, what is this worth to me? What is this worth to me? Do I, do I have to, I have to get on a phone. I have to actually go physically see a person. Ah, 35-
Tim Fulton How did you-
Drew Hanson ... what is 35 bucks?"
Tim Fulton How'd you find out that you had cancer?
Drew Hanson I just had a cough and sweats for a, a prolonged period of time.
Tim Fulton Slightly too long.
Drew Hanson Longer than, longer than you should have cough and sweats.
Tim Fulton Right.
Drew Hanson And my doctor, and I, I've developed, over the years I've developed kind of a beat-up voice anyhow, but my doctor was like, "Man, it's even worse than normal."
Tim Fulton Okay.
Drew Hanson And I was like... He goes, "It sounds like you have an obstruction," like, or, or it's, or something. You have something-
Tim Fulton Something's different
Drew Hanson ... something is up.
Tim Fulton Right.
Drew Hanson And, uh, sure enough, it was, like, a knot, like, the size of a baseball in my chest. I'm showing the audience like there's a camera on me.
Tim Fulton Right. So, and how long were you, did you end up having to be in treatment? Like-
Drew Hanson It's about a year.
Tim Fulton Okay.
Drew Hanson Yeah.
Tim Fulton Wow.
Drew Hanson Totally about a year. Yeah, but it, it, there was never, um... I mean, I was late, too. I was, like, 3B, which is, like, four is when it's in your organs and stuff.
Tim Fulton Okay.
Drew Hanson But everybody was real calm. I mean, they were just... And my mother died of the same, same cancer.
Tim Fulton Oh.
Drew Hanson At same age as I was, too.
Tim Fulton Okay.
Drew Hanson And everybody was real calm, and I just kind of had this thought, like, "This is just gonna be a really big inconvenience for about a year," and then, and that's what it was.
Tim Fulton Right.
Drew Hanson It was a big... And, uh, and then chemo has some kind of toxic effects on you after.
Tim Fulton Okay.
Drew Hanson Like, I still, if it's, like, really, really cold outside, all my fingertips will be sheet white.
Tim Fulton Okay.
Drew Hanson They'll all go white. It'll look like all the blood's just completely-
Tim Fulton And how long ago was this?
Drew Hanson 2008.
Tim Fulton Okay.
Drew Hanson About a decade ago. Yeah, it was the summer of 2008, so almost 10 years.
Tim Fulton And you are currently-
Drew Hanson I, I'm free. I'm, everything-
Tim Fulton That's awesome.
Drew Hanson Yeah.
Tim Fulton Congratulations.
Drew Hanson I mean, I've had a few, I've had a few related illnesses in the past few years, you know, from it, but nothing-
Tim Fulton Okay
Drew Hanson ... anything like the initial, yeah, the initial thing. So-
Tim Fulton And so why did you... So are you saying that cancer prompted you to move-
Drew Hanson Yeah
Tim Fulton ... to Chicago?
Drew Hanson Yes. Yeah.
Tim Fulton How so?
Drew Hanson Cancer prompted me, well, 'cause I wanted to move to Los Angeles.
Tim Fulton Okay.
Drew Hanson But that was just too big of a jump-
Tim Fulton Okay
Drew Hanson ... because I still had to have functional operations, you know, in Ohio. Six hours, I, I mean-
Tim Fulton That tether had to be there.
Drew Hanson That dre- Yeah.
Tim Fulton You, you, okay.
Drew Hanson It had to be something I could get to within a, a day or-
Tim Fulton Okay
Drew Hanson ... or something that I could get to without an exorbitant amount of money spent.
Tim Fulton Right. Quickly.
Drew Hanson Yeah. And, and I was building an acting career at that time.
Tim Fulton Okay.
Drew Hanson That's what made me go to Second, uh, City in Chicago and then-
Tim Fulton Okay
Drew Hanson ... go to ImprovOlympic and everything else. So, and, and it's a good thing that I did because now it's, for an actor, moving to LA is the worst thing you could do.
Tim Fulton Okay.
Drew Hanson It, 'cause the, all the shooting happens, you know... Oh, that sounds so morbid. All the shooting happens-
Tim Fulton Yeah
Drew Hanson ... all around the country.
