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Cocktails in Columbus

Dec 4, 2016 · 50 min

Tis the season for a cocktail. Two of Columbus’ best mixologists, Joe Peppercorn from Little Rock Bar and Josh Rice from Bodega, talk about the bar scene in Columbus, what makes a good cocktail list, how to be a good patron, and the evolution of the Short North bar scene.

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Ladies and gentlemen, welcome to the Confluence Cast, presented by Columbus Underground. We are a weekly Columbus-centric podcast focusing on the civics, lifestyle, entertainment, and people of our city. I'm your host, Tim Fulton. This week, we are grabbing a cocktail. I sat down with two of Columbus' best cocktail bartenders to talk about the bar scene in Columbus, what makes a good cocktail list, how to be a good patron, and the evolution of the Short North bar scene. You can get more information on what we discuss today in the show notes for this episode at theconfluencecast.com. Enjoy the interview. On the occasion of the holiday season, sitting down here with Joe Peppercorn and Josh Rice. We are talking cocktails. Joe is the co-beverage director- Yes ... at Little Rock Bar, also a bartender at Giuseppe's Ritrovo in Bexley. Josh Rice coming to us courtesy of Bodega in the Short North. Josh, how are you? I'm great.

Good. I'm great. Good. Josh, how did you start to be a bartender? I grew up in the service industry, uh, not necessarily in full service restaurants. I come from a service industry background. My father was a chef. I worked for him through junior high, high school, and college. I went to college, did some other things, and, uh, came back into full service restaurants about 15 years ago.

Okay. Uh, chains, independents, dive bars, clubs, everything. In Columbus primarily, or? In Dayton primarily, but also in Detroit, and I've been in Columbus almost... Well, yeah, I've been in Columbus five years now.

Mm-hmm. At many different places in five years. Got it. Joe, you are known to people, I think, primarily at this point for the Beatles Marathon, which, uh, we can get a little plug in here. Yeah.

Coming up December 10th. Yes. At, uh, The Bluestone. Also, the front man for the sometimes revived band The Wiles. Yes.

How did you get into bartending? I got into bartending because the main thing that appealed to me were the hours, because I've always had a difficult time sleeping since I was a little child. I remember being a kid and being up till 1:00 or 2:00 in the morning just about every night. Okay. And so I, despite my, uh, best intentions and efforts, I, you know, I'd always end up falling asleep at school and all. And having a normal job is just very, very difficult for me because I, my body just fall, shuts down at 2:00 to 3:00 AM every night.

Okay. So the hours of bar- bartending, I was, "Oh, wow." As a j- you go in at, like, you know, 6:00 or 7:00, and then you leave at 2:00, and then, you know, I go to bed like I normally would. So that's- And then you have an excuse to sleep in- Yes. Yes

... because you worked the night before. Yes. Yeah, yeah, yeah. So that, that w- appealed to me and it, and it fit perfectly with my lifestyle. And now... But then I also liked bars. I liked drinking and I liked being around people, and I liked the, and the music aspects, too. That also drew me in. A lot of the bars I worked originally were music clubs. You know, ha- having the connections through music and through the sleep schedule, it just, it was a no-brainer for me. Oh, this, this is a great business to be in. Can you give me a rundown of the places you've worked? You s- your first bartending shift was at the Treehouse, right? Anime's Treehouse, and then there was, uh, worked there through, you know, two other different managements. And then, uh, let's see, Cobo, another music club, and then Outland, worked there.

Hmm. Basi Italia, Giuseppe's Ritrovo, Curio. But y- wide ranging, you know? Fi- I've done fine dining. I've done really, really terrible dive bars. You know, everything, you know. Right. And the, the one th- the reason why I brought you guys in together, both of you sort of take bartending a little bit more seriously, I think, than me, who bartends maybe, you know, once a month. I know how to pull a beer, and that's pretty much the extent of it. You guys take your time and sort of study it. And Joe, you as the co-assistant beverage director at Little Rock Bar, you have an obligation to sort of study these things and study drink making. I know that you've also been thrown into, you know, how do you make a frozen drink. Mm-hmm.

And you know, which is no easy task. Why do you th- think that you take it a little bit more seriously? Is it just by virtue of this is what I'm doing, and so I'm going to do it well? Yeah. And I think also just w- once I reached a point where I said, "You know what? This is not just a little side gig. This... I, I really wanna work in this business." You know? Right. I think Josh is in a similar position-

Yeah. Yeah ... that I am, where it's like, you know, a lot of bartenders, they do it to get through school or whatever. And then guys like Josh and I, w- I, I think we both just, "Oh, this is my, this is my job," you know? Right. So I th- I think you, in order to feel f- fulfillment and to not go insane, you have to treat it like, you know, like something that's important to you, and you have to take it seriously. And I mean, it doesn't mean you can't have fun with it, but I mean, it's, in order to feel like a human being, I think y- guys like us have to approach it very seriously, and, and try our best to do a really great job with it. I don't know if you agree with that.

Yeah. Yeah. Absolutely. Absolutely. Uh, take the time to learn as much as you can about the profession. And that's what it is, it's a profession. Right. Uh, study a lot, read a lot. I am fortunate enough to have a photographic memory, so it's a little easier for me to remember things. Okay.

So when I explain somebody, something to somebody, I get the, "How, how do you know this?" Well, yes, I have a photographic memory, but I've also- Well, I saw it one time ... I've also read I don't know how many books on X subject and Y subject. Right. And you are, Josh, a member of the United States Bartenders Guild.

Correct. A organization that promotes education, competition, and camaraderie. You are not a cicerone. I'm not a cicerone, no. A cicerone is akin to a sommelier for wine, but a cicerone is for beer.

Correct. You've studied it. You're also certified in, by the BarSmarts program. BarSmarts program, yeah. Spirits program. Can, can you tell us what BarSmarts is?

Uh, BarSmarts is an organization based out of New York. Their flagship product is called Bar5 Day. It's an unofficial post-graduate course for bartenders that takes a week to complete, costs a lot of money. You taste a ridiculous amount of spirits and learn as much as possible about service and spirits and cocktails. They have two other programs. One is an online program. Where they, uh, show some videos and do some instruction, and you take a little quiz. And then the other one is a live program where you spend an entire day with these, these five amazing gentlemen who are kind of luminaries in the spirits, cocktails, and wine world who'd have taken it upon themselves to educate as many people as possible. Uh, and that was, that was an awesome day. It was in Cleveland about three years ago. Okay. Uh, spent a day with them tasting, learning, getting quizzed. Uh, practical exams too, like I had to make cocktails for people in front of people. And this is not like those programs that you would see at like a strip mall or advertised on the radio like-

Correct ... "Hey, you can be a bartender too." Yeah. This, this is not ABC Bartending School- Right

... uh, where you're learning how to make a, a daiquiri with, with neon green sour mix and learning how to use a blender. Um, things, things like that, that, that silly commercials you see on TV or advertisements. Do those things, do those still exist? Oh, yeah. Oh, yeah, big time. Big time. You cannot properly make a buttery nipple without one of those courses. There is... It is an impossibility.

How do you... I'm sorry. Joe, how do you make a buttery nipple? I, I, I've never taken one of those courses. I don't know. Um, talk about sort of what you guys see... You guys work together at Curio. Correct.

I wanna talk about sort of where you see bar culture right now in that, let's say 10 years ago, it was rare to find a bar that had 30 craft beers on tap. At this point, it's sort of expected that even a neighborhood bar will have at least five curated beers- Mm-hmm ... just depending on what their, you know, uh, what their tap setup is. What other things are you seeing in sort of bar culture? Uh, spirits. Spirits and cocktails. Uh, this is something that we were talking about last weekend in some downtime at Bodega. Had a gentleman with his girlfriend who walked in 7:00 on a Friday night, uh, the mid-swing of happy hour, walked right up to the bar, ordered a vodka soda and a Negroni, and that's just weird to me.

Okay. Uh, just not even questioning, "Hey, can you make a Negroni? Do you have the ingredients for it?" But just ordering one. And so what's, what's in a Negroni? A Negroni is an equal parts cocktail, classic cocktail, stirred cocktail, equal parts gin, sweet vermouth, and Campari.

Okay. Served on the rocks usually with a, a nice orange slice. Uh- So something that most bars should... a fully stocked bar should have. Should have, but is not necessarily going to... well, not necessarily going to have Campari-

Mm-hmm ... or, or have sweet vermouth that actually tastes like sweet vermouth. Yeah. They, that drink will stink with the teriyaki sauce vermouth. Yeah.

I mean- Yeah ... you gotta have some- something decent- Okay

... to make a... I had one of those drink... That's my favorite drink. I had- It is. It is. I had one last night- Yeah

... actually- Okay. ... after turkey. Joe, what are you seeing?

I've seen a, a lot of the things that Josh has seen. Um, you know, at Giuseppe's Retrova, where I work, it's kinda the same thing where people just walk up and they, they don't say, "Oh, can you, can you make a daiquiri," or, "Can you make an old fashioned?" or, "Can you make any of these things?" I mean, it's just, just assumed that in a nice restaurant with a fully stocked bar, you just, "Oh, okay, I can order whatever I want and this, and this guy can make it." Right. And I like that aspect a lot, of the... That, that I as a patron too, I can go to a, a re- nice restaurant, and if I'm in the mood for it, get a Negroni or, or, and get it properly made with some good ingredients. Do you think that that's mainly because you guys sort of circulate within the Center City and so... Like, am I gonna be able to go to a bar on Bethel Road and order a Negroni?

You're starting to see that. It's- Yeah. Yeah. It's kinda shocking. Okay.

You know, where you're going out in Hi- you're in Hillyard, you're in Powell, wherever, and you go up and, and usually, you know, if, if you go to a bar, there, there's signs that indicate to you, oh, you can get a Negroni here. If you see the Campari prominently displayed, if you see, um, that they carry good vermouth, if you see some I- Italian Amaro there, you know, which is a herbal digestif that co- we love to use in cocktails, and usually a, a bottle of that indicates that this is a bar program that takes things kinda seriously. You know, you... And you don't wanna be a jerk at the same time and go to a, you know, a, a shot and beer bar, "Uh, why can't you make me a Negroni?" You know, like- Um, but you're starting to see those shot and beer bars be able to do that too. Um, and a- I th- I think that's one of the more- And what do you mean by shot and beer bars? Is it just like, you know, the kinda place that you'd see on campus or... Or, or grownup places even. Even like Little Rock I would consider a shot and beer bar. Okay.

But we, but we can make a nice drink there, you know? Right. You, you s- you s- Neighborhood bars.

Right. Neighborhood bars. The, the place where grumpy old men hang out for happy hour and then all the service industry goes at the end of the night. Right. Say that someone is sort of, you know, mid-20s, sort of uneducated about even what they like and would like to discover more about what they like, what recommendations do you have for them? You know, do I like a Negroni or do I like an old fashioned?

You do like a Negroni. The question is just, you know- Have you had one yet? ... do you realize that, you know? Okay.

Uh, well, yeah, you do like it. It's, it's, uh, it's kinda the way that people get introduced to any, any beverage, any foodstuff. Uh, you start with something usually a little sweeter, a little more friendly, and, uh, you go to a place where you know that they, they can make it well. Mm-hmm. Uh, so let's see. For, for cocktails, yeah, a place like a, an, a nicer style neighborhood bar like Little Rock, uh, like Bodega, where you can get even something silly, like you can get a pr- we make a, a proper Long Island at Bodega with fresh juice. Okay.

It, it sounds silly, but we do, and it's one of those cocktails that's just gotten diluted and changed so much over the years. I'm not saying it's a good cocktail, I'm just saying that you can make it better. Right. So a place where, like that, where you know that they can make something better. Well, in my mind, Long Island is always, like, the thing that if somebody orders, that's the red flag of s- that person maybe doesn't know what they like and just wants a whole bunch of liquor.

Correct. Possibly. Okay. Possibly. Not necessarily, but possibly. Uh, that, that has kinda been debunked by our friend Jeff Morgenthaler out in Portland, Oregon- Okay

... who put a craft Long Island on his menu at one of his craft cocktail bars, uh, because he wanted to do kind of throwback, kitschy cocktails, and he said, "If I'm gonna do it, I'm gonna do it as well as I can- Right ... and use the best ingredients possible," which I think is kinda cool. Right. You know, is there any argument for going on Amazon or going to a bookstore and just getting a good cocktail cookbook, basically?

Oh, yeah, absolutely. And sort of, you know, sampling that, getting s- small bottles of liquor. Oh, yeah. I mean, the, the, the books are, are, are necessary. I mean, e- even, you know, even having exper- I mean, Josh is more experienced than me, but I know he d- he constantly is r- reading the, you know, new books that come out and everything. I mean, that's how you, that's really how you can keep up with everything. I mean, 'cause you can find stuff online, but a lot of these books are the, I mean, the best information filtered for you, you know, um, 'cause there's just so mu- so many resources online, and the, there's some that are great, but a lot of them are not, and, and I think a book would be the, the best b- the Death & Company book would be my re- Yeah. Yeah

... recommendation for a- ... beginner or novice, anything. I mean, it, that book lays out everything for everyone. If you're a beginner, you can take a lot from that book, and if you're w- advanced, you can take a lot from that book. There's, there's a, there's a handful of them. That one sta- stands out to me. I don't, I don't know- Yeah ... Josh, what you- Oh, absolutely. And to be clear, Death & Company is an awesome cocktail bar on the Lower East Side in New York City. It's been there a little over 10 years.

Okay. Uh, the people that own it actually live in LA. They are restaurateurs and bar creators. They're both bartenders, uh, they- But it is a craft cocktail bar- It is a craft cocktail bar

... like Curio- Like Curio ... is, is the best example- Yeah

... in Columbus, I think. It's, it's the speakeasy stylish. Curio is not a speakeasy because it has windows, uh, but Death & Company doesn't have windows. It's kind of that, that neo-speakeasy that started at the turn of the, the, the 21st century in New York. Okay. With PDT and, and Death & Company were two of the, two of the forefronts.

Okay. There are standards for, like, this is what's in a Long Island. Correct. This is what's in a- Correct

... Old Fashioned. Mm-hmm. What, what association defines that? Uh, that was the International Bartenders Association.

