
Six Word Memoirs
We all want to tell stories. Larry Smith, the creator of Six Word Memoirs helps people do that. We sat down to talk about the project, Larry’s background as a journalist and storyteller, and why he and his wife, noted author Piper Kerman, choose Columbus as their home.
Shownotes:
- Smith Magazine
- Six Word Memiors
- Might Magazine
- POV Magazine
- The Moth
- Dick and Jane Project
- Musicologie
- Hot Chicken Takeover
- Arts and College Preparatory Academy
- Six in the City
Big thank you to our sponsor this week, Art Makes Columbus Columbus Makes Art.
Read the transcript
Ladies and gentlemen, welcome to the Confluence Cast, presented by Columbus Underground. We are a weekly Columbus-centric podcast focusing on the civics, lifestyle, entertainment, and people of our city. I'm your host, Tim Fulton. This week I sat down with author and journalist Larry Smith, the creator of Six-Word Memoirs. Larry and I talk about the project in its various iterations and how the concept came to be. We also go over his background, why we all want to tell stories, and the importance of mentors, which is a very familiar topic for listeners to the Confluence Cast. You can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. The Confluence Cast is sponsored by Art Makes Columbus, Columbus Makes Art, featuring stories about our city's incredible artists, stories full of inspiration, challenge, passion, and success. For videos, articles, an up-to-the-minute calendar of events, and an artist directory, visit columbusmakesart.com, the resource for all things arts and culture in the capital city. Enjoy the interview. Sitting down here with Larry Smith, the creator of the Six Word Memoir project. Larry, how are you? I'm good. Nice to be with you today, Tim. Thank you. First of all, walk us through what is the Six Word Memoir project. Well, first I guess what is a Six Word Memoir?
Okay. And a Six Word Memoir, or sometimes referred to a Six Word Story, but that's a little different. Okay. The Six Word Memoir is a story about your life in exactly six words. Not less, not more, but definitely not less, six words. And the idea is if you had just six words to describe your life, how would you do it? It, it forces you to ... The limitation forces you to do a couple of things.
Okay. One, you have to really think about what you want to say about your life, and we're all ... We all like parameters. We really do. And even before the age of Twitter and Facebook status updates, which I guess have no parameter- Right ... or that I know of, never hit it. Uh, we like, we like a box. I had started a more general user-generated content web magazine called Smith Magazine-
Mm-hmm ... about a year before I came up with the Six Word Memoir concept, and we didn't have parameters. It was just, "Hey, do you have a story about a, a crazy breakup? Put it on this section. Did you have a life-changing moment? This section." And people liked it, and some people came to the site and got some attention. But it took- And when wa- when was that? Oh, this was, uh, January 2006.
Okay. January 6, 2006, which is National Smith Day. One of those things that already exist, you know. Okay. Uh, based on, uh, John Smith, one of the early founders-
Okay ... of America. And there's, there was an adventurer named another Smith. And someone made Smith Day, and I'm looking for a day to launch, I said, "Well, let's do it on National Smith Day," which was Janua- which is January 6th. Okay. And we just celebrated, uh, 11 years, uh, with Smith Magazine and 10 years with Six Word Memoirs.
Okay. And I launched this user-generated content website. And when I offered just one other idea, and people were getting nervous about in 2006, "Larry, you're doing a user-generated content website. None of those words mean much to anyone." At that point, right. I- it didn't. "You don't have a business plan." Didn't. "And how can you be ... How can this be working?"
Right. And the answer was it wasn't as a business. I was freelancing to get by. I, you know, I had a simpler life then. Mm-hmm. And then when I just popped another idea on the site, and my six words on that is, "Threw spaghetti at wall. Some stuck."
Okay. Which is the story of Six Word Memoirs. It was another bit of spaghetti. A little bit lucky, a little bit smart. And I said, "Okay, community." You know, small community that knows this project, Smith Magazine, this website. "What if you had just six words to describe your life?" And now you're thinking, Tim, "Why six?" Okay. Some of the listeners know why six and some don't. But the-
And I believe I've read why six ... the Hemingway story. Right. And it is Hemingway's six-word story, and it was like a bar bet or something. It was a bar-
Right ... right. Right. It's a literary legend. Did it happen? Did it not? We don't know.
Right. We've decided it's a legend, and maybe it did happen. And his, his six-word story was, "For sale: baby shoes, never worn." I would like to assume not an autobiography for him, but simply a, "I wrote a piece of literature that draws people in, and it was only six words." Exactly. And in the bar bet story, it's that, you know, Hemingway is known as this simple, muscular writer. Not a lot of fancy words, right?
Okay. Simple prose. But beloved. People love Hemingway. And the idea was in the bar bet, "Oh, Hemingway, you c- you're such a good writer. You write so simply. Well, write a whole novel in just six words." Right. So, "For sale: baby shoes, never worn." Now if I ask a class of third graders, what does that mean? They will talk-
That's a little morose for a class of third graders, isn't it? I- it is. I have done it actually with third graders, but I'm usually when I'm in classrooms it's usually actually sort of seventh or eighth grade up through high school. But indeed- They can handle that, right ... even third graders, like, "Hey, let's create a backstory." And they'll say things to me like, "Well, maybe, maybe the baby died." Sure.
Right. But then I think this was a third grader, might have been a fifth grader, but it was a pretty young kid said- Okay ... to me, and, you know, I've been in so many classrooms, um, in the last 10 years talking about storytelling in six words. But somebody said to me something after years of doing this that I'd never heard. And it was by a l- young kid. He said, "Well, maybe the child grew up too fast and felt like they never had a childhood." And I'm like, "Wow." And that's the thing, right? It's those moments.
Right. And so what does a good six worder do? Well, the Hemingway novel, it invokes you to say three more words. Tell me more. Right. You write the backstory in your head. And we can talk more about how I use backstories in live events, uh, later. But a good six worder will tell a story in and of itself. One tooth, one cavity, life's cruel.
Okay ... ex-wife and contractor now have house. Married by Elvis, divorced by Friday. How could you not wanna know the backstory, right? Right. But even without that, and I don't know the backstory, that came in through the site sixwordmemoirs.com.
Right. I, I will actually admit that I, I did email the writer looking for the backstory. No reply. Okay. Sometimes they do, sometimes they don't. I really wanted to know.
Right. But married by Elvis, divorced by Friday, we know what happened. There's a narrative arc. Right. You know? Mom's Alzheimer's, she forgets, I remember. Every Alzheimer's story is different and singular to you and, and those you love-
Right ... but there's a relatable aspect in just those six words. This is what Alzheimer's does, this is what it does to the per- person around it, right? Exactly. Cursed with cancer, blessed with friends. It's that mental like button. On the site you can actually hit a button, a favorite, not like.
Right. But, and that's what good storytelling does. It tells something about you, the storyteller, the protagonist in that story, you, your life, but then there's a relatable, there's a universal reality to that which someone says, "Yeah, me too," or, "Not me, but my friend," or, "My sister." And that's what connects us as humans, our stories. So let's step back a bit. You're a journalist by trade, is that correct? Yeah.