Tim Fulton But we know what you mean. Right.
Drew Hanson All, all, all of the, all of the, uh, yeah, like Louisiana would be a better move-
Tim Fulton Right
Drew Hanson ... than Los Angeles. Michigan would be a better move than Los Angeles.
Tim Fulton Well, but not permanently, right?
Drew Hanson No, for-
Tim Fulton 'Cause it's not enough-
Drew Hanson But I'm saying if you're trying to break into to acting-
Tim Fulton Right
Drew Hanson ... because there's so many studios and productions that are now being in-
Tim Fulton All over the country, right
Drew Hanson ... in this, yeah, in these locations. And well, plus also the tax breaks, you know, uh, Louisiana is, so many movies shoot there.
Tim Fulton Yeah.
Drew Hanson It looks like it's in Southern California or it looks like it's, it's in Brazil.
Tim Fulton Right.
Drew Hanson And, you know, it's-
Tim Fulton And I will refer listeners to a previous interview with the Ohio Film Council to talk about sort of O- how Ohio ... works itself in there with the film credits and stuff.
Drew Hanson Yeah.
Tim Fulton And so it's-
Drew Hanson Ohio actually, you know, there's a lot of stuff, Fast and Furious and The Avengers and everything-
Tim Fulton Yeah
Drew Hanson ... that was here.
Tim Fulton Well, but they, so the argument there is that, that productions like that soak up literally a year's worth of credits for any productions that can happen within the state.
Drew Hanson Exactly.
Tim Fulton So we just need more or a different, different system, so- some would argue.
Drew Hanson Yeah, and I think that'll happen. I think Ohio's gonna get a piece of that. I mean, it already has gotten a piece of that pie.
Tim Fulton Yeah.
Drew Hanson But, uh, w- everything that's shot here, like that Travolta movie.
Tim Fulton Right.
Drew Hanson Oh, did you see it?
Tim Fulton I did not.
Drew Hanson Oh.
Tim Fulton I knew better.
Drew Hanson Oh, it's, I mean, it's cool 'cause you watch it and you go, "Oh. Oh, oh, oh, oh."
Tim Fulton "I know that place." Right.
Drew Hanson Yeah, and I got a lot of that, you know, with, a lot of movies that are beloved in Chicago are just 'cause they were m- in Chicago.
Tim Fulton Right.
Drew Hanson Like, uh, the Rookie of the Year movie. That terrible movie.
Tim Fulton Yeah.
Drew Hanson But, but that kid who was also in American Pie.
Tim Fulton Yeah.
Drew Hanson I don't know, it was, it, it's, it's three names. I, I, I'm never good with actors' names-
Tim Fulton I don't know
Drew Hanson ... on the spot. It's Thomas Ian Nicholas, but whatever. But he is in a band, and he goes in Chicago and plays just-
Tim Fulton And people just love him
Drew Hanson ... just as, and the bands packs venues.
Tim Fulton That's funny.
Drew Hanson Terrible music, and the bands pack 'cause it's that kid from Rookie of the Year in Chicago.
Tim Fulton And we all love them-
Drew Hanson And, and we love 'em
Tim Fulton ... here in Chicago.
Drew Hanson We all love-
Tim Fulton Right?
Drew Hanson We all love them here in Chicago. It's the easiest formula in the world 'cause people will latch on. Like, they'll still go Blues Brothers for things in Chicago-
Tim Fulton Oh, yeah
Drew Hanson ... 'cause it was shot there. Ferris Bueller's like a holiday- ... in that city. Ferris Bueller's seriously like a national holiday in Chicago. People in Chicago love that they're from Chicago.
Tim Fulton Yeah.
Drew Hanson They love it. And I wish I could have that kinda pride about anything like people in Chicago have it.
Tim Fulton Well, we're working on it here for Columbus.
Drew Hanson Yeah. Well...
Tim Fulton So, and then why'd you come back?
Drew Hanson Just because I did everything there-
Tim Fulton Okay
Drew Hanson ... that I wanted to do. I got mugged a couple of times.
Tim Fulton Okay.
Drew Hanson After the second time-
Tim Fulton That's not as bad as cancer.