Okay. That's the association that the USBG is connected with internationally. Okay. And they promote the same things, but they also, the, the example that I gave earlier was whenever you, you Google a cocktail and Wikipedia comes up, it has the official IBA recipe, which isn't necessarily a recipe that I'm gonna use-

Okay ... but it's the one that's the worldwide standard decided on by this association of bartenders. Okay. So what I was gonna ask then is if it's defined to that point, if it's defined of, like, this many ounces of this, this many ounces of that, what's the difference between going to a bar where somebody's gonna try and follow that to the letter and going to a place where you guys may work and you're going to sort of perfect it? I would say it cr-

Is it just, like, the touch? Is it like an artist, basically? Yeah, in a, to a certain extent. It, it's creativity and, and kind of riffing on somebody else's cocktail. Okay. Uh, there, there are a finite number of ways to put booze and juice and sugar together to make a drink.

Okay. Uh, these styles have been defined for many, many, many years. It's just riffing on that using different ingredients and different techniques and changing it in certain ways, uh, which, which is easier to do at some places than others. We try and do it at Bodega. Uh, we have some very nice, very simple cocktails. Uh, we have a couple of complicated ones, but it's also a really busy bar- Mm-hmm ... uh, because we're so close to campus. We're in the Short North. Uh, Curio does a much better job with that. Crystal Lobby at Inn does a better job with that. They, they have a small, more intimate space. Gi- uh, Giuseppe's does an awesome job with that. Their cocktail list is always fantastic and super creative. Uh, Blind Lady Tavern, Sidebar, Denmark, all of the big cocktail houses in the city always have really cool riffs on standards and classics. They're very creative.

What's the difference between an easy cocktail and a complicated one? Number of ingredients. Okay. Um, scarcity of the ingredients, if you're using some plant that's only available for two weeks of the year.

Okay. Uh, expensive ingredients, uh, and also some of the techniques. Uh, basic, basic sours are three ingredients, sweetness, uh, acid, and base spirit, a daiquiri. Uh, negronis are three ingredients just stirred up. Manhattans are three ingredients stirred up. Old Fashioneds are three or four ingredients. Uh, but you start getting into things... I think the, the penultimate one is the, the Ramos Gin Fizz, the breakfast hangover cocktail from New Orleans. Okay. An egg white gin sour with heavy cream and orange blossom water and three, 13 other ingredients that takes technically 12 minutes to shake.

Okay. Don't order one of those. They're good. Okay. But-

Well, and that brings us to somebody who has sort of, you know, entertains their friends at home with making cocktails and says, "Hey, I, maybe I want to be a, you know, a cocktail bartender." What's the... Is there a path to go down? Is it joining an organization? Is it simply continuing to work at home and trying to, like, get their foot in the door at a place? Yeah. G- I mean, getting your foot in the door is the main... Yeah, I think anyone can really learn to make these cocktails. It's not like... You know, I think there's this misconception that guys like Josh and I have this, like, in- talent that, oh my good... You know? I think Josh actually, d- like he said, he has, like, a photographic memory. That really helps. He has, he, he, like, wh- working with him, it was shocking, like, you know, someone could l- list some obscure drink, and he'd be like, "Oh yeah, you know, there's rum and, and Fernet and li- " And it's like, "What?" You haven't made that in six years. Yeah, he'd be like, "Oh, yeah, yeah." Like, he know, he seriously knows every drink. You, you don't need to be at that point, but I th- I think learning the basics of working in a bar is, is essential, and I think honestly starting in m- like, a neighborhood bar m- is probably a good option for someone who's young and wants to start bartending, because a lot, I mean-

Well, and they're gonna learn if they truly wanna do it. Yeah. Yes. Yes. And, and a lot of it is just dealing with, with, uh, learning how to deal with people, learning how to communicate with them, and learning how to, you know, these basic things of, of, you know, how to open and close a bar, how to, you know, basic service things that, um-

How to deal with someone when they're drunk. Yeah. Like, yeah, and- How to properly cut someone off.

And I, if, if I were to... I, I mean, the one thing, I, there are some bartenders that started in the cocktail world, and I, I can pick them out very easily because they just, there's this, these basic skills that they, they kinda skip over, and they just go, they just go right into, like, making cocktails and stuff. And, and I mean, that's a big part of it, and it's exciting, but I know for a lot of us in our generation who are doing the cocktail thing, we all started at, you know, pouring shots and be- and po- ... pulling beers. Like that's- Right. Well, 'cause that cocktail culture didn't exist 10 years ago. Right. Correct.

But I think that's a necessary skill to have if you wanna be a, a good bartender. I mean, and there are people that, that are, prove exceptions to that rule, but I like the bartenders that, you know, have worked in a variety of places. And I'm not asking about the patrons here. I'm more asking about bar culture and bartenders. What are the sort of maybe the negative things that are happening in the, the Columbus bar scene? What are you annoyed by when you see it? What, what, in Columbus, like w- as a patron, what am I annoyed by? Yeah.

Or, like as a- Yeah, as a, as a patron who knows about the industry. For me, it's just the, like a, a lack of fun. I always get very frustrated when, like some, some, you know, people are doing things and they're not having fun doing it or not- Okay

... making it a fun experience, you know? And I don't see a lot of that, honestly. Like, you know, you go to- And it's not that it's too serious, it's literally that they're like, "Ugh." Yeah. You know, I mean it, but yeah, I don't- Just don't wanna be there.

Yeah. I, I don't see a lot of that, honestly, thankfully- No, I, I don't either ... in Columbus. Like, you go to Denmark, they got a good sense of humor. You go to, you go to Curio, any of these spots, like you go there and like people get it. Like I'm not a, I'm not a magician, you know, I'm just making a cocktail. You know, it's, there's a certain amount of humility that I, I like that I, thankfully, in, in Columbus I think a lot of the cocktail bartenders have. Mm.

And there's a camaraderie. They, they, everyone knows each other. Right. There's these events, everyone gets together, and 95% of the time it's very, everyone's working together, helping each other find jobs if they need to. Mm-hmm.

And I don't know, there's not a whole lot of negative aspects I, I could point out. Okay. But I don't know if, Josh, you feel it or no. I think the only thing I would have to say about that is when a new establishment opens, whether it's a chain or an independently owned place, and they claim to have a cocktail program or a nice cocktail list-

Mm-hmm ... or they claim to have a nice craft beer list, or even a nice wine list, and you go in and look at it, and it's- And it's not ... it's, it's Blue Moon and Shock Top. Uh, you know?

Right. Or, or, or it's just, "Hey, we have Bell's Two Hearted. We have the best craft beer list possible." Well, that's a great beer, but every place has that beer. Right. Uh, what are you doing? Do you have interesting IPAs? Do you have interesting stouts? Are you trying to change your beer seasonally? Same thing with the cocktails. Do you have some ingredients to make some good things? I'm not saying you have to have super creative drinks on your list.

Right. But can you make a solid Negroni, Manhattan, Old Fashioned, Daiquiri? Just really, really basic stuff. Do you have the tool set in place? You don't need to squeeze juice fresh every day. Right. And you don't need to go crazy about it, but just have a few simple tools and have your people trained to a point where they can make that.

So it's the false claim, basically. Yes, yes. That, that like everybody is following that, like in order to be a bar, you've gotta have a good selection of craft beers, you've gotta have a cocktail list- Yeah

... and you have to have wine available. The problem is, is that people have those things, but they're not necessarily doing them well. Correct. Okay. Yeah. I, I see new establishments that are opening that still have mainly domestic macro brews or their offshoots on draft with maybe one or two craft beers, and then their cocktail list consists of some sort of Moscow mule variant and then an apple martini and a cosmopolitan.

Is the market sort of correcting for that? I mean, I have in my head the names of a couple of bars that have opened in the last year or so. Seems to me as though they're not doing very well. Correct. Yeah. So the market does correct for it. The market does correct, and I think a lot of that is driven by what, what Joe mentioned earlier, these, these bars in other larger cities. Uh, Columbus is a very business traveler type of town.

Okay. And people who live here travel extensively for both business and pleasure. Right. And they go to, it could be something as simple as Chicago, Indianapolis, Atlanta, first tier, second tier, third tier cities, and they sit down at a bar and they see they've got this wonderful craft beer list of all these local beers that are awesome, and tons of flavor, and really unique ingredients, this great wine list that's priced really, really well, and it's not just all California wines, it's wines from all over the country. This, this great craft cocktail list that's really simple or really complicated. Or, "Hey, I had an awesome Manhattan here. Can you make me a Manhattan? Do you know what that is?" That's, that's a question that we've started... Nobody asks that anymore.

Right. Like, of course I can make a Manhattan. It's, it's assumed that you can do that. Yeah.

Right. And we have talked about some of the bars that are doing that well. Those will be, uh, linked in the show notes. Talk about how to be a good bar patron. I know a lot of t- you know, people will come in, they'll look at the menu, they'll order something, but there are also people that walk up and say, "Make me something." And it's appropriate to do that in some places. Like Curio, I think, does a great job- Mm-hmm ... of you can look at their extensive menu or you can say, "Hey, I like whiskey." Yeah.

"I like whiskey and I like things that are sweet. Make me something." This is your opportunity to sort of bitch about negative experiences that you've had with bar patrons. I don't like bitch, I like educate. Okay. Just educate people.

Let's educate people. Just, just be smart. Know what you want when you're going in. But yeah, Joe, go ahead. Yeah. There, I mean, th- there's a whole grocery list of beha- like, uh, there's, there's, uh, basic etiquette. Right.

And, you know, unfortunately- Throwing money at you is probably not a nice thing to do. No, it's not a nice thing to do. What's a good way to get your, uh, attention?

Just, just stand there. I see you. You don't, you don't even need to wave. Yeah. You don't need to, you don't need to shake your bottle. You don't need to do any of that. You stand there and it's my job to see you, and if you see that I am busy, then- Just wait. Just, just be patient, you know? I, some of these people go to the bar, I don't know what they do when they go to a Starbucks and like- ... you can't, you c- you have to wait in line. And you can't like run around to the s- to the end of, "Hey, hey, I'm, hey, can I get a coffee?" Like, I mean, what are these s- I, I can't figure out what some of these people do when they go there and there's like a line. So you see that there's 10 people waiting. I, um, you know, I'm trying my best to count you guys, so like, "All right, you're next, you're next, you're next." But, you know, people just, they're, they, they have bad etiquette in bars. It, it brings out, it, the, the, there is- Well, it is that little bit of alcohol in them.

Right. It, it, it- There's the alcohol ... they, they just, they d- they have bad etiquette and it comes out in spades when they, when they are, are getting boozed up a little bit. So you don't need to, you don't need to m- you know, be a jackass when you come up and try to get our attention. We see you. When we come, when we come over to you, if you h- have questions, like you know, present, you know, if you see us really busy, just order a, a two-hearted or something easy that you know you like. But if we're not busy, like y- you know, don't be a doofus with your questions. Like, ask smart questions. "Oh, this drink, what is it like?" Okay, I could say, "Oh, it's like a Manhattan." "Oh, cool. I like Manhattans." Or you say, "What's a Manhattan?" "It's whiskey, vermouth, and bitters." "Oh, I typically like strong drinks. Would I like that?" "Yeah, you might like that if you like whiskey-" Mm

... and strong." You know, there, there, there's, there's a series of questions you can, you, you can be intelligent about. But I think al- also, like you know, people don't necessarily give us the respect we deserve because they kind of look down o- on, on us as, as not professionals. Or, or like, well, this is... You know, you hear it all the time, "What's your real job?" You know? Right. So I, I think that a lot of times there's a lack of respect for the bartender. And but then, you, you see the opposite, too, where people are very, very respectful and they treat you like you're like s- royalty, and I, I enjoy that thoroughly. But, but, um, you know, once, once you get, once you figure out what you want, if you wanna try something and we let you try it, cool. Make your decision then. And, and then when y- we bring you your drink, say thank you. And then pay cash or open one tab for the night. Yeah.

And don't d- you know? And then when you, uh, go out over to your friends, don't be a loud idiot. Like, you know, st- be, when you bump into someone, don't go pfft. Like, like, you know? Say, "Excuse me." Yeah, I mean, just they need to s- start teaching these kids like the, this basic- It's not just kids

... this basic etiquette. It's not just kids. It's not just kids. It's b- it's, yeah. It, it's etiquette and politeness.

Politeness. There's a basic- There's basic etiquette- ... civility in politeness ... and basic civility, basic politeness

... that y- you should have everywhere, and espe- I feel like especially- Yeah ... in the bar, you know, where, you know, y- it's a magical place where you get, you get to be whatever you want to be. And w- we are, we are- You have these, these awesome people bringing you things that taste good and make you feel happy.

Right. We are going to make your dreams come true- Yes ... if you could just stop being such an asshole.

Please tell me you have horror stories to share. Oh, yeah. Well, let me, before you do that, let me just interject real quick and just- Please

... just talk about the, I think the biggest thing in that question is eye contact- Okay ... and just politeness. Okay.

If a bartender makes eye contact with you- They know ... 'cause he knows that you are looking at him or her, that usually denotes that you want or need something. So I will come over to you. And if you don't need anything, I'm gonna be annoyed because I could've helped three other people- Right

... at the other end of the bar. At the same note, if you are sitting- But what if they just think you're handsome? That never happens to me. Uh, I'm old and fat and bald. That's not true.

Uh, on the same note- I'm putting your picture in the show notes- ... for this episode. If you are sitting or standing at the bar and the bartender does not make eye contact with you because they are busy, please do not start shouting out your order. I have three other things in my head. Just because you're close by-

Yes ... doesn't mean that you are the one being served right now. If I happen to make eye contact with you, I will say, "I will be right with you," or, "Here's a menu. I will be right back." Please do not start shouting your order at me, 'cause I have enough things that I'm doing at the moment. I will get to you, I promise. I will make all your dreams come true. Okay, horror stories. All right. Joe.

Go. Okay. So my favorite bartender in town who, uh, gave me my first job, and, um, I still work for, he, he was working one night and a guy was doing the bottle shaking thing, and he would not stop it. And he said, my buddy said to the guy, "You know, I see you. You don't need to shake the bottle at me." Guy comes up for the next beer, s- shakes the bottle. And this isn't like- And it- This is literally like, "Hey, do you see that this is empty?"