Okay. Went to school for it? Uh, not really, but I was a single-minded, boring person even through grade school. Like, fourth grade, the fourth grade newspaper. No other skills. Always wanted to be a journalist. Okay. The big dream at some point was to be a film critic, 'cause I love film.
Uh-huh. And, uh, and then I just, I just, you know, I just went into journalism. I went to, uh, University of Pennsylvania. No journalism program there, but a great, uh, school newspaper. Okay. And an English department and a history department. These are very good things for future journalists and storytellers, English and history.
Right. And I just, you know, I hung out at the school paper. I was one of those guys and, um, and women. And I just got the bug, and that's all I wanted to do. Um, so I, I did... You know, there's a few different, uh, routes to, uh, becoming a, a journalist, I think. Mm-hmm. And, and they, they haven't changed that much in, in the past, uh, 20 years that I've been doing this. There is the get the worst job you can get at the best place you can get.
Mm-hmm. Um, so fact checker, editorial assistant, maybe intern, hopefully paid. And you go and maybe you move to New York, or you live with six friends in a one-bedroom, all that. And here's our plug for the film Bright Lights, Big City. It's totally Bright Lights, Big City, right?
Right. And that didn't not appeal to me, but San Francisco, having grown up on the East Coast, really appealed to me. Okay. Just because it was something different? It was just something different, because I visited once as a kid with my family, and I fell in love with the Fisherman's Wharf, never to go back there again. Because, you know, you, you don't really go to Fisherman's Wharf.
Right. I mean, it's actually not bad, but- Right ... it's, you know, once you're a local. And I did the other route, which is I waited tables and said yes to every opportunity I could get.
To write? To write. Okay. To... I was an intern at a weekly newspaper and, and weekly newspapers were, they had a lot of, they had a lot of energy-
Mm-hmm ... and they were a compelling form of media back then. Right. The web overtook that. Weekly newspapers are struggling. They don't quite have the resonance and the mind share. Uh, so I was an intern at a weekly newspaper called the SF Weekly-
Mm-hmm ... which was like, you know, like a little Village Voice, you know? Yep. And I read the Village Voice in college and thought it was very cool. And I waited tables, and I wrote pieces for $40 and $50 and no dollars, and I just made friends, and eventually I got some opportunities at national magazines. Uh, well, one, one place I was, um, pretty much volunteering for, 'cause we all did, was called Might Magazine.
Okay. And the real magazine geeks may know this. It's Might, right? In the audience.
M-I-G-H-T. Right. And Might Magazine was Dave Eggers, who wrote A Heartbreaking Work of Staggering Genius, and Zeitoun, and What Is the What, and all sorts of great things. It was- And now the proprietor of McSweeney's as well.
I know, exactly. Right. McSweeney's and 826 Valencia, which is a, uh, literary, literary, um, like a nonprofit for students. Like a community center, right.
So it's a community center around writing for, for, uh, kids in the community. Wonderful guy. And I remember when I met Dave Eggers, um, he had illustrated a, an overwrought piece I wrote about turning 20-something- Okay ... for a weekly newspaper, which, like, it's, you know, you cringe to read your old writing. And Dave was the illustrator. 'Cause l- people don't know this about Dave, but he, he was a cartoonist and illustrator coming up in- Okay
... in his, his professional life. And, uh, we didn't meet, but it was sort of somehow via the beginning of email. He's like, "Oh, I illustrated your piece and I liked it, and I'm starting this new magazine called Might Magazine. It's gonna be like a 20-something Harper's Magazine to tell people that 20-somethings are doing good things too." And I'm like, "Okay, cool." So I, I got to know him, and I did some stuff for him, and after issue one, the most precious, uh, issue of a magazine ever- Right ... we were like, "God, what are we doing here? This is so precious." So then he- we started having fun. And then we became more like a 20-something spy magazine with smart articles and- Okay
... and, uh, the more playful part of Harper's, uh, or, you know, The Village Voice or- Right ... maybe Esquire in its glory days. So Dave started that. I said yes to Dave. And I always say in your 20s you say yes. Right.
In your 30s you say maybe, and in your 40s you have to say no a little bit. You start saying no. You start saying no. You still say yes as much as you can. So I got, I did some stuff with Might Magazine, and a buddy from college started a, a kind of a young men's magazine, which was, like, combination of Men's Health and Forbes and, say, Outside Magazine. Okay.
It was work hard, play hard, called POV Magazine, for a guy's point of view. And he started that, and I was doing stuff for him for a couple hundred bucks an issue, and then lo and behold, he got funding, and he's like, "Hey, we got funding." I was like, "Wow, that never happens." Right. And he said, "Do you wanna move to the East Coast and be one of my editors?" And, and that was it. I just, uh, had been in San Francisco about six years. Okay.
I had other jobs along the way, uh, journalism jobs, but this was the break. This was like, wow, magazines. Okay. Um, print magazines. Can you imagine that? And- Right. Well, and so when was it that you moved back to the East Coast?
In 1997. Okay. Yeah. And, uh, we opened up in Boston, and the idea was we were gonna open up in Boston and w- uh, the whole staff worked in this converted fraternity house, uh- Okay
... near, uh, Fenway Park. We could see Fenway Park. And it was a genius idea he had, because most of his staff came from out of town, from New York or, me, San Francisco. And we didn't really know anyone in Boston, so we were like, we were like Real World magazine. We hung out together. We worked hours and hours. We drank together. We were in our, our, in our 20s. It was a little fraternity house. It was. Right.
And we loved it, and I... These are still some of my best friends in the world. And we just worked and, and went out, and we created this. And then he moved us to New York, 'cause that's where you had to be to- To be in publishing ... be in the sales team in publishing. Right.
And it lasted a while, and Maxim Magazine, uh, came on and did what we did, but not as smart, but had really pretty women on the cover- Right ... and pretty much sent us out of business. Okay.
We had a good run. Okay. You know, we had a good, we had a good... Let's see, '97 through 2001. Okay.
It wasn't bad- Yeah ... for an independent magazine. Well, and employing people and yeah.
Employing people and, and all those people. Here's what... Another thing you don't know, uh, when you have your, your first jobs and, and you're, you get laid off or your magazine folds or your startup, uh, goes under. Right. What happens then is, and you don't think about this in those days that follow, where you're crying into your beer and you're, "Oh my God," and, you know, and, and I've been there, and it, it's horrible, but that good people get other jobs. And now we spread like spores. This person's at Esquire. This person's at Vanity Fair. This person's on this new website. And like, oh, wow, um, now we're giving each other assignments. We, we all did, we all did okay.