Drew Hanson No. Well- ... it's not as quick, or not as- ... not as lengthy, I should say.
Tim Fulton Right.
Drew Hanson Yeah. I, a- a- and, and I had done everything, and it was really just, I was just having fun at the bars and doing, you know, doing all the wrong things for my age.
Tim Fulton Okay.
Drew Hanson And I was like, "Yeah, I'm not gonna change my, my behavior, so I might as well change my surroundings."
Tim Fulton Well, go somewhere where it's a little cheaper-
Drew Hanson Gotta-
Tim Fulton ... to do it.
Drew Hanson A little cheaper to do it, and it's a little bit less of a risk of getting mugged walking home every night.
Tim Fulton I think it's a lot less-
Drew Hanson Yeah
Tim Fulton ... of a risk.
Drew Hanson I mean, I, I lived in Grandview the first year I was back here and just left the door unlocked half the time. If I w- I'd be gone for the whole day and just, "Oh, I left the door unlocked. Whoops."
Tim Fulton And so what are you doing now?
Drew Hanson I've got this side business going. A lot of my concept-based entertainment is replacing DJ stuff.
Tim Fulton Okay.
Drew Hanson Because I, I think the DJ thing-
Tim Fulton So define that, concept-based entertainment.
Drew Hanson I just made that up. Do you like that?
Tim Fulton That's good.
Drew Hanson I think I, I think I made that up.
Tim Fulton Now you have to tell us what it is.
Drew Hanson I, I made it up right there. I made, I made it up. Instead of having a trivia night-
Tim Fulton Uh-huh
Drew Hanson ... I have a trivia concept.
Tim Fulton Okay.
Drew Hanson So mine is #Trivia-
Tim Fulton Okay
Drew Hanson ... where I ask the questions, you know, on the microphone in the bar.
Tim Fulton Right.
Drew Hanson Nobody has to get up. Nobody has to move. They can just answer the a- answer on Twitter.
Tim Fulton Okay.
Drew Hanson Put the answer, then put hashtag whatever the name of the venue is. Well, we establish what the hashtag is-
Tim Fulton Right
Drew Hanson ... so that there's not 50 different hashtags.
Tim Fulton You just put it up on a screen or whatever.
Drew Hanson Yeah. Like, I would ask the questions. I would go, "#AverageJoesNewAlbany."
Tim Fulton Right.
Tim Fulton Right.
Drew Hanson So we would establish that hashtag as a brand over time. So when I go to people and I s- and I pitch this, I go, "You know, this is not only a trivia concept. Like, it's, it's-"
Tim Fulton It will elevate your-
Drew Hanson It's, it's gonna elevate-
Tim Fulton ... your brand as well. Right
Drew Hanson ... your social media presence. It's gonna elevate your hashtag as a brand-
Tim Fulton Right
Drew Hanson ... where people, when they come to your place, instead of checking in and whatever, they can also give you a feed of people specifically talking about your place.
Tim Fulton Yeah.
Drew Hanson Uh, you know, in Twitter or Facebook or Instagram or whatever. So I said, "Well, you know, what this does is essentially it's a commercial for your, your brand." And the, you know, the topics that I choose are all pop culture. They're all stupid funny-
Tim Fulton Right
Drew Hanson ... m- movies, you know, TV shows, longstanding pop culture things. You know, sometimes I'll occasionally just throw everything into a bowl and go, "The, the '90s are this week."
Tim Fulton Right.
Drew Hanson Or, "The '80s are this week," or whatever.
Tim Fulton Yeah.
Drew Hanson 'Cause I think that the people doing trivia on pens and papers and w- running up and holding their hand and yelling out answers, why are we doing this in 2018?
Tim Fulton I mean, you know, as a proprietor of, you know, probably four different trivia nights at this point, not as a host anymore, but I farm out the, the hosting, the question from the bars a lot of times, at least the forward-thinking ones who aren't just looking for basically a karaoke night-
Drew Hanson Yeah
Tim Fulton ... are like, "Why is there no, like, instantaneous feedback?"
Drew Hanson Right.
Tim Fulton Like, "Why do we have to wait for round two in order to, like, give answers?"