Yeah. My bu- and my buddy said, "Shake that bottle at me one time and it's be- gonna get shoved up your ass." And it, it was a glorious time 10 years ago when you didn't have Yelp and you- Yeah. Yeah ... could do stuff like that. I do miss those da- like, as much as I like politeness and civility, sometimes people just need to be told that they're going to get a bottle shoved up their ass. Right.

I mean... Well, and it's, and being sort of the guy who has clients that are bars and doing marketing for them, like, you, I go through Yelp reviews and I'm like, th- there is not... I'm sorry that the DJ wouldn't play the song- ... that you wanted to hear. One star. One star. Or that, yes, it is the bar's fault if it's out of paper towels.

Yes. Yeah. Absolutely. But, you know, reviewing it based on stuff that is not under the bar's control, yes, give it a, you know, a one-star review for, uh, bad service. Mm-hmm. But I'm sorry you had a shitty night and got in an argument with your girlfriend. That is not a reason for a bad review.

I have an awesome nightmare story- ... about a guy and his girlfriend arguing. Go. So one night, this guy and this girl, they, the, the girl was just a nightmare to deal with at the bar. And the guy- She ordered a Long Island.

N- no, she was just mad and a- angry, and- Oh, anger's the worst ... and she was drinking a water, and he was just, I mean, he was just going to town pounding Miller Lites. And she screamed at him and left, and he continued to just drink, like, d- I mean, just a, a, an absurd amount. Mm-hmm.

She comes back, and we're like, "Oh, man, this, this girl's back again." She comes in, starts screaming at him. He tabs out. He walks out to the cars where she is, and she's screaming at him. She throws something at him, and then he gets in the car and they take off. We go over to what she threw at him, and it was a positive pregnancy test. Oh. Wow. Wow. That was- I'm leaving this pause in there because it's just amazing.

So yeah, I mean, like, I mean, I... Sometimes I wish I had a more stable life and s- like sold insurance, but then you see stuff like that. You're like, "Oh man, where... You, you wouldn't get that, you know, working in an office." Selling insurance. Right. What, what, what nightmare stories you got? I was working at a bar here in the Short North. It was at Bodega, uh, on a Saturday night two or three years ago, and doing last call at like 1:40, 1:50. Lights come up, music comes down, asking people what they want for last call, to-go beer, shots, blah, blah, blah, blah, blah.

Right. Guy comes up to me with a empty water glass, and I, I go to fill it up, and he pukes into the empty water glass on the bar top. Oh. To which I respond, "We're done."

Th- that- "Get out, now." No shots. "Gone. This guy just ruined everybody's night."

Ugh. Christmas is canceled. It's this guy's fault. Th- th- the funnest ones with those are when you do last call and people argue with you about it. "What do you mean I can't get another six rounds of..." "No, I'm done dispensing alcohol."

Right. "You need to leave." What do you mean? Like, yes, I will give you a shot. Correct.

But no, you can't have a full beer. "Well, I'll drink it really fast." No, you won't. No. It, it is 2:05. I will gladly get you a shot and a six-pack to go, but I have to have you not only done with your alcohol, but out of the building at 2:30 and hopefully getting home responsibly via walking, Uber, cab, something like that. What are the other sort of... There are nightmare stories, but then there are people that just sort of make bad decisions. Yeah.

You know, what... How do you properly cut somebody off? And I think that, that there's an important distinction between... There are very few people that actually have to get thrown out, right? Yes, correct. M- but there are a whole lot of people that simply don't know how drunk they are and need to be cut off. Mm-hmm.

Because you're... A certain amount of responsibility that a bartender has to keep everyone safe. More than certain. Yeah. It's a lot.

They, they... Dram shop laws, you're legally responsible. Talk about that. You're legally responsible if you get someone so drunk that they are going to black out. Oh, not even that far. Okay.

Like, dram shop laws are, are basically are really, really simple, and they're different in every state, and this is where they're different, when they walk in, how intoxicated they are, and if you choose to serve or not serve them. Okay. Uh, so in Ohio, if they walk in the door, generally if you serve them and you, you assess their state when they walk in. That's usually the easiest way. And you're not doing that for every person, but it's if they present-

Yes. Right. Yes. The, the, the shimmying and the swiveling and the stumbling and the dropping things and the loud voices and- Mm-hmm

... ordering very strong rounds right off the bat. Like, "Give me a double, triple Jack and Coke," or whatever. Mm-hmm. Uh, so just, uh, the, the typical assessment of how intoxicated they are, and if you choose to serve them, then you are legally responsible for their safety. Okay. So walk me through, like, you don't know whether somebody's gonna be driving out of there.

Correct. Correct. So what sort of responsibility do you have? Just to make sure that they are able to walk out? Yes and no. If, if you know for a fact that they are driving, 'cause they have their keys in front of them, you can do everything in your power to dissuade them from driving. Right.

Uh, offer- "Hey, let me call you a cab." "Let me, let call you a cab. Let me call you an Uber. Where do you live? I have somebody walk you down the street." We always have barbacks. Right.

But if you are unable to do that, then you're, you as the person who provided them some form of alcohol are legally required to call the police. Be like, "This person is intoxicated. I served him. I tried to get him not to drive. He chose to drive. Please get him off the road." And so are you d- you're doing that when they leave? Yes, when they leave. How often do you have to do that?

I have never done that. Okay. I've never had to do that. I've never done that. Usually-

Should you have? Uh, no. No. Okay. No, not at all. P- people... If, if you approach it correctly, if you approach it out of kindness and camaraderie rather than anger-

Like, "Hey man, I'm on your side." Yeah. Like, "Hey man- "You seem drunk." "... it's time. You've had enough. How you getting home?" Or, "Hey Sam, this is the third night this week that you've been in here this hammered."

Right. "Let me get my barback, John, to walk you down the street to your house and make sure you get home." Right. And it, it's different with regular customers.

It's usually not... You, you very rarely have a situation where you're cutting someone off and it turns into something. It do- Yes. That does happen. Yes.

Right. But most of the time, you have to remember, when people are very intoxicated, they lose track of time very easily. Mm-hmm. And the easiest thing to do is when they order a drink to just say, "I'm gonna serve you water." And they just forget that they ordered a drink-

Yeah ... like 90% of the time. Yep. Okay.

And then they'll or- order again five minutes later, and you say, "You know, I think, I think that water's gonna be good for you for right now." Yeah. Right. And you know, if, if you say to someone, "I'm cutting you off," which sometimes you have no choice but to say that, usually the response is not, is going to feel-

Be negative ... embarrassment- Yeah ... and shame, and they... That's when things can get kind of messy.

Right. If you, you know, gently s- tell someone, "Ah, I don't know," you know, like what he was saying, do it in a, in a sense of camaraderie and, and, and, and, uh, you know, that you care about them and not that you're, you know, "Well, I'm, I'm, I'm your boss." You know, you don't, you don't wanna be using authority too much on them. Right. But you know, it's also-

Well, and it's not that like, "Hey, I'm not cutting you off because I don't like you." Yeah, yeah. It's, "I'm cutting you off for your own good." Yeah, yeah.

Um- Right. But you know, I think a, a lot of bartending also is just man- crowd management, and you just have a lot of these situ- And that's what I, I guess I was alluding to earlier when I was talking about you, you should lear- you should work in neighborhood bars. We should work in a shot and beer place where you can learn those skills of how to manage people. Right. Um, strangers, and how to, you know, learn how they change when they drink, because dealing with drunk people is, is something that you have to kinda learn how to do.

Right. Or, or if not drunk, then you know, b- ... people who've had a couple drinks, like buzzed people. Right. Yeah.

Um- Well, 'cause from, you know, in 20 minutes somebody's gonna go from, you know, just a normal guy sitting there watching TV to being more boisterous, to being sad, to being, you know- To being the creepy guy at the bar. To being the creepy guy. It's a weird time of year. You know, we just had a crazy election.

Yeah. And also, uh, it's the holidays. Yeah. You know, people are going to drink more, and there is, uh, a heightened emotion in the air.

Well, and I also need to point out that w- w- one, the bane of a bar- bartender's existence in Columbus is, are these stupid Buckeye games. Oh, God. I mean, you, you know, it tests the limits of how much you can s- rally, like, be a fan. 'Cause I, I like watching the games with my family. I enjoy it. Right.

But dealing with people after these games is just an absolute nightmare. We call them zombies. It's, it's... And it's, it, it's really disgraceful and shameful, honestly. Like, you- Is it because the amount they've drunk, had to drink?

Yes. It's, it's because, yeah, people feel like for some reason, specifically in Columbus, I don't see it a lot with other teams. Obviously, there's going to be drinking. You know, you go to a Crew game, you go to the Browns. Yeah. The, the, especially, like, you know, you go to a Cleveland Indians game, there's going to be rowdiness. I mean, that, that's built into these, uh-

Sports ... sports culture. Yeah. But this OSU thing is a different, different level, you know?

It's the entire city. Well- It's the entire city loses its mind, and beyond that, they think it's okay. Right. Mm-hmm.

That, that they're acting- Well, there is no other city in the country, I don't think, where, unless it's, like, literally a college town, where it's better to go grocery shopping during a game because literally no one will be there. No one will be there. They'll play a game of golf.

Yeah. Like, it's awesome, that, that aspect. But, you know, we- we'll go the whole year without a fight in the bar. You know, whole year. N- very, you know, little incidents here and there, someone's angry, yells at the bartender, whatever. Then the first game, there's two fights, every bath- all the toilets are th- thrown up in. Yeah. Everything's trashed.

Throw up. You didn't make a lot of money because everybody showed up d- really drunk and- So they're not drinking anymore ... they're just drinking water. They're not tipping. I mean, they're just... It brings out the worst in people. I mean, I, I, I, sorry to-

Well, what's- ... go on a rant about the Buckeyes, but I mean, it's just- No, I- No, no

... it's a real thing. It's- Well, what's interesting is, like, it's not confined to campus. Oh, no. And it's not, it's-

It's citywide ... everywhere. Yeah. You can go out, and it w- it's, it makes our jobs nightmares those day, because, because we don't, we make so much less money. You know, working in a restaurant, you make, they, they do all these night games now. You, you, it decimates business.

Right. And then, then you're, you're there later anyway because people show up afterwards acting like idiots, you know? It's, it's awful. I, I wish... Yeah, and you can't really d- I don't know if there's anything anyone could do, but, uh, the, it's this, this mentality that I, you know, people can just behave any way they want- Right ... because the OH- highest, because a bunch of kids played football today. Like, I'm going to lose my mind over, you know, kids playing football and go terrorize these bartenders.

Yeah. And it's like pl- you know, you just, you j- it's, it's so baffling that it's, it's okay. You know, you have these people getting angry about the protests after the election. They're like, "Oh, man, this is, this is terrible. There, there were three incidents of broken windows." I'm like, that is every single OSU game. They, every single game. Like, I don't think people realize, like, all throughout the city, that restaurants are getting windows smashed, properties getting damaged, people are passing out in, in alleys. Like, all this stuff is happening all in one day in a city. It's New Year- And we never talk about-

It's New Year's Eve every Saturday. Every Saturday in the fall. Every Saturday. Yeah.

Yeah, that's a good way to put it. Like, it's... And it's, it, it doesn't matter if it's a home game or an away game. Doesn't matter what time of day it is. Some days are better than others. Uh, I will say that on one positive note, if you are somebody who enjoys fine food and drink, every Saturday in the fall, you can walk into any of the better restaurants in town and get a table. Yep. And people will love that you're there, and they will love taking care of you because you are the only person there. Uh, but yet-

I give, I give great service. Don't worry about that. I mean, like, "Hey, you're here." I know in the Short North, and even when I was working in German Village and on Bexley, we, we tried our best to corral fans, especially rowdy fans. Like I said, we call them zombies as they're walking back from the stadium. Uh- Into one section? Not necessarily into one section, but just try to keep them a little more calm.

Uh-huh. Uh, we don't encourage them to be as boisterous as possible. They might get ignored when they order a round of shots, that type of thing. Right. Uh, just try and keep the level down a little bit and try and make sure that they have a good time.

Right. Uh, one thing I wanna add, Joe's mentioned a couple times that how to start in bartending, and I just thought about this, uh, at a neighborhood bar, a dive bar. I actually did the opposite. I started in chain restaurants. Okay. Uh, but I also, I also went through the entire management training program in a chain restaurant, so that has helped immensely in working in a 2:00 AM bar now, and even working in a, a cocktail bar that was open till midnight or 1:00 AM. Just, and you're learning how procedures run, learning how to, to, to judge people, learning how to talk to people, learning how to-

Well, and s- ... take care of problems ... and even knowing what everybody's role is. Correct. Correct.

And knowing when, like, if there, if it's a manager/bartender situation, knowing what the manager's role is and what yours is, and frankly, if the manager's not doing their job, you know when you need to step in. Yeah, yeah, absolutely. Anything about how the Short North is now becoming simply a strip of bars? The Short North is different now than it was. Uh, when I started at Bodega ... a little over four years ago. Marcus Meechum was in the kitchen.

Mm-hmm. Collin and Sang still own the place. It was more of a neighborhood restaurant, craft beer bar- Mm-hmm ... until about-

And let's go through those names real quick. Marcus, uh, currently the, the chef/owner/operator of Steam at Little Rock Bar. Mm. Uh, Sang went on to open The Table- The Table

... on Fifth Avenue, and then Collin has his hands in a couple of different things, but primarily, uh, Seventh Son Brewing- Seventh Son ... Brewing on- And then Barrel & Bottle at the North Market.

Yeah. Awesome bottle shop. Yeah. Great wine selection.

And so at that time it was sort... You guys were sort of almost sort of the north end of things. Oh, absolutely, the north end of things. Yeah, Third Avenue was the far north end- Right ... of, of the Short North.

I mean, Scully's was up there. Yeah. It's... Well, and it's funny- Yeah

... because 10 years ago Scully was actually a, a client of mine- Okay ... advertising client, and he said, "Oh, I'm just sitting on it waiting for the Short North to catch up." To creep up.