Right, we did okay, but also we're helping each other. Now my network just amplified. Right. And again, you just don't think about that. You're just bummed your thing went under. Well, and you're worried about making rent and-
You absolutely are. Yeah. And so, and then you meet more people. And so there are, you know, failure, uh, happens. Uh, my wife's own six-word memoir, one of her six-word memoirs is, "You learn more from your failures." And, uh, there's a lot to learn from the failures. Absolutely. So basically, that job went under.
Yeah. What were you doing in the interim between that and Smith Mag? Uh- Just freelance?
No, I went to, I went to be, I continued to be an editor. Okay. Uh, I went to ESPN Magazine- Okay
... which was wonderful. Uh, I love sports and I love sports journalism, and I love people who make it, and there's one real reason. If you can talk sports, you can talk to pretty much anyone. True. It's better than the weather. And sportswriters and journalists in, in my experience, are the least pretentious people in the world. Okay.
And it was also a very, um, and some of the most diverse staffs I've been on, both in terms of gender and, uh, race and ethnicity. Sports is a great equalizer, and I loved ESPN. And then I went to work at Yahoo Internet Life- Okay ... which, uh, imagine Wired Magazine, but like sort of m- with a little more of an Entertainment Weekly vibe to it- Okay
... and sort of written more for your mom than that cool tech guy, you know? And it was a print publication as well? It was print. It was a licensing deal with Yahoo. Okay.
And we had a good run for a little while there, but it turns out a ma- a print magazine about the internet is not destined to, uh, survive. Right. And so it didn't. But I was, um, always into tech culture. Okay.
So even at ESPN, I was the guy who's like, "Let's ask athletes for their bookmarks. We'll call it Jock Marks." This was an innovative idea in the year 2000, right? Right. And that idea of I'm not that fascinated by the gadgets, but how technology changes our lives, how it amplifies our lives- Well, how it-
... how we use it ... and for you, how it was changing the game. It was changing the game, and it was at Yahoo Internet Life where I had the perch to see, oh, now we're in like 2001 now. Okay.
2002, right? I absolutely had the window to see the user-generated content explosion coming. I had the window to see that of course we all wanna tell stories. Right. We've been doing this since cavemen grunting. And- Well, and are you seeing that because it's the, you know, the comments on articles and stuff? It's the people who are trying to contribute to the story that you've already written or edited?
Early, early chat rooms- Okay ... and seeing it on things like I edited the first national magazine piece on blogs. Okay.
It was, it's in Wikipedia. There you go. Uh, I didn't know it was at the time, but, uh, you know, uh, and the truth is, this is the way a, a lot of good ventures run, which is our youngest people at Yahoo Internet Life, and we were all pretty young- Mm-hmm
... they were the ones who knew about blogs first. Okay. You know, and at ESPN Magazine, the youngest reporters were really on the forefront. Now, we helped them edit and shape, and we had vision, but- Right
... you, you've gotta listen to people, you know, who are out there in the world. Well, and is it because they frankly have more time in order to do that, and they're not mired by, oh, I've got... The, their rent is less, and so- I think they have more time, and they're just, they're, you know, they're just like, "Give it to me." They're checking everything out. Okay.
You know, maybe that's part of the time thing. They dive deeper. They dive deeper, and they're, they're so ADD that they're, they have so many interests, and some of those interests are gonna be real interesting to other people, and that's the editor's job, right? To pluck those out. Right.
So I saw the blog thing happen. You know, Facebook wasn't around yet. Instagram wasn't. But also you saw, um, the smartphone start to come. Mm-hmm. And so many false starts, Palm Pilots and things. But I remember my editor in chief, who actually had come from T- TV Guide and Playboy, that's an interesting background. He was... During the great '70s Playboy, when it was this wonderful magazine- Uh-huh
... and TV Guide when it was really important, you know- Right ... as a, as a way to make sense of TV. He kept saying, "What's the Holy Grail? What's the Holy Grail?" And, and we knew it was some sort of phone, but again, it wasn't, it wasn't that obvious that it would... W- what would be the thing? And- Right
... and at least to us, and so what we saw happening, which is now so blatantly obvious, is this. We all wanna tell stories. If you give people simple tools that anyone can use and then a place to share them, Instagram, Facebook, Twitter, six-word memoirs, and many others, they will do it. And so then that's the impetus for Smith Mag. Exactly. Okay. Just to sort of put out prompts for people and say, "Tell me about this if you have a story about it."
Exactly. And in- Oh, from 2003 to 2006 I went around to the big media companies, 'cause I had the contacts, and I had a beautiful prototype and I said, "Listen, user-generated content is changing the world and I wanna do kind of a high-end magazine, a print magazine with a daily, a digital version" and I described it like this: the, the print magazine, and maybe it would be monthly, maybe it would be like six times a year, kind of thick paper, kind of a Monocle or a McSweeney's thing. Right I wasn't sure, but we did have a prototype that's still, you know, in a basement somewhere. Right.
It's so nice, though. I can't part with it. The print will have a blog energy and the web will have a professional curation and design, and if you give people a place to share stories and it looks pro- Mm-hmm ... they'll rise to the occasion. Right.
And then if it's a carrot of some of these stories will end up in a magazine, that's exciting. Now what happened was it turns out to be books. But I'll tell you one more story. Here's the moment I knew I was not gonna get any funding for this, at least from the traditional places. Okay. I'm in Time Inc., big meeting, right? And I'm in with the number two editorial person at Time Inc., you know, a woman who had started many magazines, super smart. And this is someone who is able to make decisions about what moves forward.
Absolutely. And I said what I just said to you, which is, "You know, it would have a, a blog energy. The print would have a blog energy." And she looked at me and she said, and this is 2003, "What's a blog?" Now, okay, my mom in 2003 should know what a blog is, or didn't- Right ... but, but she should've. Right.
And at that moment I thought, "I'm never gonna get this funded, because the rest of the people who can greenlight this, this, this is not where they are." If you have to translate that to them, we're- We're so, we're so far apart. Right.
Yeah. So after a few years of thinking I needed to get the big money to do this, and I'm, that's the way I'm used to working, you know, with d- big magazines and budgets and fancy designers and... Which is a great way to work if you can. Uh, I listened to people like Dave Eggers who started my- magazine on fumes, like a woman named Shoshana Berger who started another great gone magazine called ReadyMade, which is like the DIY- Oh, yeah ... you know, ReadyMade- Yeah
... DIY Martha Stewart, and others who said, "Just start." They said, "Larry, you're very familiar with this thing called the web." Turns out you are, and what can happen on there for very little money. And so I did. A friend donated server space- Mm-hmm ... and we just cobbled together this website with my partner who did all the tech and design, and we launched Smith Magazine on, uh, January 6, 2006. There you go. And so talk about, was Six-Word Memoirs originally just a prompt on Smith Mag and then you, you were like, "Oh, this is gonna be-"
Exactly. Smith was one part, uh, Six-Word Memoirs was one part of Smith Mag. Mm-hmm. And for a while I kept the rest of it around, and it's still in an archive- Right
... but eventually I thought, "Well, Six Words is really working, so go with that, and then use that perch of what Six Words can do and, and, uh, how much people really enjoy the formus- format of Six Words to do the other things I want to do." To do backstories. Okay. You, you can do a backstory after your six words if you like on the site. To do events. So let's talk more about the backstory. You've crafted six words, whether that be something that's autobiographical, whether that be something that's simply compelling, or whether it be something about your city or the environment that you're in.