Drew Hanson Gotcha.
Tim Fulton And so, you know, it's a, it's a technology problem at this point.
Drew Hanson I do it on every question. I, a- I'll give you, you know, if you're first correct, 'cause then I just refresh the feed.
Tim Fulton That's smart.
Drew Hanson Whichever-
Tim Fulton No, I love it
Drew Hanson ... whichever one I see on there that's first correct gets the points. So then I'll just give it a, you know, I'll give away... And sometimes, you know, it depends upon-
Tim Fulton You just keep a running list on a pad, right, of, like, okay, that team's, you know-
Drew Hanson Yeah
Tim Fulton ... got that one first.
Drew Hanson You got, you got 100 points, you get 100 points, whatever. Nobody has to get out of their seat. We're Americans. We're lazy. We don't, we don't, we don't wanna get out of our seat.
Tim Fulton Right.
Drew Hanson So yeah, and then the-
Tim Fulton We should talk more about this, definitely.
Drew Hanson Yeah. And then I make the, but, um, I've got it on hiatus. I run it in stints.
Tim Fulton Okay.
Drew Hanson Like, I just ran it for the entire year for the first time since I've done this 'cause-
Tim Fulton Okay
Drew Hanson ... it started as something I would just do during the commercials of sports events.
Tim Fulton Okay.
Drew Hanson Like, as a way to give away, you know, a, like a case.
Tim Fulton 'Cause you're, like, the guy that's running the PA at that point.
Drew Hanson Running the PA-
Tim Fulton Okay
Drew Hanson ... and just, just so bars don't have commercials playing during the-
Tim Fulton Absolutely. Yeah
Drew Hanson ... so they have something happening during the commercials, music-
Tim Fulton Well, and the-
Drew Hanson ... or whatever
Tim Fulton ... the, you know, in my experience when I've done it, it's always been, like, okay, you pull up the, you know, Top 40 music at commercial breaks, and you play the fight song when Ohio State scores.
Drew Hanson Yeah, exactly.
Tim Fulton Or when, depending on what bar you're in.
Drew Hanson Oh, God.
Tim Fulton Right.
Drew Hanson In Chicago with the Blackhawks, man.
Tim Fulton Okay.
Drew Hanson If you, if you, when they score and you don't play Chelsea Dagger, like, the second, I mean, if you're in the bathroom or something-
Tim Fulton This guy sucks.
Drew Hanson Yeah. You are, you are booed, berated-
Tim Fulton That's good to know
Drew Hanson ... because, because we established earlier this week-
Tim Fulton I got out of that business too
Drew Hanson ... everyone loves Chicago-
Tim Fulton Right
Drew Hanson ... being from Chicago.
Tim Fulton Yeah.
Drew Hanson Everyone in Chicago loves being in Chicago.
Tim Fulton And again, we're working on it in Columbus. That's the goal.
Drew Hanson And we're working on it in Columbus.
Tim Fulton They also have a better flag. That's the issue that, that I'm constantly-
Drew Hanson The Blackhawks?
Tim Fulton No, Chicago-
Drew Hanson Oh, yeah, yeah, yeah
Tim Fulton ... has this better city flag, like the stars. Where I've got a crew working on kinda-
Drew Hanson You're working on a Columbus flag?
Tim Fulton Yeah.
Drew Hanson Man.
Tim Fulton I know. Gotta throw it under, like, a not, you know, auspices of a nonprofit.
Drew Hanson I'm on the ground, I'm on the ground floor of something here, on the second floor of something.
Tim Fulton Oh, there's like eight things going on now. The good thing is, is we're 42 minutes in, and so-
Drew Hanson Oh, then you can-
Tim Fulton ... you know, who is still listening to this?
Drew Hanson You.
Tim Fulton I'm just revealing everything that I, that I'm working on. So what else are you, in addition to the hashtag comedy, you're-
Drew Hanson Well, yeah
Tim Fulton ... hiatus from that.
Drew Hanson '90s, it's funny you mentioned earlier-
Tim Fulton Yeah
Drew Hanson ... going to Somewhere On Sundays-
Tim Fulton Uh-huh
Drew Hanson ... for the '90s. I, 20 years ago, the first show that I had any sort of notoriety with was Sunday Night '90s.