And I was literally like, "That's never going to happen." At the time there were so many condos being built- Yes, yes ... that has now become apartments being built. But I was like, "There's no- there is- you are always going to be on an island." Hmm.

And I was totally wrong. Yeah. Because slowly but surely... I mean, this was when Little Brothers was still in existence. Oh, wow. Okay.

Uh, and so Little Brothers, which is now Standard Hall- Standard Hall ... and that whole strip is just more and more- Yeah

... frankly bro bars. Yeah. Uh- It is and it isn't

... which is fine. You know, it's, it, it's for a certain kind of patron, but frankly the, the turning point was the sale of the Park Street bars to- Oh, yeah ... Jimmy Woodlands. Jimmy Woodlands, yeah.

And then the opening of- Pint House ... Pint House. Pint House, yeah.

And then the opening of Pint House. Mm-hmm. Where sort of... And everybody... And, you know, a certain population bemoaned it, but there w- you know, it was, okay, the Park Street, Park Street is now invading High Street, and then it slowly sort of proliferates north. Yeah, yeah. And I, I personally-

But it- ... have enjoyed it. It's, uh, I don't necessarily frequent all of those bars that you just talked about, but- Right ... there are young professionals, mid-30s and even early 40s, late 40s, older professional married people who come down the Short North that never would before.

Right. Uh, I'll take your money. Um, you know, and, and they're, they're nice people. Uh, some of them get out of hand sometimes, but- Right ... they, they know what they want. They have plenty of money to spend.

Mm-hmm. And they spend it freely. Uh, I've, I've really liked having Standard Hall there because frankly we get the overflow . Right, at Bodega. Uh, and it's, it was the same thing with Pint House. Pint House, when it fills up, people get overflow at all the other bars and restaurants up and down the strip.

Right. Uh, but I will say that, like, the chain commercialization of the Short North has been kind of, kinda sad. Well, thankfully it's not... These are for the most part local guys. Correct.

Uh- Correct ... you know, there is the Corso, Gallicchio, Swanson. Yeah. Now Swanson has his own and-

Right. The, and then the other people like, what, Melt, Bakersfield, and The Eagle, they're still Ohio. Yeah, yeah. Melt's Cleveland. Right. Uh, Matt Fish, I met him. He's a great guy. Bakersfield and, and Eagle are what they call Thunderdome, uh, group.

Okay. And they've, they've got a, a number of concepts based in Cincinnati, but they've been really good about expanding. Uh, I really like The Eagle. Their food is awesome. Their fried chicken is delicious. It's just weird that they're called The Eagle and they're not a leather gay bar. Yes, yes. It is weird. It is weird. I remember we had that conversation. Yeah, it is weird.

I, I... See, I'm on the o- opposite opinion. Well, I, like, I, I lament the demise of the Short North because I remember when I was 16, one of my first jobs was delivering bagels to a lot of the spots there for Sammy's Bagels. Okay. And, like, I remember going in these places and there'd be, like, naked pictures on the wall. I mean, these places were, like, they were edgy. Right.

It, it was like dangerous there. You're talking about, like, the galleries? Gay people everywhere. Like, and it w- uh, like for, for me being from the suburbs, I, I was like, "Oh my, oh my God." Nice young Catholic boy.

I mean, there was all this art on the... Every place had art on the walls. There w- I mean, all the shops were... You know, there was, The Open Book was there. You had Coffee Table, which was, you know, that was just like- Oh, yeah ... like a ga- a gay, a coffee house. Mm-hmm.

And, like, it was- That's where Bakersfield is now. Yeah. It, it just... It was, it was a m- Hmm

... it was amazing. Like, I remember just being a kid and being like, "Oh." And it was kinda dangerous, and there was, there was a witchcraft shop, and then there was, like, you know, there was a church in the middle of it. It was just this weird amalgamation of all these very interesting and, and edgy, and, and, and artistic things. I remember being, feeling very inspired and, and frightened by it. Right. And overwhelmed with this sense of like, "Wow, this is, this is right down the street from me, and all this cool stuff is happening. You know, life isn't entirely, you know, w- what I get in the suburbs. This is, this is so cool." And then, you know, of course then I went to Little Brothers. It was the hub of counterculture.

Yeah. Yeah, yeah. And when I- Yeah

... I went to Little Brothers when I was 17 and saw these, you know, amazing bands. Like, you know, they, they didn't care that I wasn't 18. They let me into the show. Uh, they just, you know, made me pay $5 extra or whatever. Right. And I would see these Columbus bands, and they... I mean, they were so edgy, and it was like nothing I'd ever heard on the radio. You know, there was no internet at the time, so this was, you know, for me it was... Like, that, the Short North was where I really, really g- um, learned, I think learned to be an artist and learned what it meant. And I, you know, like, I consider myself an artist, and it f- helped shape me. And I see it now, and I, on the one hand, like Josh is saying, like, people bringing money in, and a lot of our friends are making money serving- Yeah

... and bartending there, and then we, if, if something happens with us with our job, we have the option of going and there's all these jobs now. Right. But I really, really miss having that edginess and that, and that artistic side. And I, I see, I see it... It, it would, it would be, I think, a little less sad if, uh, if it were not happening everywhere. It's just ubiquitous, this commercialization of everything, where everything has just become this money grab. Uh, whereas b- you know, before, the Short North, yeah, yeah, these were businesses making money, but it was ar- it was mostly, uh, for ar- art's sake. Right.

And then they're like, "Oh, we can make a few bucks off this." And, like, I see a place like Standard Hall, which, I mean, it's f- I, I'm not criticizing the restaurant, but f- for, like, that, that building was sacred to me. I, I released two albums there. I played these really important shows. Hmm. I turned 21 there seeing Guided by Voices. I'd, I opened up for n- you know, great national acts. I, I met some of my, like, rock and roll heroes there, and I, I played so many important shows. And to see it, like, to go in there is just, like, this, this, uh... I don't know. Part of me, part of me inside just becomes very mournful wh- when I- Go buy it now.

Right. I mean, I guess that's the nature of things. They have to change and progress and all that, but I, I, I wish there were a way to have more art and, and f- and, and l- not everything be totally commerce, but that's just my rant, you know? Well, and I think a lot of it has to do with sort of the, the rising rents of- Oh, yeah, absolutely

... of that's why an art gallery can't afford to be there. Right. Yeah. Um, and so they have to be somewhere else. They go to, uh, Old Town East. They go to Milo Grogan even. Yeah, yeah.

Um, and that's sort of how artistic communities evolve. Yeah. And so- Yeah, Franklinton and King-Lincoln District-

Yep ... and all that. Yeah, but that's the nature of things. Yeah.

So anything else you wanted to touch on, Joe? Nope. Anything else you wanted to touch on, Josh? Just be nice to each other, have fun, tip your bartenders and servers, know what you want.

Do you know when it's nice to be nice, Josh? What's that? All the time. All the time. All the time.

All right, gentlemen, thank you so much for your time, and, uh, have a good holiday. Thank you. You as well. Thank you. Thank you for listening to the Confluence Cast presented by Columbus Underground. Again, you can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. Please rate, subscribe, share this episode of the Confluence Cast with your friends, your family, contacts, enemies, your local bartender. If you're interested in sponsoring the Confluence Cast, you can get in touch with us. We can be reached by email at info@theconfluencecast.com. Our theme music was composed by Benji Robinson. I'm your host, Tim Fulton. Have a good week.

Transcript10,934 words

Tim Fulton Ladies and gentlemen, welcome to the Confluence Cast, presented by Columbus Underground. We are a weekly Columbus-centric podcast focusing on the civics, lifestyle, entertainment, and people of our city. I'm your host, Tim Fulton. This week, we are grabbing a cocktail. I sat down with two of Columbus' best cocktail bartenders to talk about the bar scene in Columbus, what makes a good cocktail list, how to be a good patron, and the evolution of the Short North bar scene. You can get more information on what we discuss today in the show notes for this episode at theconfluencecast.com. Enjoy the interview. On the occasion of the holiday season, sitting down here with Joe Peppercorn and Josh Rice. We are talking cocktails. Joe is the co-beverage director-

Joe Peppercorn Yes

Tim Fulton ... at Little Rock Bar, also a bartender at Giuseppe's Ritrovo in Bexley. Josh Rice coming to us courtesy of Bodega in the Short North. Josh, how are you?

Josh Rice I'm great.

Tim Fulton Good.

Josh Rice I'm great.

Tim Fulton Good. Josh, how did you start to be a bartender?

Josh Rice I grew up in the service industry, uh, not necessarily in full service restaurants. I come from a service industry background. My father was a chef. I worked for him through junior high, high school, and college. I went to college, did some other things, and, uh, came back into full service restaurants about 15 years ago.

Tim Fulton Okay.

Josh Rice Uh, chains, independents, dive bars, clubs, everything.

Tim Fulton In Columbus primarily, or?

Josh Rice In Dayton primarily, but also in Detroit, and I've been in Columbus almost... Well, yeah, I've been in Columbus five years now.

Tim Fulton Mm-hmm.

Josh Rice At many different places in five years.

Tim Fulton Got it. Joe, you are known to people, I think, primarily at this point for the Beatles Marathon, which, uh, we can get a little plug in here.

Joe Peppercorn Yeah.

Tim Fulton Coming up December 10th.

Joe Peppercorn Yes.

Tim Fulton At, uh, The Bluestone. Also, the front man for the sometimes revived band The Wiles.

Joe Peppercorn Yes.

Tim Fulton How did you get into bartending?

Joe Peppercorn I got into bartending because the main thing that appealed to me were the hours, because I've always had a difficult time sleeping since I was a little child. I remember being a kid and being up till 1:00 or 2:00 in the morning just about every night.

Tim Fulton Okay.

Joe Peppercorn And so I, despite my, uh, best intentions and efforts, I, you know, I'd always end up falling asleep at school and all. And having a normal job is just very, very difficult for me because I, my body just fall, shuts down at 2:00 to 3:00 AM every night.

Tim Fulton Okay.

Joe Peppercorn So the hours of bar- bartending, I was, "Oh, wow." As a j- you go in at, like, you know, 6:00 or 7:00, and then you leave at 2:00, and then, you know, I go to bed like I normally would. So that's-

Tim Fulton And then you have an excuse to sleep in-

Joe Peppercorn Yes. Yes

Tim Fulton ... because you worked the night before.

Joe Peppercorn Yes. Yeah, yeah, yeah. So that, that w- appealed to me and it, and it fit perfectly with my lifestyle. And now... But then I also liked bars. I liked drinking and I liked being around people, and I liked the, and the music aspects, too. That also drew me in. A lot of the bars I worked originally were music clubs. You know, ha- having the connections through music and through the sleep schedule, it just, it was a no-brainer for me. Oh, this, this is a great business to be in.

Tim Fulton Can you give me a rundown of the places you've worked? You s- your first bartending shift was at the Treehouse, right?

Joe Peppercorn Anime's Treehouse, and then there was, uh, worked there through, you know, two other different managements. And then, uh, let's see, Cobo, another music club, and then Outland, worked there.

Tim Fulton Hmm.

Joe Peppercorn Basi Italia, Giuseppe's Ritrovo, Curio. But y- wide ranging, you know? Fi- I've done fine dining. I've done really, really terrible dive bars. You know, everything, you know.

Tim Fulton Right. And the, the one th- the reason why I brought you guys in together, both of you sort of take bartending a little bit more seriously, I think, than me, who bartends maybe, you know, once a month. I know how to pull a beer, and that's pretty much the extent of it. You guys take your time and sort of study it. And Joe, you as the co-assistant beverage director at Little Rock Bar, you have an obligation to sort of study these things and study drink making. I know that you've also been thrown into, you know, how do you make a frozen drink.

Joe Peppercorn Mm-hmm.

Tim Fulton And you know, which is no easy task. Why do you th- think that you take it a little bit more seriously? Is it just by virtue of this is what I'm doing, and so I'm going to do it well?

Joe Peppercorn Yeah. And I think also just w- once I reached a point where I said, "You know what? This is not just a little side gig. This... I, I really wanna work in this business." You know?

Tim Fulton Right.

Joe Peppercorn I think Josh is in a similar position-

Josh Rice Yeah. Yeah

Joe Peppercorn ... that I am, where it's like, you know, a lot of bartenders, they do it to get through school or whatever. And then guys like Josh and I, w- I, I think we both just, "Oh, this is my, this is my job," you know?

Tim Fulton Right.

Joe Peppercorn So I th- I think you, in order to feel f- fulfillment and to not go insane, you have to treat it like, you know, like something that's important to you, and you have to take it seriously. And I mean, it doesn't mean you can't have fun with it, but I mean, it's, in order to feel like a human being, I think y- guys like us have to approach it very seriously, and, and try our best to do a really great job with it. I don't know if you agree with that.

Josh Rice Yeah. Yeah. Absolutely. Absolutely. Uh, take the time to learn as much as you can about the profession. And that's what it is, it's a profession.

Tim Fulton Right.

Josh Rice Uh, study a lot, read a lot. I am fortunate enough to have a photographic memory, so it's a little easier for me to remember things.

Tim Fulton Okay.

Josh Rice So when I explain somebody, something to somebody, I get the, "How, how do you know this?" Well, yes, I have a photographic memory, but I've also-

Joe Peppercorn Well, I saw it one time

Josh Rice ... I've also read I don't know how many books on X subject and Y subject.

Tim Fulton Right. And you are, Josh, a member of the United States Bartenders Guild.

Josh Rice Correct.

Tim Fulton A organization that promotes education, competition, and camaraderie. You are not a cicerone.

Josh Rice I'm not a cicerone, no.

Tim Fulton A cicerone is akin to a sommelier for wine, but a cicerone is for beer.

Josh Rice Correct.

Tim Fulton You've studied it. You're also certified in, by the BarSmarts program.

Josh Rice BarSmarts program, yeah. Spirits program.

Tim Fulton Can, can you tell us what BarSmarts is?