Or even something very much in the moment. Uh, and we did a book, Six-Word Memoirs by Teens, and teens are very much in the moment, and one of the six-word memoirs I put in there and I often share is, "I seriously love bean burritos." That's just his life story, you know? And it's not the whole story. Right. It's not Mario Batali's, "Brought it to a boil often," you know, the celebrity chef, and brought it to a boil often is a great summation of Mario Batali's life. Right.
It's a different little slice of the life. Right. And so what, how do you do the backstories then? Is that simply through events? Is it- Well, what happened- ... people interpreting-
What happened was- ... what somebody wrote? What happened was when we first launched Six-Word Memoirs, when we first launched Six-Word Memoirs, by the way, it was just a one-month contest. I just thought it'd be another thing on the side- Right
... for a little run. I had met these guys starting this goofy new thing called Twitter at a conference, uh, a few months before, and Twitter didn't even have all the E's in it back then. It was like Flickr and that whole thing without the E's. Right. And, uh, we were talking a little bit about storytelling in short form, and we just chatted and I got, I got, like, Jack Dorsey's card. And he said, "Well, you ever think of something to do together, you know, give a call." So I did. Like, you could call Twitter in 2006 and Jack would be like, "Hi, I'm one of three people in the office." Right.
And we launched Six Words together. Okay. And a- yeah, and the thing was we were giving away an iPod, which was a good present in, uh, 2006. Right.
And I went and totally bought it myself. There was no, like, sponsorship. And anyone could enter, uh- And so for, for Twitter it was sort of a, "Hey, we can use this on our platform- Yeah ... because it is only..." You know, at the time Twitter was focused a lot on text messaging.
Yeah. Because you could receive tweets from other people via text as, like, an alert. And there was no storytelling on Twitter. Okay.
I mean, I don't say that out of some, like, ego. It's just the truth. And y- you had to follow us on Twitter to win the iPod, but anyone could otherwise submit just to the site. And so- So there you're building up your user base. Completely. And it's so funny, I have this awesome screen grab of a newsletter Twitter sent out in January 2007- Mm-hmm
... and it, it's just so funny in hindsight. "We are so delighted to announce our first ever corporate partnership with Smith Mag," which is now, and I kid you not, it was @SmithMag, not @SixWords, which is now the most popular handle on Twitter, or, or has the most followers. I had, like, 2,000 followers. So for a little moment, Tim- Right ... I was Shaquille O'Neal- ... or, you know, Britney Spears with, you know, my 2,000 followers. I was number one. I've got a newsletter to prove it. I spoke at Twitter a few years ago and I showed them that. And you know, and it's sort of like on- And everyone laughed
... like on the one hand, like, amazing. On the other hand, like, huh, maybe I should have built this up a little more. But, uh, we did it with them. The early adopters spread the word. And, you know, if that had been it, even despite Twitter's growth, I wouldn't be talking to you 10 years later. It would've been a coastal thing, a hot or not thing, a flash in the pan. Right. But I started getting some attention, uh, from the Columbus Post-Dispatch, which was one of the first, uh, city newspapers to write about, uh, Six-Word Memoirs. I still have that piece. And other places that weren't just coasts and DC and LA. And, uh, and now we had submissions from all across the country, and we really had a sustainable storytelling idea. Not just, uh, people who really wanna be writers or are in tech, which is how it started, and that's great. And that's why I love it, because I was trying to create a populous storytelling platform with Smith Magazine. And with the six-word form and all the things it's, it can do and continues to do, I really- Have that, a popular storytelling platform. And Six Word became, um, more than just a, a literary device and a way to tell a short story, but a tool to do so many other things. Okay, so talk to me about, I just wanna get back to the backstory.
Yeah. And so what do those backstories look like? Is it crafted by you? Is it someone who wrote a six-word memoir telling why they did this? Or is it something that simply lives in the consumer's mind of what could this mean? I think all of the above. Okay.
So on the site we noticed before we had a, an option to write a backstory, now you can put a photo or, and a backstory and/or a backstory, and, uh, the writer of a memoir would sometimes leave the first comment and tell the backstory. Okay. We're like, oh, well... And you, you know, you have to always listen to your community, especially if you like the direction they're going. I said, "Oh, well, if you wanna do that, guys- Right
... then we'll create a backstory button." So you have this little box now. And, you know, maybe 10% of the people write a backstory. Sometimes it's a line, sometimes it's 5-600 words. And so literally it's something that the six-word memoir can live on its own- Yeah ... or you can provide context for it.
Exactly. And then every week we do the backstories of the week on the site, and we tw- you know, we tweet some out and we put some on Facebook. So that's one way. The backstory, as you said, can live in the reader's mind, and that's really fun. Mm-hmm. And- Is it ever something where that generates content as well, where someone is interpreting a story?
In the comments, yeah. Okay. They do that, and they say, you know, they, and they tell their own version of that story and, absolutely. And then one of the most meaningful and fun, uh, parts of my work is the backstory shows. Okay.
So at these events, which we do at places such as the Black Box at the Wexner, the upcoming one on March 1st at Shadowbox Live- Mm-hmm ... I've done them in alleys during literary festivals, and I've done them on houseboats, upper deck. Okay.
Um, we have a number of storytellers, usually between six and eight. They start with a six-word memoir on a theme, love, religion, creative life, Columbus, and then they reveal the backstory in usually six to 10 minutes. Got it. And, uh, they don't use notes. It's sort of like The Moth- Right
... which many of your listeners have heard on, on NPR and elsewhere. They tell the backstory, and usually I coach them. Okay. So you've got a TEDx or TED level professionalism, is the idea. Okay.
And it usually works. And they, these storytellers work very hard, and I try to do a mix in terms of the performers, the storytellers of maybe a couple people you know, you know, in the community or out in the world- Mm-hmm ... uh, a little bit known, someone who's never been on a stage before, who is probably frightened. Right.
And usually the person who gets through that, that evening or afternoon and says, "I am so glad I did this." Mm-hmm. Slash, "I'm so glad you just forced you just kept bugging me till I said yes." Right.
And then people who are just the kind of people you, you know, your friends you see in bars, and you're just, God, I, I love hearing Tim's stories. Those guys, you know? Right. Those guys, those women, those kids. And maybe they've never actually told a story on a stage. Maybe they have. So it's a mix. Yeah.
And I love that mix. Again, you can check out the next Six Words event March 1st at Shadowbox Live. It's a very special story show. It's, it's a, a one, uh, it's, it's a story show unlike ever I've done befo- I've never done before. Okay. That's the theme, basically?