Tim Fulton Okay.
Drew Hanson So, uh, about five years ago or so, I just asked, you know, the powers that be, I said, "Hey, you know, I have all the archives of this show, like, literally all of them."
Tim Fulton Okay.
Drew Hanson "I have all the imaging. I have all the everything." I said, "The '90s are kind of coming back."
Tim Fulton Right.
Drew Hanson W- can I have that? Can I have Sunday Night '90s? And they're like, "I don't know. What the fuck do we care?"
Tim Fulton What, like, at the station, or...?
Drew Hanson Yeah, like, uh, yeah, 'cause the radio station, that was a big thing. Dave Robins and the, and the station, they trademarked everything whenever they had a, a hit show.
Tim Fulton Okay.
Drew Hanson That's why whenever somebody tried to come at him, like Friday Night '80s, how monstrous that was.
Tim Fulton Right.
Drew Hanson When Star 107.9, all '80s all the time, came on the air-
Tim Fulton Cease and desist
Drew Hanson ... they tried, they tried to do a Friday... No, no, no, not this station.
Tim Fulton Okay.
Drew Hanson They just couldn't say Friday Night '80s.
Tim Fulton Got it.
Drew Hanson They could say the '80s on Friday or whatever.
Tim Fulton Right.
Drew Hanson But they could not say the words Friday Night '80s, you know, subsequently or-
Tim Fulton 'Cause they paid the hundred bucks-
Drew Hanson ... whatever, because-
Tim Fulton ... because, you know, get-
Drew Hanson ... WNCI, you know, I don't think they do things like that anymore.
Tim Fulton Right.
Drew Hanson Maybe iHeartRadio does, but-
Tim Fulton Right
Drew Hanson ... yeah, Dave Robins would, would go, "That's a great idea, and we're gonna trademark it." Like, I'm surprised Drew Hanson didn't end up getting trademarked. I mean, big sur-
Tim Fulton Your name, right
Drew Hanson ... big sur- big surprise.
Tim Fulton Is that your legal name?
Drew Hanson Eh, it's not, eh.
Tim Fulton It's not your legal name.
Drew Hanson Let's say I'm married to it.
Tim Fulton Well, there, but the, I mean, there's a lot of f- I don't... I think there is one on-air talent at City 102.5 that's using their real name. Yeah, like, I mean, it's just not done.
Drew Hanson Yeah. It, well, it is, and it isn't. It is, but it i- yeah. I, I don't know. Whatever.
Tim Fulton Okay.
Drew Hanson But yeah, they, it didn't get trademarked is, is the good news. So they gave me Sunday Night '90s, and I started doing it in Chicago. Well, it didn't really land in Chicago, 'cause nobody knew me from that show.
Tim Fulton Okay.
Drew Hanson So there was no, like, nostalgia feels with it, like-
Tim Fulton Okay
Drew Hanson ... or whatever. And I'm not getting nostalgia feels with it now, because everybody I'm entertaining with it is 21
Tim Fulton Okay
Drew Hanson ... 22 years old, 'cause I'm at a campus bar. I mean-
Tim Fulton So are you playing music? What are you doing?
Drew Hanson I'm doing videos.
Tim Fulton Okay.
Drew Hanson I'm doing videos along with pop culture clips-
Tim Fulton Okay
Drew Hanson ... from the '90s, like little snippets.
Tim Fulton And are you, like, talking them through it? Or do you-
Drew Hanson No.
Tim Fulton Okay.
Drew Hanson No, no, no, no, no. So what I'll do is-
Tim Fulton It's just sort of in the background.
Drew Hanson Yeah. It's, so I advertise it as, obviously, Sunday Night '90s, and then it's '90s, uh, ish until about 12 o'clock, all '90s music videos.
Tim Fulton Okay.
Drew Hanson They're all videos. So then I'll occasionally throw in, like, I'll stop for a commercial break, and I'll play the Cindy Crawford commercial when she's going to get the Pepsi.
Tim Fulton Cute. Okay.