Josh Rice Uh, BarSmarts is an organization based out of New York. Their flagship product is called Bar5 Day. It's an unofficial post-graduate course for bartenders that takes a week to complete, costs a lot of money. You taste a ridiculous amount of spirits and learn as much as possible about service and spirits and cocktails. They have two other programs. One is an online program. Where they, uh, show some videos and do some instruction, and you take a little quiz. And then the other one is a live program where you spend an entire day with these, these five amazing gentlemen who are kind of luminaries in the spirits, cocktails, and wine world who'd have taken it upon themselves to educate as many people as possible. Uh, and that was, that was an awesome day. It was in Cleveland about three years ago.

Tim Fulton Okay.

Josh Rice Uh, spent a day with them tasting, learning, getting quizzed. Uh, practical exams too, like I had to make cocktails for people in front of people.

Tim Fulton And this is not like those programs that you would see at like a strip mall or advertised on the radio like-

Josh Rice Correct

Tim Fulton ... "Hey, you can be a bartender too."

Josh Rice Yeah. This, this is not ABC Bartending School-

Tim Fulton Right

Josh Rice ... uh, where you're learning how to make a, a daiquiri with, with neon green sour mix and learning how to use a blender. Um, things, things like that, that, that silly commercials you see on TV or advertisements.

Tim Fulton Do those things, do those still exist?

Josh Rice Oh, yeah. Oh, yeah, big time. Big time.

Joe Peppercorn You cannot properly make a buttery nipple without one of those courses. There is... It is an impossibility.

Tim Fulton How do you... I'm sorry. Joe, how do you make a buttery nipple?

Joe Peppercorn I, I, I've never taken one of those courses. I don't know.

Tim Fulton Um, talk about sort of what you guys see... You guys work together at Curio.

Josh Rice Correct.

Tim Fulton I wanna talk about sort of where you see bar culture right now in that, let's say 10 years ago, it was rare to find a bar that had 30 craft beers on tap. At this point, it's sort of expected that even a neighborhood bar will have at least five curated beers-

Josh Rice Mm-hmm

Tim Fulton ... just depending on what their, you know, uh, what their tap setup is. What other things are you seeing in sort of bar culture?

Josh Rice Uh, spirits. Spirits and cocktails. Uh, this is something that we were talking about last weekend in some downtime at Bodega. Had a gentleman with his girlfriend who walked in 7:00 on a Friday night, uh, the mid-swing of happy hour, walked right up to the bar, ordered a vodka soda and a Negroni, and that's just weird to me.

Tim Fulton Okay.

Josh Rice Uh, just not even questioning, "Hey, can you make a Negroni? Do you have the ingredients for it?" But just ordering one.

Tim Fulton And so what's, what's in a Negroni?

Josh Rice A Negroni is an equal parts cocktail, classic cocktail, stirred cocktail, equal parts gin, sweet vermouth, and Campari.

Tim Fulton Okay.

Josh Rice Served on the rocks usually with a, a nice orange slice. Uh-

Joe Peppercorn So something that most bars should... a fully stocked bar should have.

Josh Rice Should have, but is not necessarily going to... well, not necessarily going to have Campari-

Joe Peppercorn Mm-hmm

Josh Rice ... or, or have sweet vermouth that actually tastes like sweet vermouth.

Joe Peppercorn Yeah. They, that drink will stink with the teriyaki sauce vermouth.

Josh Rice Yeah.

Joe Peppercorn I mean-

Josh Rice Yeah

Joe Peppercorn ... you gotta have some- something decent-

Tim Fulton Okay

Joe Peppercorn ... to make a... I had one of those drink... That's my favorite drink. I had-

Josh Rice It is. It is.

Joe Peppercorn I had one last night-

Josh Rice Yeah

Joe Peppercorn ... actually-

Tim Fulton Okay.

Joe Peppercorn ... after turkey.

Tim Fulton Joe, what are you seeing?

Joe Peppercorn I've seen a, a lot of the things that Josh has seen. Um, you know, at Giuseppe's Retrova, where I work, it's kinda the same thing where people just walk up and they, they don't say, "Oh, can you, can you make a daiquiri," or, "Can you make an old fashioned?" or, "Can you make any of these things?" I mean, it's just, just assumed that in a nice restaurant with a fully stocked bar, you just, "Oh, okay, I can order whatever I want and this, and this guy can make it."

Tim Fulton Right.

Joe Peppercorn And I like that aspect a lot, of the... That, that I as a patron too, I can go to a, a re- nice restaurant, and if I'm in the mood for it, get a Negroni or, or, and get it properly made with some good ingredients.

Tim Fulton Do you think that that's mainly because you guys sort of circulate within the Center City and so... Like, am I gonna be able to go to a bar on Bethel Road and order a Negroni?

Joe Peppercorn You're starting to see that. It's-

Josh Rice Yeah. Yeah.

Joe Peppercorn It's kinda shocking.

Tim Fulton Okay.

Joe Peppercorn You know, where you're going out in Hi- you're in Hillyard, you're in Powell, wherever, and you go up and, and usually, you know, if, if you go to a bar, there, there's signs that indicate to you, oh, you can get a Negroni here. If you see the Campari prominently displayed, if you see, um, that they carry good vermouth, if you see some I- Italian Amaro there, you know, which is a herbal digestif that co- we love to use in cocktails, and usually a, a bottle of that indicates that this is a bar program that takes things kinda seriously. You know, you... And you don't wanna be a jerk at the same time and go to a, you know, a, a shot and beer bar, "Uh, why can't you make me a Negroni?" You know, like- Um, but you're starting to see those shot and beer bars be able to do that too. Um, and a- I th- I think that's one of the more-

Tim Fulton And what do you mean by shot and beer bars? Is it just like, you know, the kinda place that you'd see on campus or...

Joe Peppercorn Or, or grownup places even. Even like Little Rock I would consider a shot and beer bar.

Tim Fulton Okay.

Joe Peppercorn But we, but we can make a nice drink there, you know?

Tim Fulton Right.

Joe Peppercorn You, you s- you s-

Josh Rice Neighborhood bars.

Joe Peppercorn Right.

Josh Rice Neighborhood bars. The, the place where grumpy old men hang out for happy hour and then all the service industry goes at the end of the night.

Joe Peppercorn Right.

Tim Fulton Say that someone is sort of, you know, mid-20s, sort of uneducated about even what they like and would like to discover more about what they like, what recommendations do you have for them? You know, do I like a Negroni or do I like an old fashioned?

Joe Peppercorn You do like a Negroni. The question is just, you know-

Tim Fulton Have you had one yet?

Joe Peppercorn ... do you realize that, you know?

Tim Fulton Okay.

Josh Rice Uh, well, yeah, you do like it. It's, it's, uh, it's kinda the way that people get introduced to any, any beverage, any foodstuff. Uh, you start with something usually a little sweeter, a little more friendly, and, uh, you go to a place where you know that they, they can make it well.

Tim Fulton Mm-hmm.

Josh Rice Uh, so let's see. For, for cocktails, yeah, a place like a, an, a nicer style neighborhood bar like Little Rock, uh, like Bodega, where you can get even something silly, like you can get a pr- we make a, a proper Long Island at Bodega with fresh juice.

Tim Fulton Okay.

Josh Rice It, it sounds silly, but we do, and it's one of those cocktails that's just gotten diluted and changed so much over the years. I'm not saying it's a good cocktail, I'm just saying that you can make it better.

Tim Fulton Right.

Josh Rice So a place where, like that, where you know that they can make something better.

Tim Fulton Well, in my mind, Long Island is always, like, the thing that if somebody orders, that's the red flag of s- that person maybe doesn't know what they like and just wants a whole bunch of liquor.

Josh Rice Correct. Possibly.

Tim Fulton Okay.

Josh Rice Possibly. Not necessarily, but possibly. Uh, that, that has kinda been debunked by our friend Jeff Morgenthaler out in Portland, Oregon-

Tim Fulton Okay

Josh Rice ... who put a craft Long Island on his menu at one of his craft cocktail bars, uh, because he wanted to do kind of throwback, kitschy cocktails, and he said, "If I'm gonna do it, I'm gonna do it as well as I can-

Tim Fulton Right

Josh Rice ... and use the best ingredients possible," which I think is kinda cool.

Tim Fulton Right. You know, is there any argument for going on Amazon or going to a bookstore and just getting a good cocktail cookbook, basically?

Josh Rice Oh, yeah, absolutely.

Tim Fulton And sort of, you know, sampling that, getting s- small bottles of liquor.

Joe Peppercorn Oh, yeah. I mean, the, the, the books are, are, are necessary. I mean, e- even, you know, even having exper- I mean, Josh is more experienced than me, but I know he d- he constantly is r- reading the, you know, new books that come out and everything. I mean, that's how you, that's really how you can keep up with everything. I mean, 'cause you can find stuff online, but a lot of these books are the, I mean, the best information filtered for you, you know, um, 'cause there's just so mu- so many resources online, and the, there's some that are great, but a lot of them are not, and, and I think a book would be the, the best b- the Death & Company book would be my re-

Tim Fulton Yeah. Yeah

Joe Peppercorn ... recommendation for a- ... beginner or novice, anything. I mean, it, that book lays out everything for everyone. If you're a beginner, you can take a lot from that book, and if you're w- advanced, you can take a lot from that book. There's, there's a, there's a handful of them. That one sta- stands out to me. I don't, I don't know-

Josh Rice Yeah

Joe Peppercorn ... Josh, what you-

Josh Rice Oh, absolutely. And to be clear, Death & Company is an awesome cocktail bar on the Lower East Side in New York City. It's been there a little over 10 years.

Tim Fulton Okay.

Josh Rice Uh, the people that own it actually live in LA. They are restaurateurs and bar creators. They're both bartenders, uh, they-

Tim Fulton But it is a craft cocktail bar-

Josh Rice It is a craft cocktail bar

Tim Fulton ... like Curio-

Josh Rice Like Curio

Tim Fulton ... is, is the best example-

Josh Rice Yeah

Tim Fulton ... in Columbus, I think.

Josh Rice It's, it's the speakeasy stylish. Curio is not a speakeasy because it has windows, uh, but Death & Company doesn't have windows. It's kind of that, that neo-speakeasy that started at the turn of the, the, the 21st century in New York.

Tim Fulton Okay.

Josh Rice With PDT and, and Death & Company were two of the, two of the forefronts.

Tim Fulton Okay. There are standards for, like, this is what's in a Long Island.

Josh Rice Correct.

Tim Fulton This is what's in a-

Josh Rice Correct

Tim Fulton ... Old Fashioned.

Josh Rice Mm-hmm.

Tim Fulton What, what association defines that?

Josh Rice Uh, that was the International Bartenders Association.

Tim Fulton Okay.

Josh Rice That's the association that the USBG is connected with internationally.

Tim Fulton Okay.

Josh Rice And they promote the same things, but they also, the, the example that I gave earlier was whenever you, you Google a cocktail and Wikipedia comes up, it has the official IBA recipe, which isn't necessarily a recipe that I'm gonna use-

Tim Fulton Okay

Josh Rice ... but it's the one that's the worldwide standard decided on by this association of bartenders.

Tim Fulton Okay. So what I was gonna ask then is if it's defined to that point, if it's defined of, like, this many ounces of this, this many ounces of that, what's the difference between going to a bar where somebody's gonna try and follow that to the letter and going to a place where you guys may work and you're going to sort of perfect it?

Josh Rice I would say it cr-

Tim Fulton Is it just, like, the touch? Is it like an artist, basically?

Josh Rice Yeah, in a, to a certain extent. It, it's creativity and, and kind of riffing on somebody else's cocktail.

Tim Fulton Okay.

Josh Rice Uh, there, there are a finite number of ways to put booze and juice and sugar together to make a drink.

Tim Fulton Okay.

Josh Rice Uh, these styles have been defined for many, many, many years. It's just riffing on that using different ingredients and different techniques and changing it in certain ways, uh, which, which is easier to do at some places than others. We try and do it at Bodega. Uh, we have some very nice, very simple cocktails. Uh, we have a couple of complicated ones, but it's also a really busy bar-

Tim Fulton Mm-hmm

Josh Rice ... uh, because we're so close to campus. We're in the Short North. Uh, Curio does a much better job with that. Crystal Lobby at Inn does a better job with that. They, they have a small, more intimate space. Gi- uh, Giuseppe's does an awesome job with that. Their cocktail list is always fantastic and super creative. Uh, Blind Lady Tavern, Sidebar, Denmark, all of the big cocktail houses in the city always have really cool riffs on standards and classics. They're very creative.

Tim Fulton What's the difference between an easy cocktail and a complicated one?

Josh Rice Number of ingredients.

Tim Fulton Okay.

Josh Rice Um, scarcity of the ingredients, if you're using some plant that's only available for two weeks of the year.

Tim Fulton Okay.

Josh Rice Uh, expensive ingredients, uh, and also some of the techniques. Uh, basic, basic sours are three ingredients, sweetness, uh, acid, and base spirit, a daiquiri. Uh, negronis are three ingredients just stirred up. Manhattans are three ingredients stirred up. Old Fashioneds are three or four ingredients. Uh, but you start getting into things... I think the, the penultimate one is the, the Ramos Gin Fizz, the breakfast hangover cocktail from New Orleans.

Tim Fulton Okay.

Josh Rice An egg white gin sour with heavy cream and orange blossom water and three, 13 other ingredients that takes technically 12 minutes to shake.

Tim Fulton Okay.

Josh Rice Don't order one of those. They're good.

Tim Fulton Okay.

Josh Rice But-

Tim Fulton Well, and that brings us to somebody who has sort of, you know, entertains their friends at home with making cocktails and says, "Hey, I, maybe I want to be a, you know, a cocktail bartender." What's the... Is there a path to go down? Is it joining an organization? Is it simply continuing to work at home and trying to, like, get their foot in the door at a place?

Joe Peppercorn Yeah. G- I mean, getting your foot in the door is the main... Yeah, I think anyone can really learn to make these cocktails. It's not like... You know, I think there's this misconception that guys like Josh and I have this, like, in- talent that, oh my good... You know? I think Josh actually, d- like he said, he has, like, a photographic memory. That really helps. He has, he, he, like, wh- working with him, it was shocking, like, you know, someone could l- list some obscure drink, and he'd be like, "Oh yeah, you know, there's rum and, and Fernet and li- " And it's like, "What?"

Tim Fulton You haven't made that in six years.