Well, the theme is student mentor. Okay. So on this evening we will have eight students- Okay
... from Columbus, or the vicinity, coached by eight people in the community. Okay. So there'll be about four spoken word stories, classic storytelling. There'll be a few songs coached by Ben Shineberry. Mm-hmm.
He'll, he'll coach one from the Dick and Jane project. Joseph Barker, who runs Musicology, which is, uh, they teach, uh, music lessons to kids. Right. Uh, he'll be, he'll be coaching a couple kids. And then there'll be a show poster. The Marshall Short, so a wonderful designer. He's working with, um, a, a young man to make the poster. Oh, okay.
Peter Mascara, my videographer, is working with a young videographer. So every element of the show from the, what's happening on the stage, what's happening in the background, will be mentors and students working together. That's great. Was that inspired by something? It was, it was inspired, really, um, I've been thinking about... I always like to have- 'Cause the other events have been general in that it's all the same format of show.
Yeah. And it's been things like loss or dedication or conviction or- Yeah. Well, it was inspired by occasionally we'll have a student or a teen as one of the seven or eight storytellers just because that's the way it worked out.
Mm-hmm. And they've always been really meaningful, and the applause in the audience is for a few reasons. One, the story was good, but two, like, they know it's hard. Right. Especially if, you know, often if you're younger and not used to public speaking. And then I did a show last May, uh, the theme was Columbus, my first real live event in Columbus, and we had two storytellers who were in that kind of student mentor way. One wasn't a student, but Shannon Wilson, 15 months before that show, was incarcerated.
Okay. And she got out of prison and went to work at Hot Chicken Takeover with some steps and help to get there. And, you know, Joe Deloss was so important to her. And I met Shannon, and, um, she told her story of, you know, basically that story of, "15 months ago, I was incarcerated, and now I've had my fifth promotion, Hot Chicken Takeover." And I said, "Joe, you know what? Would you introduce her rather than me? Like, wouldn't that be nice?" Okay. Plus, it's always good to have Joe Deloss on a stage, you know?
Right. So handsome and smart, you know? He'll, he's a draw. He is a draw. And so Joe said, "Sure, this'll be great. It's the easiest speaking gig I've ever had. I just talk for a minute about someone who I admire so much."
Right. And so he did that, and Shannon was just so wonderful. And then later in the show, a young woman named Chloe White, who I think had just turned 16, from the ACPA School, the Arts College Preparatory Academy- Mm-hmm ... where, where Ben Shineberry's also development director. Chloe- ... sung an original song called I'm Best Friends With My City. And I didn't coach her 'cause I don't know how to coach a guitar.
A singer, right. But I t- you know, I helped her get ready and sort of mentally for that kinda thing, but she had a lot of mentors in her life. And Chloe was so real and so raw, and I think she just ended her song just in tears, and the audience is in tears. And the roar from the crowd that went up when she finished, the standing ovation, I thought, not at that moment, but later, "I want seven of these." Got it. "I want seven students. I want seven Shannon Wilsons who have had help from someone in their lives." And mentors are so important. That simple idea we hear over, over, over again, but when you see it in action, one person can change your life. I thought, "Let's do that. Let's tell the, the bigger story of mentorship, and let's just see seven or eight, um, pairs of people working together right in action."
That's great. Walk us through 6ix in the City. I got to Columbus on a very cold day in January 2015. Okay. And I knew two people a little bit.
You were just visiting at that point? No, we had moved. Okay. We had moved here. Um, don't move to Col-
And we'll, and we'll get back into why ... don't move to Columbus in January. That's my six words. What were we thinking? Three degrees, was that re- you know, remember the brutal winter two years ago? Yes. This is a, this one's a piece of cake. Uh, we moved on a very cold day, and I really didn't know... I knew a couple of people, lovely people, but, you know, two acquaintances. I'm like, "Huh, what's this place all about?" My wife, uh, asked me to move and I was happy to do it. I'd had visited once and I liked it, and why not, you know? Just gotta roll where life takes you.
Mm-hmm. And so, you know, it's kind of a trick. How would you describe something, right? Like, "Tell me about Columbus." "Well, I don't know where to start," or, "I don't know where to end," right? I'm like, "Well, I do this thing called six-word memoirs." See, I'm wearing a T-shirt. It says, "Now I obsessively count the words," or, "So much crying, the baby too," which I wrote when my son was three months old and put that on a T-shirt. So that's what I do, and it's, you know, it's, it's a conversation starter. Right. Ice break. "Well, tell me about Columbus in six words." I was just using it as just kind of a riff and, and, um, my, uh, my friend Ken Hughes said, "Bi-coastal arrogance ends here in Columbus." Bi-coastal arrogance ends here, here in Columbus.
Hmm. And then Lisa Schneider said, "No cows. Really zero f-ing cows," right? Mm-hmm. And Julia Harrison said, "Small size makes big impact possible." I was like, "Wow, we have just-"
Encapsulated ... encapsulated many ideas of Columbus. Right. And I had on one of those, you know, lists of things I wanna do that you keep moving from notebook to notebook, or Evernote to Evernote.
Yep. Uh, an idea called 6ix in the City. What if I took everything I've learned about how six words works, uh, in schools, digitally, in photographs, in backstories, in, in houses of faith, in corporations, and moved it in festivals, uh, street festivals. Six words is great at a street festival. What if we moved it through a city in an organized way to tell the story of the city, not from the top down, from the mayor's office. Right. And that's fine, or, you know, the, the people who, you know, who, who are best known, but from the bottom up, and we tell the story of a city together. And we get those other people who are the known people in the city. We want their story too.
Right. And- But it goes back to your event. You want a mix. It is the total citizenry contributing to it. Exactly. The mayor and, you know, a girl at South High who said in front of 100 peers, "Yes, I'm pregnant, but I'm graduating." And she got applause 'cause she owned her story. And I'd always wanted to start this in some city, and Columbus just organically became... I mean, it's so obvious now, right? The community here.
Right. The Columbus says yes vibe. The cooperation and, "Oh, you gotta meet this person and that person." I mean, I didn't know, you know? I mean, I knew about Midwestern charm and kindness. Right. And by the way, Josh Radner, the Prince of Bexley, says in six words- ... "Midwesterners are kind, no small thing."
Mm-hmm. Um, but I realized that what was going on with the community here, and that's a big word in my work, and a big word in Columbus, and I know your work. Yeah. Uh, this was the place to launch 6ix in the City Columbus. So I just sorta started it, and, um, it's been a little over a year now, and it's, it's been wonderful.
Have you done it in other cities at this point? No, this was the first city. Okay. I'm curious to hear how it goes over in other cities. Yeah.