Drew Hanson So, and then I'll come back, and then blah, blah, blah, blah, blah. And now a word from our sponsor, and, you know, play a '90s commercial or the... And the, uh, surprisingly, a lot of these you can rip off of YouTube, but I found-
Tim Fulton Right
Drew Hanson ... I found a service that had really good quality versions of-
Tim Fulton Okay
Drew Hanson ... of all these things. So then, you know, you've got f- you know, Friends and Seinfeld-
Tim Fulton Right
Drew Hanson ... little, little snippets you'll throw in between a song here and there or whatever.
Tim Fulton And people love that stuff, right?
Drew Hanson They do, yeah. But this is more the early crowd, 'cause then they, like 12 o'clock, when it's popping, you know, I can't stop down and do that, or people will boo the crap out of me.
Tim Fulton Right.
Drew Hanson The music's gotta keep going at that point.
Tim Fulton Absolutely, right.
Drew Hanson But, uh, the, I'm mixing the videos too, so the, I've, there's got six, seven or eight different screens where we're doing the videos on. And then, you know, once I started getting into videos and things like that, I'm going, "All right." I basically am only gonna DJ weddings now. So I'll just DJ weddings, and then everything else is gonna be concept-based, and videos or trivia or-
Tim Fulton Yeah
Drew Hanson ... you know, whatever else.
Tim Fulton That's cool. That's very cool.
Drew Hanson So it's, it's, it's getting off the, the ground with it locally. I don't know.
Tim Fulton Do you have sort of a w- like, a home on the web, like drewHanson.com?
Drew Hanson DJdrewHanson.com is for weddings.
Tim Fulton Okay.
Drew Hanson Uh, drewHanson.net is going to be the hub where it links to every single concept and every single archa- archive that I've ever done.
Tim Fulton Right.
Drew Hanson I'm going to release an anthology of every single radio show, every single-
Tim Fulton That's awesome
Drew Hanson ... I'm gonna put that out.
Tim Fulton Do you know Adam Contras?
Drew Hanson No.
Tim Fulton So he at least is credited, I think it was Wired Magazine just credited him with starting the first vlog, video blog. He's a City 10- 102.5 guy.
Drew Hanson Oh, really?
Tim Fulton He owns a totally souped-up DeLorean. He's out in LA now. I think Four TVs is the name of his vlog, but-
Drew Hanson I like that name
Tim Fulton ... it's funny that you're putting it all out there. That's great.
Drew Hanson Yeah, yeah. So I'm, I'm trying to launch a one-stop shop, because I am dif- you know, going into all these other different projects and things like that, and-
Tim Fulton Well, and you wanna be able to just say one place of like-
Drew Hanson Yeah, just tell people one place
Tim Fulton ... drewHanson.net. There's the link for the DJ stuff if you want. There's a link for the trivia stuff. There's the, you know, back archive of the stuff that you've done and-
Drew Hanson D- D-List Famous for marinara sauce.
Tim Fulton I don't know what that reference is, but-
Drew Hanson That's I, I have my own marinara sauce.
Tim Fulton You do?
Drew Hanson Yes.
Tim Fulton Still?
Drew Hanson Yeah.
Tim Fulton Is it delicious?
Drew Hanson It's pretty good.
Tim Fulton Okay.
Drew Hanson It's pretty good, and I sell it at-
Tim Fulton And you get D-List Famous. That's fantastic.
Drew Hanson DListFamous.com, but it's not up yet, so don't go to that site.
Tim Fulton We'll link to it later.
Drew Hanson But go, but go to that site. If you're listening to this later, go to that site.
Tim Fulton Drew, thank you so much for your time tonight.
Drew Hanson Thank you for letting me come corrupt your such nice, professional-sounding podcast
Tim Fulton I love it. I love it. Thank you for listening to The Confluence Cast, presented by Columbus Underground. Again, you can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. Please rate, subscribe, share this episode of The Confluence Cast with your friends, family, contacts, enemies, your favorite media personality. If you're interested in sponsoring The Confluence Cast, get in touch with us. We can be reached by email at info@theconfluencecast.com. Our theme music was composed by Benji Robinson. Our producer is Philip Cogley. I'm your host, Tim Fulton. Have a great week.