Joe Peppercorn Yeah, he'd be like, "Oh, yeah, yeah." Like, he know, he seriously knows every drink. You, you don't need to be at that point, but I th- I think learning the basics of working in a bar is, is essential, and I think honestly starting in m- like, a neighborhood bar m- is probably a good option for someone who's young and wants to start bartending, because a lot, I mean-

Tim Fulton Well, and they're gonna learn if they truly wanna do it.

Joe Peppercorn Yeah.

Josh Rice Yes. Yes.

Joe Peppercorn And, and a lot of it is just dealing with, with, uh, learning how to deal with people, learning how to communicate with them, and learning how to, you know, these basic things of, of, you know, how to open and close a bar, how to, you know, basic service things that, um-

Tim Fulton How to deal with someone when they're drunk.

Joe Peppercorn Yeah.

Josh Rice Yeah.

Joe Peppercorn Like, yeah, and-

Tim Fulton How to properly cut someone off.

Joe Peppercorn And I, if, if I were to... I, I mean, the one thing, I, there are some bartenders that started in the cocktail world, and I, I can pick them out very easily because they just, there's this, these basic skills that they, they kinda skip over, and they just go, they just go right into, like, making cocktails and stuff. And, and I mean, that's a big part of it, and it's exciting, but I know for a lot of us in our generation who are doing the cocktail thing, we all started at, you know, pouring shots and be- and po- ... pulling beers. Like that's-

Tim Fulton Right. Well, 'cause that cocktail culture didn't exist 10 years ago.

Joe Peppercorn Right.

Josh Rice Correct.

Joe Peppercorn But I think that's a necessary skill to have if you wanna be a, a good bartender. I mean, and there are people that, that are, prove exceptions to that rule, but I like the bartenders that, you know, have worked in a variety of places.

Tim Fulton And I'm not asking about the patrons here. I'm more asking about bar culture and bartenders. What are the sort of maybe the negative things that are happening in the, the Columbus bar scene? What are you annoyed by when you see it?

Joe Peppercorn What, what, in Columbus, like w- as a patron, what am I annoyed by?

Tim Fulton Yeah.

Joe Peppercorn Or, like as a-

Tim Fulton Yeah, as a, as a patron who knows about the industry.

Joe Peppercorn For me, it's just the, like a, a lack of fun. I always get very frustrated when, like some, some, you know, people are doing things and they're not having fun doing it or not-

Tim Fulton Okay

Joe Peppercorn ... making it a fun experience, you know? And I don't see a lot of that, honestly. Like, you know, you go to-

Tim Fulton And it's not that it's too serious, it's literally that they're like, "Ugh."

Joe Peppercorn Yeah. You know, I mean it, but yeah, I don't-

Tim Fulton Just don't wanna be there.

Joe Peppercorn Yeah. I, I don't see a lot of that, honestly, thankfully-

Tim Fulton No, I, I don't either

Joe Peppercorn ... in Columbus. Like, you go to Denmark, they got a good sense of humor. You go to, you go to Curio, any of these spots, like you go there and like people get it. Like I'm not a, I'm not a magician, you know, I'm just making a cocktail. You know, it's, there's a certain amount of humility that I, I like that I, thankfully, in, in Columbus I think a lot of the cocktail bartenders have.

Tim Fulton Mm.

Joe Peppercorn And there's a camaraderie. They, they, everyone knows each other.

Tim Fulton Right.

Joe Peppercorn There's these events, everyone gets together, and 95% of the time it's very, everyone's working together, helping each other find jobs if they need to.

Tim Fulton Mm-hmm.

Joe Peppercorn And I don't know, there's not a whole lot of negative aspects I, I could point out.

Tim Fulton Okay.

Joe Peppercorn But I don't know if, Josh, you feel it or no.

Josh Rice I think the only thing I would have to say about that is when a new establishment opens, whether it's a chain or an independently owned place, and they claim to have a cocktail program or a nice cocktail list-

Tim Fulton Mm-hmm

Josh Rice ... or they claim to have a nice craft beer list, or even a nice wine list, and you go in and look at it, and it's-

Tim Fulton And it's not

Josh Rice ... it's, it's Blue Moon and Shock Top. Uh, you know?

Tim Fulton Right.

Josh Rice Or, or, or it's just, "Hey, we have Bell's Two Hearted. We have the best craft beer list possible." Well, that's a great beer, but every place has that beer.

Tim Fulton Right.

Josh Rice Uh, what are you doing? Do you have interesting IPAs? Do you have interesting stouts? Are you trying to change your beer seasonally? Same thing with the cocktails. Do you have some ingredients to make some good things? I'm not saying you have to have super creative drinks on your list.

Tim Fulton Right.

Josh Rice But can you make a solid Negroni, Manhattan, Old Fashioned, Daiquiri? Just really, really basic stuff. Do you have the tool set in place? You don't need to squeeze juice fresh every day.

Tim Fulton Right.

Josh Rice And you don't need to go crazy about it, but just have a few simple tools and have your people trained to a point where they can make that.

Tim Fulton So it's the false claim, basically.

Josh Rice Yes, yes.

Tim Fulton That, that like everybody is following that, like in order to be a bar, you've gotta have a good selection of craft beers, you've gotta have a cocktail list-

Josh Rice Yeah

Tim Fulton ... and you have to have wine available. The problem is, is that people have those things, but they're not necessarily doing them well.

Josh Rice Correct.

Tim Fulton Okay.

Josh Rice Yeah. I, I see new establishments that are opening that still have mainly domestic macro brews or their offshoots on draft with maybe one or two craft beers, and then their cocktail list consists of some sort of Moscow mule variant and then an apple martini and a cosmopolitan.

Tim Fulton Is the market sort of correcting for that? I mean, I have in my head the names of a couple of bars that have opened in the last year or so. Seems to me as though they're not doing very well.

Josh Rice Correct. Yeah.

Tim Fulton So the market does correct for it.

Josh Rice The market does correct, and I think a lot of that is driven by what, what Joe mentioned earlier, these, these bars in other larger cities. Uh, Columbus is a very business traveler type of town.

Tim Fulton Okay.

Josh Rice And people who live here travel extensively for both business and pleasure.

Tim Fulton Right.

Josh Rice And they go to, it could be something as simple as Chicago, Indianapolis, Atlanta, first tier, second tier, third tier cities, and they sit down at a bar and they see they've got this wonderful craft beer list of all these local beers that are awesome, and tons of flavor, and really unique ingredients, this great wine list that's priced really, really well, and it's not just all California wines, it's wines from all over the country. This, this great craft cocktail list that's really simple or really complicated. Or, "Hey, I had an awesome Manhattan here. Can you make me a Manhattan? Do you know what that is?" That's, that's a question that we've started... Nobody asks that anymore.

Tim Fulton Right.

Josh Rice Like, of course I can make a Manhattan.

Tim Fulton It's, it's assumed that you can do that.

Josh Rice Yeah.

Tim Fulton Right. And we have talked about some of the bars that are doing that well. Those will be, uh, linked in the show notes. Talk about how to be a good bar patron. I know a lot of t- you know, people will come in, they'll look at the menu, they'll order something, but there are also people that walk up and say, "Make me something." And it's appropriate to do that in some places. Like Curio, I think, does a great job-

Josh Rice Mm-hmm

Tim Fulton ... of you can look at their extensive menu or you can say, "Hey, I like whiskey."

Josh Rice Yeah.

Tim Fulton "I like whiskey and I like things that are sweet. Make me something." This is your opportunity to sort of bitch about negative experiences that you've had with bar patrons.

Josh Rice I don't like bitch, I like educate.

Tim Fulton Okay.

Josh Rice Just educate people.

Tim Fulton Let's educate people.

Josh Rice Just, just be smart. Know what you want when you're going in. But yeah, Joe, go ahead.

Joe Peppercorn Yeah. There, I mean, th- there's a whole grocery list of beha- like, uh, there's, there's, uh, basic etiquette.

Tim Fulton Right.

Joe Peppercorn And, you know, unfortunately-

Tim Fulton Throwing money at you is probably not a nice thing to do.

Joe Peppercorn No, it's not a nice thing to do.

Tim Fulton What's a good way to get your, uh, attention?

Joe Peppercorn Just, just stand there. I see you. You don't, you don't even need to wave.

Tim Fulton Yeah.

Joe Peppercorn You don't need to, you don't need to shake your bottle. You don't need to do any of that. You stand there and it's my job to see you, and if you see that I am busy, then- Just wait. Just, just be patient, you know? I, some of these people go to the bar, I don't know what they do when they go to a Starbucks and like- ... you can't, you c- you have to wait in line. And you can't like run around to the s- to the end of, "Hey, hey, I'm, hey, can I get a coffee?" Like, I mean, what are these s- I, I can't figure out what some of these people do when they go there and there's like a line. So you see that there's 10 people waiting. I, um, you know, I'm trying my best to count you guys, so like, "All right, you're next, you're next, you're next." But, you know, people just, they're, they, they have bad etiquette in bars. It, it brings out, it, the, the, there is-

Tim Fulton Well, it is that little bit of alcohol in them.

Joe Peppercorn Right. It, it, it-

Josh Rice There's the alcohol

Joe Peppercorn ... they, they just, they d- they have bad etiquette and it comes out in spades when they, when they are, are getting boozed up a little bit. So you don't need to, you don't need to m- you know, be a jackass when you come up and try to get our attention. We see you. When we come, when we come over to you, if you h- have questions, like you know, present, you know, if you see us really busy, just order a, a two-hearted or something easy that you know you like. But if we're not busy, like y- you know, don't be a doofus with your questions. Like, ask smart questions. "Oh, this drink, what is it like?" Okay, I could say, "Oh, it's like a Manhattan." "Oh, cool. I like Manhattans." Or you say, "What's a Manhattan?" "It's whiskey, vermouth, and bitters." "Oh, I typically like strong drinks. Would I like that?" "Yeah, you might like that if you like whiskey-"

Josh Rice Mm

Joe Peppercorn ... and strong." You know, there, there, there's, there's a series of questions you can, you, you can be intelligent about. But I think al- also, like you know, people don't necessarily give us the respect we deserve because they kind of look down o- on, on us as, as not professionals. Or, or like, well, this is... You know, you hear it all the time, "What's your real job?" You know?

Tim Fulton Right.

Joe Peppercorn So I, I think that a lot of times there's a lack of respect for the bartender. And but then, you, you see the opposite, too, where people are very, very respectful and they treat you like you're like s- royalty, and I, I enjoy that thoroughly. But, but, um, you know, once, once you get, once you figure out what you want, if you wanna try something and we let you try it, cool. Make your decision then. And, and then when y- we bring you your drink, say thank you. And then pay cash or open one tab for the night.

Tim Fulton Yeah.

Joe Peppercorn And don't d- you know? And then when you, uh, go out over to your friends, don't be a loud idiot. Like, you know, st- be, when you bump into someone, don't go pfft. Like, like, you know?

Tim Fulton Say, "Excuse me."

Joe Peppercorn Yeah, I mean, just they need to s- start teaching these kids like the, this basic-

Tim Fulton It's not just kids

Joe Peppercorn ... this basic etiquette.

Tim Fulton It's not just kids.

Joe Peppercorn It's not just kids. It's b- it's, yeah.

Josh Rice It, it's etiquette and politeness.

Joe Peppercorn Politeness. There's a basic-

Josh Rice There's basic etiquette-

Joe Peppercorn ... civility in politeness

Josh Rice ... and basic civility, basic politeness

Joe Peppercorn ... that y- you should have everywhere, and espe- I feel like especially-

Josh Rice Yeah

Joe Peppercorn ... in the bar, you know, where, you know, y- it's a magical place where you get, you get to be whatever you want to be. And w- we are, we are-

Josh Rice You have these, these awesome people bringing you things that taste good and make you feel happy.

Tim Fulton Right.

Joe Peppercorn We are going to make your dreams come true-

Josh Rice Yes

Joe Peppercorn ... if you could just stop being such an asshole.

Tim Fulton Please tell me you have horror stories to share.

Joe Peppercorn Oh, yeah.

Josh Rice Well, let me, before you do that, let me just interject real quick and just-

Tim Fulton Please

Josh Rice ... just talk about the, I think the biggest thing in that question is eye contact-

Tim Fulton Okay

Josh Rice ... and just politeness.

Tim Fulton Okay.

Josh Rice If a bartender makes eye contact with you-

Tim Fulton They know

Josh Rice ... 'cause he knows that you are looking at him or her, that usually denotes that you want or need something. So I will come over to you. And if you don't need anything, I'm gonna be annoyed because I could've helped three other people-

Tim Fulton Right

Josh Rice ... at the other end of the bar. At the same note, if you are sitting-

Tim Fulton But what if they just think you're handsome?

Josh Rice That never happens to me. Uh, I'm old and fat and bald.

Tim Fulton That's not true.

Josh Rice Uh, on the same note-

Tim Fulton I'm putting your picture in the show notes- ... for this episode.

Josh Rice If you are sitting or standing at the bar and the bartender does not make eye contact with you because they are busy, please do not start shouting out your order. I have three other things in my head.

Tim Fulton Just because you're close by-

Josh Rice Yes

Tim Fulton ... doesn't mean that you are the one being served right now.

Josh Rice If I happen to make eye contact with you, I will say, "I will be right with you," or, "Here's a menu. I will be right back." Please do not start shouting your order at me, 'cause I have enough things that I'm doing at the moment. I will get to you, I promise. I will make all your dreams come true. Okay, horror stories.

Tim Fulton All right. Joe.

Joe Peppercorn Go. Okay. So my favorite bartender in town who, uh, gave me my first job, and, um, I still work for, he, he was working one night and a guy was doing the bottle shaking thing, and he would not stop it. And he said, my buddy said to the guy, "You know, I see you. You don't need to shake the bottle at me." Guy comes up for the next beer, s- shakes the bottle.

Tim Fulton And this isn't like-

Joe Peppercorn And it-

Tim Fulton This is literally like, "Hey, do you see that this is empty?"

Joe Peppercorn Yeah. My bu- and my buddy said, "Shake that bottle at me one time and it's be- gonna get shoved up your ass." And it, it was a glorious time 10 years ago when you didn't have Yelp and you-

Tim Fulton Yeah. Yeah

Joe Peppercorn ... could do stuff like that. I do miss those da- like, as much as I like politeness and civility, sometimes people just need to be told that they're going to get a bottle shoved up their ass.