Like, I'm sure it'll do well, but I'm interested to hear how much... We like to say that we are, you know, a city that says yes, we are smart, we are open, we are collaborative. I would like to think that that's unique to us, and I'm interested to hear. We'll see, won't we? I mean- Yeah ... it, it, it's interesting because the only two cities that I know, uh, well that have the pride of Columbus-
Mm-hmm ... that loves itself as much as Columbus, I mean that as a compliment- Yeah ... are Brooklyn-
Uh-huh ... uh, and New Orleans. Okay. And Brooklyn's a little different.
So I'm interested, like, go down to Louisville and like- Right ... see what happens there. Yeah.
And like, do they just talk about, you know, the bat factory? Right. And the bourbon, right? And, and, you know, Louisville would be interesting. I think, you know, I think that, um, Nashville would be an interesting city. Mm-hmm. Um, but I, but I think it does make sense. And this is, you know, when, when I g- when I got to town and, you know, one of the first people I met was David Ahl, you know, which was lucky-
Mm-hmm ... from CivicHacks, and he said, "Well, you know, dude, it's Test City USA." And I'm like, "I actually didn't know that." And so it is. Right. And people test things here. And testing 6ix in the City here, almost a prototype, it really was a, a, a stroke of luck that I, I landed here because I really, I'm so interested in community and I love cities. You know, I learned a lot about what makes it work and, and fortunately because, uh, Columbus is, was so open to this and into it, um, I think it worked very well. And so the next city hopefully should be easier, though that city may be harder because Columbus-
Right ... is special in that way. But I've learned a lot, um, on, on, uh, my time doing 6ix in the City Columbus. Talk about how you guys made the decision to move here. 'Cause you were living in Brooklyn. Yeah, no, the usual way.
Okay. Um, my wife wanted to teach writing in a prison. So, so, uh- Oh. Yeah
... that old trope. So, uh, my wife is Piper Kerman, and she wrote the memoir Orange is the New Black- Right ... which became the TV show. And she's very, uh, interested in helping other people tell their story, as am I-
As you are, right ... but in different ways. And she's very interested in criminal justice and criminal justice reform. Mm-hmm. And one of the ways you change hearts and minds is hearing people's stories, right? And as she was thinking about what she wanted to do next with her own work, she was-
'Cause you guys had a four-year-old at, at that point. Yeah. So it's sort of like, okay, now's an easy time to move. Right, exactly.
You're not uprooting a, a four-year-old. Yeah. So a few years before we moved here, maybe a year, she was invited to speak at a TEDx in the Marion Correctional- Okay ... Institution. She was like, "Really? A TEDx in a prison?" She'd never heard of this.
Right. And nobody had because they were the first ones to do it. Right. And now, uh, TEDx's in prisons is, is happening many places-
Mm-hmm ... but that, that started at Marion. And the prisoners ran the TEDx. They did all the AV and the coaching, and the TEDx was a combination of prisoners and guards, and then from the inside, and then outsiders, people come in and teach yoga, and poetry, and writing, and this kinda thing, and people who- Weren't associated with Marion, like Piper, but who were in the world of, of, of the prison world and prison- Right ... reform. So she's like, "Okay." So she goes, she goes to-
'Cause in addition to her memoir, she's done advocacy work- Yeah ... for that. Right. Yeah, she's done a ton. Um, it's really what her life is about now. Um, it wasn't the plan. She didn't plan on, A, committing a crime, and B, going to prison, and C, writing a book, but all those things happened. And so she made the best out of a, of some poor decisions when she was younger.
Yeah. And so she comes back from the TEDx, and she's like, "This very interesting place over there at Marion Correctional. And actually they're doing a play in a couple months. They invited me back for the play." So she goes back to the play. And she's like, you know, written and directed by a prisoner and, you know, acted out by the, by the... An original play. Okay. Then she said, "You know what? I think I wanna spend some time there. Maybe do a book about that prison, maybe teach in the prison." I said, "Okay." And she said, "Well, how would you feel about moving to Ohio? But we would move to Columbus, 'cause that's, you know-"
The larger metropolitan area ... a bigger city and we need that." You know, I was... I thought, "Why not?" You know? I'd, we had been in Brooklyn for 14 years. Change is good. And I don't know, I think, think that conversation was a shorter conversation than sometimes when we just takes longer to pick where to go to dinner, you know? Right. And I just, the moment was, I was open to it. I, I was-
You were like, "We're-" I was being smart and open. Why not? "... we're able to do that." Yeah.
"Why not just do it?" Yeah. So that's how we got here. And I just dove into the community. I'm not good at just sitting still, you know? Right. I got to know people. I'm social. I love to share my work. I love to see how other people, uh, change my work, and I love collaboration, and that's what I've been doing for two years.
Can you talk about sort of the business aspect of Six-Word Memoirs? There's some revenue generation from the events, I imagine. Let's, let's hope so. Do you do, like, T-shirt sales? We have T-shirts.
Okay. Uh, but the revenue largely comes from... Almost anyone who does live events, unless they really do it as a bigger company, knows it's a terrible way to make money. If you ever really like- Yes, it is ... like cruise through the time, you know, Tim.
Yeah. Like, you d- you don't. You don't, you don't add your time 'cause then you just get sad. But, uh, I love the live events. We don't lose money. We, uh, make books of six-word memoirs. Okay. Uh, I've done eight collections of six-word memoirs, and the ninth book, which I'm cooking now, it's an intense, uh, due date, it's coming soon, is Six Words on Immigration, Identity, and Coming to America.
Uh-huh. It's a book that- And you do a lot of photography with that one too, right? We, we're gonna be doing more photography with this book than any other book, for sure.
Okay. And, uh, this was an idea that I had, uh, before the, the current election of, of Donald Trump. And after he was elected, the idea was suddenly so much more timely and important because of his views on immigration. And that'll be out in September. Mm-hmm. That's a collaboration with the TV show Fresh Off the Boat, which is my first ever TV collaboration, which is, which is a kick. And, and they're great. It's a, it's, um, a show about a, a family who, uh, came... Uh, a Chinese family who immigrated, and the, the parents own a restaurant, and the kids are all young and hip-hoppy, so there's a whole like, you know, tale of two cultures and-
This is a reality show? Narrative show? It's, it's a narrative show. It's based on a memoir- Okay ... by Eddie Huang, uh, called Fresh Off the Boat.
Okay. But it's, you know, but it's a, it's a narrative show and it's, it's, it's, um... When I'm in schools, and I was just in a bunch of schools the last, uh, few weeks with high school kids, and I say, "Hey, we're doing a new book on immigration. It's a collaboration with Fresh Off the Boat," the kids cheer. They love this show. Okay. You know? So but the answer on the revenue, so, so that book will be out in September. And so we, we make books. Uh, we do have things like T-shirts.
Mm-hmm. I do, sometimes I'll, someone will wanna use the six-word memoir form, uh, for their business in some- Maybe you'll go out and do a workshop. I do, I do, I do workshops.
Speaking engagements. Cor- s- yeah. Right. Corporate workshops, non-profit workshops, speaking workshops. So, so it's, um, it's, it's a s- it's a, a scattered revenue streams, but it works.