Tim Fulton Right.

Joe Peppercorn I mean...

Tim Fulton Well, and it's, and being sort of the guy who has clients that are bars and doing marketing for them, like, you, I go through Yelp reviews and I'm like, th- there is not... I'm sorry that the DJ wouldn't play the song- ... that you wanted to hear.

Joe Peppercorn One star.

Tim Fulton One star. Or that, yes, it is the bar's fault if it's out of paper towels.

Josh Rice Yes. Yeah.

Tim Fulton Absolutely. But, you know, reviewing it based on stuff that is not under the bar's control, yes, give it a, you know, a one-star review for, uh, bad service.

Josh Rice Mm-hmm.

Tim Fulton But I'm sorry you had a shitty night and got in an argument with your girlfriend. That is not a reason for a bad review.

Joe Peppercorn I have an awesome nightmare story- ... about a guy and his girlfriend arguing.

Tim Fulton Go.

Joe Peppercorn So one night, this guy and this girl, they, the, the girl was just a nightmare to deal with at the bar. And the guy-

Tim Fulton She ordered a Long Island.

Joe Peppercorn N- no, she was just mad and a- angry, and-

Josh Rice Oh, anger's the worst

Joe Peppercorn ... and she was drinking a water, and he was just, I mean, he was just going to town pounding Miller Lites. And she screamed at him and left, and he continued to just drink, like, d- I mean, just a, a, an absurd amount.

Tim Fulton Mm-hmm.

Joe Peppercorn She comes back, and we're like, "Oh, man, this, this girl's back again." She comes in, starts screaming at him. He tabs out. He walks out to the cars where she is, and she's screaming at him. She throws something at him, and then he gets in the car and they take off. We go over to what she threw at him, and it was a positive pregnancy test.

Tim Fulton Oh. Wow. Wow.

Joe Peppercorn That was-

Tim Fulton I'm leaving this pause in there because it's just amazing.

Joe Peppercorn So yeah, I mean, like, I mean, I... Sometimes I wish I had a more stable life and s- like sold insurance, but then you see stuff like that. You're like, "Oh man, where... You, you wouldn't get that, you know, working in an office."

Tim Fulton Selling insurance. Right.

Joe Peppercorn What, what, what nightmare stories you got?

Josh Rice I was working at a bar here in the Short North. It was at Bodega, uh, on a Saturday night two or three years ago, and doing last call at like 1:40, 1:50. Lights come up, music comes down, asking people what they want for last call, to-go beer, shots, blah, blah, blah, blah, blah.

Tim Fulton Right.

Josh Rice Guy comes up to me with a empty water glass, and I, I go to fill it up, and he pukes into the empty water glass on the bar top.

Tim Fulton Oh.

Josh Rice To which I respond, "We're done."

Tim Fulton Th- that-

Josh Rice "Get out, now."

Tim Fulton No shots.

Josh Rice "Gone. This guy just ruined everybody's night."

Tim Fulton Ugh.

Joe Peppercorn Christmas is canceled.

Tim Fulton It's this guy's fault.

Josh Rice Th- th- the funnest ones with those are when you do last call and people argue with you about it. "What do you mean I can't get another six rounds of..." "No, I'm done dispensing alcohol."

Tim Fulton Right.

Josh Rice "You need to leave."

Tim Fulton What do you mean? Like, yes, I will give you a shot.

Josh Rice Correct.

Tim Fulton But no, you can't have a full beer. "Well, I'll drink it really fast." No, you won't.

Josh Rice No. It, it is 2:05. I will gladly get you a shot and a six-pack to go, but I have to have you not only done with your alcohol, but out of the building at 2:30 and hopefully getting home responsibly via walking, Uber, cab, something like that.

Tim Fulton What are the other sort of... There are nightmare stories, but then there are people that just sort of make bad decisions.

Josh Rice Yeah.

Tim Fulton You know, what... How do you properly cut somebody off? And I think that, that there's an important distinction between... There are very few people that actually have to get thrown out, right?

Josh Rice Yes, correct.

Tim Fulton M- but there are a whole lot of people that simply don't know how drunk they are and need to be cut off.

Joe Peppercorn Mm-hmm.

Tim Fulton Because you're... A certain amount of responsibility that a bartender has to keep everyone safe.

Joe Peppercorn More than certain.

Josh Rice Yeah.

Joe Peppercorn It's a lot.

Josh Rice They, they... Dram shop laws, you're legally responsible.

Tim Fulton Talk about that. You're legally responsible if you get someone so drunk that they are going to black out.

Josh Rice Oh, not even that far.

Tim Fulton Okay.

Josh Rice Like, dram shop laws are, are basically are really, really simple, and they're different in every state, and this is where they're different, when they walk in, how intoxicated they are, and if you choose to serve or not serve them.

Tim Fulton Okay.

Josh Rice Uh, so in Ohio, if they walk in the door, generally if you serve them and you, you assess their state when they walk in. That's usually the easiest way.

Tim Fulton And you're not doing that for every person, but it's if they present-

Josh Rice Yes.

Tim Fulton Right.

Josh Rice Yes. The, the, the shimmying and the swiveling and the stumbling and the dropping things and the loud voices and-

Tim Fulton Mm-hmm

Josh Rice ... ordering very strong rounds right off the bat. Like, "Give me a double, triple Jack and Coke," or whatever.

Tim Fulton Mm-hmm.

Josh Rice Uh, so just, uh, the, the typical assessment of how intoxicated they are, and if you choose to serve them, then you are legally responsible for their safety.

Tim Fulton Okay. So walk me through, like, you don't know whether somebody's gonna be driving out of there.

Josh Rice Correct. Correct.

Tim Fulton So what sort of responsibility do you have? Just to make sure that they are able to walk out?

Josh Rice Yes and no. If, if you know for a fact that they are driving, 'cause they have their keys in front of them, you can do everything in your power to dissuade them from driving.

Tim Fulton Right.

Josh Rice Uh, offer-

Tim Fulton "Hey, let me call you a cab."

Josh Rice "Let me, let call you a cab. Let me call you an Uber. Where do you live? I have somebody walk you down the street." We always have barbacks.

Tim Fulton Right.

Josh Rice But if you are unable to do that, then you're, you as the person who provided them some form of alcohol are legally required to call the police. Be like, "This person is intoxicated. I served him. I tried to get him not to drive. He chose to drive. Please get him off the road."

Tim Fulton And so are you d- you're doing that when they leave?

Josh Rice Yes, when they leave.

Tim Fulton How often do you have to do that?

Josh Rice I have never done that.

Tim Fulton Okay.

Joe Peppercorn I've never had to do that.

Josh Rice I've never done that. Usually-

Tim Fulton Should you have?

Josh Rice Uh, no. No.

Tim Fulton Okay.

Josh Rice No, not at all. P- people... If, if you approach it correctly, if you approach it out of kindness and camaraderie rather than anger-

Tim Fulton Like, "Hey man, I'm on your side."

Josh Rice Yeah. Like, "Hey man-

Tim Fulton "You seem drunk."

Josh Rice "... it's time. You've had enough. How you getting home?" Or, "Hey Sam, this is the third night this week that you've been in here this hammered."

Tim Fulton Right.

Josh Rice "Let me get my barback, John, to walk you down the street to your house and make sure you get home."

Tim Fulton Right.

Josh Rice And it, it's different with regular customers.

Joe Peppercorn It's usually not... You, you very rarely have a situation where you're cutting someone off and it turns into something. It do-

Josh Rice Yes.

Joe Peppercorn That does happen.

Josh Rice Yes.

Tim Fulton Right.

Joe Peppercorn But most of the time, you have to remember, when people are very intoxicated, they lose track of time very easily.

Josh Rice Mm-hmm.

Joe Peppercorn And the easiest thing to do is when they order a drink to just say, "I'm gonna serve you water." And they just forget that they ordered a drink-

Josh Rice Yeah

Joe Peppercorn ... like 90% of the time.

Josh Rice Yep.

Tim Fulton Okay.

Joe Peppercorn And then they'll or- order again five minutes later, and you say, "You know, I think, I think that water's gonna be good for you for right now."

Josh Rice Yeah.

Tim Fulton Right.

Joe Peppercorn And you know, if, if you say to someone, "I'm cutting you off," which sometimes you have no choice but to say that, usually the response is not, is going to feel-

Tim Fulton Be negative

Joe Peppercorn ... embarrassment-

Josh Rice Yeah

Joe Peppercorn ... and shame, and they... That's when things can get kind of messy.

Tim Fulton Right.

Joe Peppercorn If you, you know, gently s- tell someone, "Ah, I don't know," you know, like what he was saying, do it in a, in a sense of camaraderie and, and, and, and, uh, you know, that you care about them and not that you're, you know, "Well, I'm, I'm, I'm your boss." You know, you don't, you don't wanna be using authority too much on them.

Tim Fulton Right.

Joe Peppercorn But you know, it's also-

Tim Fulton Well, and it's not that like, "Hey, I'm not cutting you off because I don't like you."

Josh Rice Yeah, yeah.

Tim Fulton It's, "I'm cutting you off for your own good."

Joe Peppercorn Yeah, yeah.

Tim Fulton Um-

Joe Peppercorn Right. But you know, I think a, a lot of bartending also is just man- crowd management, and you just have a lot of these situ- And that's what I, I guess I was alluding to earlier when I was talking about you, you should lear- you should work in neighborhood bars. We should work in a shot and beer place where you can learn those skills of how to manage people.

Tim Fulton Right.

Joe Peppercorn Um, strangers, and how to, you know, learn how they change when they drink, because dealing with drunk people is, is something that you have to kinda learn how to do.

Tim Fulton Right.

Joe Peppercorn Or, or if not drunk, then you know, b- ... people who've had a couple drinks, like buzzed people.

Tim Fulton Right.

Josh Rice Yeah.

Joe Peppercorn Um-

Tim Fulton Well, 'cause from, you know, in 20 minutes somebody's gonna go from, you know, just a normal guy sitting there watching TV to being more boisterous, to being sad, to being, you know-

Josh Rice To being the creepy guy at the bar.

Tim Fulton To being the creepy guy. It's a weird time of year. You know, we just had a crazy election.

Josh Rice Yeah.

Tim Fulton And also, uh, it's the holidays.

Josh Rice Yeah.

Joe Peppercorn Yeah.

Tim Fulton You know, people are going to drink more, and there is, uh, a heightened emotion in the air.

Joe Peppercorn Well, and I also need to point out that w- w- one, the bane of a bar- bartender's existence in Columbus is, are these stupid Buckeye games.

Josh Rice Oh, God.

Joe Peppercorn I mean, you, you know, it tests the limits of how much you can s- rally, like, be a fan. 'Cause I, I like watching the games with my family. I enjoy it.

Tim Fulton Right.

Joe Peppercorn But dealing with people after these games is just an absolute nightmare.

Josh Rice We call them zombies.

Joe Peppercorn It's, it's... And it's, it, it's really disgraceful and shameful, honestly. Like, you-

Tim Fulton Is it because the amount they've drunk, had to drink?

Josh Rice Yes.

Joe Peppercorn It's, it's because, yeah, people feel like for some reason, specifically in Columbus, I don't see it a lot with other teams. Obviously, there's going to be drinking. You know, you go to a Crew game, you go to the Browns.

Josh Rice Yeah.

Joe Peppercorn The, the, especially, like, you know, you go to a Cleveland Indians game, there's going to be rowdiness. I mean, that, that's built into these, uh-

Josh Rice Sports

Joe Peppercorn ... sports culture.

Josh Rice Yeah.

Joe Peppercorn But this OSU thing is a different, different level, you know?

Tim Fulton It's the entire city. Well-

Joe Peppercorn It's the entire city loses its mind, and beyond that, they think it's okay.

Tim Fulton Right.

Josh Rice Mm-hmm.

Joe Peppercorn That, that they're acting-

Tim Fulton Well, there is no other city in the country, I don't think, where, unless it's, like, literally a college town, where it's better to go grocery shopping during a game because literally no one will be there.

Josh Rice No one will be there.

Joe Peppercorn They'll play a game of golf.

Josh Rice Yeah.

Joe Peppercorn Like, it's awesome, that, that aspect. But, you know, we- we'll go the whole year without a fight in the bar. You know, whole year. N- very, you know, little incidents here and there, someone's angry, yells at the bartender, whatever. Then the first game, there's two fights, every bath- all the toilets are th- thrown up in.

Josh Rice Yeah.

Joe Peppercorn Everything's trashed.

Josh Rice Throw up.

Joe Peppercorn You didn't make a lot of money because everybody showed up d- really drunk and-

Tim Fulton So they're not drinking anymore

Joe Peppercorn ... they're just drinking water. They're not tipping. I mean, they're just... It brings out the worst in people. I mean, I, I, I, sorry to-

Tim Fulton Well, what's-

Joe Peppercorn ... go on a rant about the Buckeyes, but I mean, it's just-

Josh Rice No, I-

Tim Fulton No, no

Joe Peppercorn ... it's a real thing. It's-

Tim Fulton Well, what's interesting is, like, it's not confined to campus.

Josh Rice Oh, no.

Tim Fulton And it's not, it's-

Josh Rice It's citywide

Joe Peppercorn ... everywhere.

Josh Rice Yeah.

Joe Peppercorn You can go out, and it w- it's, it makes our jobs nightmares those day, because, because we don't, we make so much less money. You know, working in a restaurant, you make, they, they do all these night games now. You, you, it decimates business.

Tim Fulton Right.

Joe Peppercorn And then, then you're, you're there later anyway because people show up afterwards acting like idiots, you know? It's, it's awful. I, I wish... Yeah, and you can't really d- I don't know if there's anything anyone could do, but, uh, the, it's this, this mentality that I, you know, people can just behave any way they want-

Tim Fulton Right

Joe Peppercorn ... because the OH- highest, because a bunch of kids played football today. Like, I'm going to lose my mind over, you know, kids playing football and go terrorize these bartenders.

Josh Rice Yeah.

Joe Peppercorn And it's like pl- you know, you just, you j- it's, it's so baffling that it's, it's okay. You know, you have these people getting angry about the protests after the election. They're like, "Oh, man, this is, this is terrible. There, there were three incidents of broken windows." I'm like, that is every single OSU game. They, every single game. Like, I don't think people realize, like, all throughout the city, that restaurants are getting windows smashed, properties getting damaged, people are passing out in, in alleys. Like, all this stuff is happening all in one day in a city.

Tim Fulton It's New Year-

Joe Peppercorn And we never talk about-

Tim Fulton It's New Year's Eve every Saturday.

Josh Rice Every Saturday in the fall.

Joe Peppercorn Every Saturday.

Josh Rice Yeah.

Joe Peppercorn Yeah, that's a good way to put it. Like, it's...

Josh Rice And it's, it, it doesn't matter if it's a home game or an away game. Doesn't matter what time of day it is. Some days are better than others. Uh, I will say that on one positive note, if you are somebody who enjoys fine food and drink, every Saturday in the fall, you can walk into any of the better restaurants in town and get a table.

Joe Peppercorn Yep.

Josh Rice And people will love that you're there, and they will love taking care of you because you are the only person there. Uh, but yet-

Joe Peppercorn I give, I give great service. Don't worry about that. I mean, like, "Hey, you're here."

Josh Rice I know in the Short North, and even when I was working in German Village and on Bexley, we, we tried our best to corral fans, especially rowdy fans. Like I said, we call them zombies as they're walking back from the stadium. Uh-

Tim Fulton Into one section?

Josh Rice Not necessarily into one section, but just try to keep them a little more calm.

Tim Fulton Uh-huh.

Josh Rice Uh, we don't encourage them to be as boisterous as possible. They might get ignored when they order a round of shots, that type of thing.

Tim Fulton Right.

Josh Rice Uh, just try and keep the level down a little bit and try and make sure that they have a good time.

Tim Fulton Right.

Josh Rice Uh, one thing I wanna add, Joe's mentioned a couple times that how to start in bartending, and I just thought about this, uh, at a neighborhood bar, a dive bar. I actually did the opposite. I started in chain restaurants.

Tim Fulton Okay.

Josh Rice Uh, but I also, I also went through the entire management training program in a chain restaurant, so that has helped immensely in working in a 2:00 AM bar now, and even working in a, a cocktail bar that was open till midnight or 1:00 AM. Just, and you're learning how procedures run, learning how to, to, to judge people, learning how to talk to people, learning how to-

Tim Fulton Well, and s-

Josh Rice ... take care of problems

Tim Fulton ... and even knowing what everybody's role is.

Josh Rice Correct. Correct.

Tim Fulton And knowing when, like, if there, if it's a manager/bartender situation, knowing what the manager's role is and what yours is, and frankly, if the manager's not doing their job, you know when you need to step in.

Josh Rice Yeah, yeah, absolutely.

Tim Fulton Anything about how the Short North is now becoming simply a strip of bars?

Josh Rice The Short North is different now than it was. Uh, when I started at Bodega ... a little over four years ago. Marcus Meechum was in the kitchen.

Tim Fulton Mm-hmm.

Josh Rice Collin and Sang still own the place. It was more of a neighborhood restaurant, craft beer bar-

Tim Fulton Mm-hmm

Josh Rice ... until about-

Tim Fulton And let's go through those names real quick. Marcus, uh, currently the, the chef/owner/operator of Steam at Little Rock Bar.

Josh Rice Mm.

Tim Fulton Uh, Sang went on to open The Table-

Josh Rice The Table

Tim Fulton ... on Fifth Avenue, and then Collin has his hands in a couple of different things, but primarily, uh, Seventh Son Brewing-

Josh Rice Seventh Son

Tim Fulton ... Brewing on-

Josh Rice And then Barrel & Bottle at the North Market.

Tim Fulton Yeah.

Josh Rice Awesome bottle shop.

Tim Fulton Yeah.

Josh Rice Great wine selection.

Tim Fulton And so at that time it was sort... You guys were sort of almost sort of the north end of things.

Josh Rice Oh, absolutely, the north end of things. Yeah, Third Avenue was the far north end-

Tim Fulton Right

Josh Rice ... of, of the Short North.

Tim Fulton I mean, Scully's was up there.

Josh Rice Yeah.

Tim Fulton It's... Well, and it's funny-

Josh Rice Yeah

Tim Fulton ... because 10 years ago Scully was actually a, a client of mine-

Josh Rice Okay

Tim Fulton ... advertising client, and he said, "Oh, I'm just sitting on it waiting for the Short North to catch up."

Josh Rice To creep up.

Tim Fulton And I was literally like, "That's never going to happen." At the time there were so many condos being built-

Josh Rice Yes, yes

Tim Fulton ... that has now become apartments being built. But I was like, "There's no- there is- you are always going to be on an island."

Josh Rice Hmm.

Tim Fulton And I was totally wrong.

Josh Rice Yeah.

Tim Fulton Because slowly but surely... I mean, this was when Little Brothers was still in existence.

Josh Rice Oh, wow. Okay.

Tim Fulton Uh, and so Little Brothers, which is now Standard Hall-

Josh Rice Standard Hall

Tim Fulton ... and that whole strip is just more and more-

Josh Rice Yeah

Tim Fulton ... frankly bro bars.

Josh Rice Yeah.

Tim Fulton Uh-

Josh Rice It is and it isn't

Tim Fulton ... which is fine. You know, it's, it, it's for a certain kind of patron, but frankly the, the turning point was the sale of the Park Street bars to-

Josh Rice Oh, yeah

Tim Fulton ... Jimmy Woodlands.

Josh Rice Jimmy Woodlands, yeah.

Tim Fulton And then the opening of-

Josh Rice Pint House

Tim Fulton ... Pint House.

Josh Rice Pint House, yeah.

Tim Fulton And then the opening of Pint House.

Josh Rice Mm-hmm.

Tim Fulton Where sort of... And everybody... And, you know, a certain population bemoaned it, but there w- you know, it was, okay, the Park Street, Park Street is now invading High Street, and then it slowly sort of proliferates north.

Josh Rice Yeah, yeah. And I, I personally-

Tim Fulton But it-

Josh Rice ... have enjoyed it. It's, uh, I don't necessarily frequent all of those bars that you just talked about, but-

Tim Fulton Right

Josh Rice ... there are young professionals, mid-30s and even early 40s, late 40s, older professional married people who come down the Short North that never would before.

Tim Fulton Right.

Josh Rice Uh, I'll take your money. Um, you know, and, and they're, they're nice people. Uh, some of them get out of hand sometimes, but-

Tim Fulton Right

Josh Rice ... they, they know what they want. They have plenty of money to spend.

Tim Fulton Mm-hmm.

Josh Rice And they spend it freely. Uh, I've, I've really liked having Standard Hall there because frankly we get the overflow .

Tim Fulton Right, at Bodega.

Josh Rice Uh, and it's, it was the same thing with Pint House. Pint House, when it fills up, people get overflow at all the other bars and restaurants up and down the strip.

Tim Fulton Right.

Josh Rice Uh, but I will say that, like, the chain commercialization of the Short North has been kind of, kinda sad.

Tim Fulton Well, thankfully it's not... These are for the most part local guys.

Josh Rice Correct.

Tim Fulton Uh-

Josh Rice Correct

Tim Fulton ... you know, there is the Corso, Gallicchio, Swanson.

Josh Rice Yeah. Now Swanson has his own and-

Tim Fulton Right. The, and then the other people like, what, Melt, Bakersfield, and The Eagle, they're still Ohio.

Josh Rice Yeah, yeah. Melt's Cleveland.

Tim Fulton Right.

Josh Rice Uh, Matt Fish, I met him. He's a great guy. Bakersfield and, and Eagle are what they call Thunderdome, uh, group.

Tim Fulton Okay.

Josh Rice And they've, they've got a, a number of concepts based in Cincinnati, but they've been really good about expanding. Uh, I really like The Eagle. Their food is awesome. Their fried chicken is delicious.

Tim Fulton It's just weird that they're called The Eagle and they're not a leather gay bar.

Josh Rice Yes, yes. It is weird. It is weird. I remember we had that conversation. Yeah, it is weird.

Joe Peppercorn I, I... See, I'm on the o- opposite opinion. Well, I, like, I, I lament the demise of the Short North because I remember when I was 16, one of my first jobs was delivering bagels to a lot of the spots there for Sammy's Bagels.

Josh Rice Okay.

Tim Fulton Okay.

Joe Peppercorn And, like, I remember going in these places and there'd be, like, naked pictures on the wall. I mean, these places were, like, they were edgy.

Tim Fulton Right.

Joe Peppercorn It, it was like dangerous there.

Josh Rice You're talking about, like, the galleries?

Joe Peppercorn Gay people everywhere. Like, and it w- uh, like for, for me being from the suburbs, I, I was like, "Oh my, oh my God."

Josh Rice Nice young Catholic boy.

Joe Peppercorn I mean, there was all this art on the... Every place had art on the walls. There w- I mean, all the shops were... You know, there was, The Open Book was there. You had Coffee Table, which was, you know, that was just like-

Tim Fulton Oh, yeah

Joe Peppercorn ... like a ga- a gay, a coffee house.

Tim Fulton Mm-hmm.

Joe Peppercorn And, like, it was-

Tim Fulton That's where Bakersfield is now.

Joe Peppercorn Yeah. It, it just... It was, it was a m-

Tim Fulton Hmm

Joe Peppercorn ... it was amazing. Like, I remember just being a kid and being like, "Oh." And it was kinda dangerous, and there was, there was a witchcraft shop, and then there was, like, you know, there was a church in the middle of it. It was just this weird amalgamation of all these very interesting and, and edgy, and, and, and artistic things. I remember being, feeling very inspired and, and frightened by it.

Tim Fulton Right.

Joe Peppercorn And overwhelmed with this sense of like, "Wow, this is, this is right down the street from me, and all this cool stuff is happening. You know, life isn't entirely, you know, w- what I get in the suburbs. This is, this is so cool." And then, you know, of course then I went to Little Brothers.

Tim Fulton It was the hub of counterculture.

Joe Peppercorn Yeah.

Josh Rice Yeah, yeah.

Joe Peppercorn And when I-

Tim Fulton Yeah

Joe Peppercorn ... I went to Little Brothers when I was 17 and saw these, you know, amazing bands. Like, you know, they, they didn't care that I wasn't 18. They let me into the show. Uh, they just, you know, made me pay $5 extra or whatever.

Tim Fulton Right.

Joe Peppercorn And I would see these Columbus bands, and they... I mean, they were so edgy, and it was like nothing I'd ever heard on the radio. You know, there was no internet at the time, so this was, you know, for me it was... Like, that, the Short North was where I really, really g- um, learned, I think learned to be an artist and learned what it meant. And I, you know, like, I consider myself an artist, and it f- helped shape me. And I see it now, and I, on the one hand, like Josh is saying, like, people bringing money in, and a lot of our friends are making money serving-

Josh Rice Yeah

Joe Peppercorn ... and bartending there, and then we, if, if something happens with us with our job, we have the option of going and there's all these jobs now.

Tim Fulton Right.

Joe Peppercorn But I really, really miss having that edginess and that, and that artistic side. And I, I see, I see it... It, it would, it would be, I think, a little less sad if, uh, if it were not happening everywhere. It's just ubiquitous, this commercialization of everything, where everything has just become this money grab. Uh, whereas b- you know, before, the Short North, yeah, yeah, these were businesses making money, but it was ar- it was mostly, uh, for ar- art's sake.

Tim Fulton Right.

Joe Peppercorn And then they're like, "Oh, we can make a few bucks off this." And, like, I see a place like Standard Hall, which, I mean, it's f- I, I'm not criticizing the restaurant, but f- for, like, that, that building was sacred to me. I, I released two albums there. I played these really important shows.

Josh Rice Hmm.

Joe Peppercorn I turned 21 there seeing Guided by Voices. I'd, I opened up for n- you know, great national acts. I, I met some of my, like, rock and roll heroes there, and I, I played so many important shows. And to see it, like, to go in there is just, like, this, this, uh... I don't know. Part of me, part of me inside just becomes very mournful wh- when I-

Tim Fulton Go buy it now.

Tim Fulton Right.

Tim Fulton I mean, I guess that's the nature of things. They have to change and progress and all that, but I, I, I wish there were a way to have more art and, and f- and, and l- not everything be totally commerce, but that's just my rant, you know?

Tim Fulton Well, and I think a lot of it has to do with sort of the, the rising rents of-

Tim Fulton Oh, yeah, absolutely

Tim Fulton ... of that's why an art gallery can't afford to be there.

Tim Fulton Right. Yeah.

Tim Fulton Um, and so they have to be somewhere else. They go to, uh, Old Town East. They go to Milo Grogan even.

Tim Fulton Yeah, yeah.

Tim Fulton Um, and that's sort of how artistic communities evolve.

Tim Fulton Yeah.

Tim Fulton And so-

Tim Fulton Yeah, Franklinton and King-Lincoln District-

Tim Fulton Yep

Tim Fulton ... and all that.

Tim Fulton Yeah, but that's the nature of things.

Tim Fulton Yeah.

Tim Fulton So anything else you wanted to touch on, Joe?

Tim Fulton Nope.

Tim Fulton Anything else you wanted to touch on, Josh?

Tim Fulton Just be nice to each other, have fun, tip your bartenders and servers, know what you want.

Tim Fulton Do you know when it's nice to be nice, Josh?

Tim Fulton What's that?

Tim Fulton All the time.

Tim Fulton All the time. All the time.

Tim Fulton All right, gentlemen, thank you so much for your time, and, uh, have a good holiday.

Tim Fulton Thank you. You as well.

Tim Fulton Thank you. Thank you for listening to the Confluence Cast presented by Columbus Underground. Again, you can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. Please rate, subscribe, share this episode of the Confluence Cast with your friends, your family, contacts, enemies, your local bartender. If you're interested in sponsoring the Confluence Cast, you can get in touch with us. We can be reached by email at info@theconfluencecast.com. Our theme music was composed by Benji Robinson. I'm your host, Tim Fulton. Have a good week.