Right. And, um- Well, but the, and there's some hustle to it. The hustle, and the hustle is fun.
I, I imagine you represent yourself. I do. Okay. Well, I have a speaking, uh, agent.
Right. And I have a book agent. So that stuff, the pro stuff, like it's good. They, they know how to do those things. Right. They know how to... I actually don't wanna start, like, cold calling people on, on speaking.
Right. But, you know, once in a while you meet someone in a conference or... Somebody called me, he was on a plane, and he said to somebody, they just got to talking, "Oh, well, my company's doing a conference. Uh, did your company ever have any good speakers?" And I, I had just spoken to that company. It was a design conference, and his thing was a hotel conference. Totally different, but, like, you never know. But it works. It, it, exactly.
I mean, you can translate it. So, so you gotta always show up when you have your gigs, right? 'Cause you never know where that's gonna go. But I like that. And, you know, I might be at something as corporate as a conference of supermarket owners. Okay. I kid you not. In the Cayman Islands, by the way, which is like, that's great. And so at a fancy hotel, The Ritz, and like, and I'm like, "Why, why do they want me to speak?" And it was, it was this. This group of supermarkets was told by consultants or somebody, um, "Look, you need to be more like Trader Joe's and Whole Foods. The vibe, the employees like each other, or at least it seems like that."
Right. "The community vibe, and you, you need to do that. And so you need some team building, and you need some ways to connect to your customers, you know? Not just employee of the month, you know?" Right. Sally's, Sally's little bio under there. So I'm like, "Okay." So I go, I'm in this big ballroom in the Cayman Islands, and look, here's the truth. That audience sees me as what stands between them and golfing or going to the beach. I understand.
Okay. Like, they don't wanna be there, you know? So it's a tough room, and this was one of my earlier speaking gigs. Well, and you're also sort of telling them how to do their job. Yeah, but I have a sneaky way to not make that sound, like, condescending.
Okay. Like I say, "I have this tool and it worked for me, and here's some ideas. Once you understand how this tool works, it really is a tool to spark expression and, and build community. You'll come up with things I never thought of 'cause you're the experts in the supermarket business." Right. And that is, by the way, the truth. And same deal if you're to veterinarians. Like, not veterans, which we also work with, but veterinarians, you know-
Right ... cats and dogs and, and ferrets. Um, they know their business. I have a tool. You know? So I'm doing, I'm doing my talk, and it's always interactive, so there'll be a point where we stop and share our own six-word memoir. If it's at a corporate thing, it might be, um, why do I do what I do? Right. And here's where the win comes for the person who hired me, right? We're doing why do I do what I do in six words. Why do I, why do I own a supermarket? And, you know, going around the room, and bigger rooms are weirdly harder, 'cause if there's 40 people in a room, everyone contributes.
Right. If there's 400, people will hide, and you might also only get 40. Usually more like 60 or 100. But, and, and people are like, you know, "Dad's market now is mine," that's nice, and, "Because the butcher makes me smile" or something. It's these kind of things. Right. You know, "Loyal customers open my heart." Fine, good, okay. People relate to that. That's nice. But this was the moment when, you know, we had them, which is this one, one of the few women in, in the audience is like, "Hi, I'm Sally. I own, uh, three, um, three supermarkets in Connecticut."
Uh-huh. "And my six words are 'Why are you screaming? It's detergent.'" And the room erupts. And here's why. Because there's a commonality. Right. Nobody knows what your weird life is as a supermarket owner than the other people.
Right. And some lunatic in aisle nine is flipping out about detergent. Right. And that's it. And so it's like, you know what? We're all in this together. And you could be with hospice workers, which I've been, or veterans, or veterinarians, or, uh, I did a conference of, of therapists who specialize in using play as therapy.
Mm-hmm. And they, nobody gets you like the other people in the room. Right. And all I did was give them a tool and lead them to that point, and then they can go golfing.
Well, and I think that that shows the, the value of- That's the value ... of what you, what you do. And that's, that's a word that at some point I realized, I don't know when I realized that, but I thought, "We don't just have a fun literary idea that's fun for the web and to make books. We actually have a valuable tool." And I love teaching that tool, and I love seeing that tool in action.
Great. Larry, thank you so much for your time. Tim, it's been a pleasure. Thank you for listening to the Confluence Cast presented by Columbus Underground. Again, you can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. Please rate, subscribe, share this episode of the Confluence Cast with your friends, family, contacts, enemies, your favorite storyteller. If you're interested in sponsoring the Confluence Cast, get in touch with us. We can be reached by email at info@theconfluencecast.com. Our theme music was composed by Benji Robinson. I'm your host, Tim Fulton. Have a great week.
Transcript9,968 words
Tim Fulton Ladies and gentlemen, welcome to the Confluence Cast, presented by Columbus Underground. We are a weekly Columbus-centric podcast focusing on the civics, lifestyle, entertainment, and people of our city. I'm your host, Tim Fulton. This week I sat down with author and journalist Larry Smith, the creator of Six-Word Memoirs. Larry and I talk about the project in its various iterations and how the concept came to be. We also go over his background, why we all want to tell stories, and the importance of mentors, which is a very familiar topic for listeners to the Confluence Cast. You can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. The Confluence Cast is sponsored by Art Makes Columbus, Columbus Makes Art, featuring stories about our city's incredible artists, stories full of inspiration, challenge, passion, and success. For videos, articles, an up-to-the-minute calendar of events, and an artist directory, visit columbusmakesart.com, the resource for all things arts and culture in the capital city. Enjoy the interview. Sitting down here with Larry Smith, the creator of the Six Word Memoir project. Larry, how are you?
Larry Smith I'm good. Nice to be with you today, Tim.
Tim Fulton Thank you. First of all, walk us through what is the Six Word Memoir project.
Larry Smith Well, first I guess what is a Six Word Memoir?
Tim Fulton Okay.
Larry Smith And a Six Word Memoir, or sometimes referred to a Six Word Story, but that's a little different.
Tim Fulton Okay.
Larry Smith The Six Word Memoir is a story about your life in exactly six words. Not less, not more, but definitely not less, six words. And the idea is if you had just six words to describe your life, how would you do it? It, it forces you to ... The limitation forces you to do a couple of things.
Tim Fulton Okay.
Larry Smith One, you have to really think about what you want to say about your life, and we're all ... We all like parameters. We really do. And even before the age of Twitter and Facebook status updates, which I guess have no parameter-
Tim Fulton Right
Larry Smith ... or that I know of, never hit it. Uh, we like, we like a box. I had started a more general user-generated content web magazine called Smith Magazine-
Tim Fulton Mm-hmm
Larry Smith ... about a year before I came up with the Six Word Memoir concept, and we didn't have parameters. It was just, "Hey, do you have a story about a, a crazy breakup? Put it on this section. Did you have a life-changing moment? This section." And people liked it, and some people came to the site and got some attention. But it took-
Tim Fulton And when wa- when was that?
Larry Smith Oh, this was, uh, January 2006.
Tim Fulton Okay.
Larry Smith January 6, 2006, which is National Smith Day. One of those things that already exist, you know.
Tim Fulton Okay.
Larry Smith Uh, based on, uh, John Smith, one of the early founders-
Tim Fulton Okay
Larry Smith ... of America. And there's, there was an adventurer named another Smith. And someone made Smith Day, and I'm looking for a day to launch, I said, "Well, let's do it on National Smith Day," which was Janua- which is January 6th.
Tim Fulton Okay.
Larry Smith And we just celebrated, uh, 11 years, uh, with Smith Magazine and 10 years with Six Word Memoirs.
Tim Fulton Okay.
Larry Smith And I launched this user-generated content website. And when I offered just one other idea, and people were getting nervous about in 2006, "Larry, you're doing a user-generated content website. None of those words mean much to anyone."
Tim Fulton At that point, right.
Larry Smith I- it didn't. "You don't have a business plan." Didn't. "And how can you be ... How can this be working?"
Tim Fulton Right.
Larry Smith And the answer was it wasn't as a business. I was freelancing to get by. I, you know, I had a simpler life then.
Tim Fulton Mm-hmm.
Larry Smith And then when I just popped another idea on the site, and my six words on that is, "Threw spaghetti at wall. Some stuck."
Tim Fulton Okay.
Larry Smith Which is the story of Six Word Memoirs. It was another bit of spaghetti. A little bit lucky, a little bit smart. And I said, "Okay, community." You know, small community that knows this project, Smith Magazine, this website. "What if you had just six words to describe your life?" And now you're thinking, Tim, "Why six?"
Tim Fulton Okay.
Larry Smith Some of the listeners know why six and some don't. But the-
Tim Fulton And I believe I've read why six
Larry Smith ... the Hemingway story.
Tim Fulton Right. And it is Hemingway's six-word story, and it was like a bar bet or something.
Larry Smith It was a bar-
Tim Fulton Right
Larry Smith ... right.
Tim Fulton Right.
Larry Smith It's a literary legend. Did it happen? Did it not? We don't know.
Tim Fulton Right.
Larry Smith We've decided it's a legend, and maybe it did happen.
Tim Fulton And his, his six-word story was, "For sale: baby shoes, never worn." I would like to assume not an autobiography for him, but simply a, "I wrote a piece of literature that draws people in, and it was only six words."
Larry Smith Exactly. And in the bar bet story, it's that, you know, Hemingway is known as this simple, muscular writer. Not a lot of fancy words, right?
Tim Fulton Okay.
Larry Smith Simple prose. But beloved. People love Hemingway. And the idea was in the bar bet, "Oh, Hemingway, you c- you're such a good writer. You write so simply. Well, write a whole novel in just six words."
Tim Fulton Right.
Larry Smith So, "For sale: baby shoes, never worn." Now if I ask a class of third graders, what does that mean? They will talk-
Tim Fulton That's a little morose for a class of third graders, isn't it?
Larry Smith I- it is. I have done it actually with third graders, but I'm usually when I'm in classrooms it's usually actually sort of seventh or eighth grade up through high school. But indeed-
Tim Fulton They can handle that, right
Larry Smith ... even third graders, like, "Hey, let's create a backstory." And they'll say things to me like, "Well, maybe, maybe the baby died." Sure.
Tim Fulton Right.
Larry Smith But then I think this was a third grader, might have been a fifth grader, but it was a pretty young kid said-
Tim Fulton Okay
Larry Smith ... to me, and, you know, I've been in so many classrooms, um, in the last 10 years talking about storytelling in six words. But somebody said to me something after years of doing this that I'd never heard. And it was by a l- young kid. He said, "Well, maybe the child grew up too fast and felt like they never had a childhood." And I'm like, "Wow." And that's the thing, right? It's those moments.
Tim Fulton Right.
Larry Smith And so what does a good six worder do? Well, the Hemingway novel, it invokes you to say three more words. Tell me more.
Tim Fulton Right.
Larry Smith You write the backstory in your head. And we can talk more about how I use backstories in live events, uh, later. But a good six worder will tell a story in and of itself. One tooth, one cavity, life's cruel.
Tim Fulton Okay
Larry Smith ... ex-wife and contractor now have house. Married by Elvis, divorced by Friday. How could you not wanna know the backstory, right?
Tim Fulton Right.
Larry Smith But even without that, and I don't know the backstory, that came in through the site sixwordmemoirs.com.
Tim Fulton Right.
Larry Smith I, I will actually admit that I, I did email the writer looking for the backstory. No reply.
Tim Fulton Okay.
Larry Smith Sometimes they do, sometimes they don't. I really wanted to know.
Tim Fulton Right.
Larry Smith But married by Elvis, divorced by Friday, we know what happened. There's a narrative arc.
Tim Fulton Right.
Larry Smith You know? Mom's Alzheimer's, she forgets, I remember. Every Alzheimer's story is different and singular to you and, and those you love-
Tim Fulton Right
Larry Smith ... but there's a relatable aspect in just those six words.
Tim Fulton This is what Alzheimer's does, this is what it does to the per- person around it, right?
Larry Smith Exactly. Cursed with cancer, blessed with friends. It's that mental like button. On the site you can actually hit a button, a favorite, not like.
Tim Fulton Right.
Larry Smith But, and that's what good storytelling does. It tells something about you, the storyteller, the protagonist in that story, you, your life, but then there's a relatable, there's a universal reality to that which someone says, "Yeah, me too," or, "Not me, but my friend," or, "My sister." And that's what connects us as humans, our stories.
Tim Fulton So let's step back a bit. You're a journalist by trade, is that correct?
Larry Smith Yeah.
Tim Fulton Okay. Went to school for it?
Larry Smith Uh, not really, but I was a single-minded, boring person even through grade school. Like, fourth grade, the fourth grade newspaper. No other skills. Always wanted to be a journalist.
Tim Fulton Okay.
Larry Smith The big dream at some point was to be a film critic, 'cause I love film.
Tim Fulton Uh-huh.
Larry Smith And, uh, and then I just, I just, you know, I just went into journalism. I went to, uh, University of Pennsylvania. No journalism program there, but a great, uh, school newspaper.
Tim Fulton Okay.
Larry Smith And an English department and a history department. These are very good things for future journalists and storytellers, English and history.
Tim Fulton Right.
Larry Smith And I just, you know, I hung out at the school paper. I was one of those guys and, um, and women. And I just got the bug, and that's all I wanted to do. Um, so I, I did... You know, there's a few different, uh, routes to, uh, becoming a, a journalist, I think.
Tim Fulton Mm-hmm.
Larry Smith And, and they, they haven't changed that much in, in the past, uh, 20 years that I've been doing this. There is the get the worst job you can get at the best place you can get.
Tim Fulton Mm-hmm.
Larry Smith Um, so fact checker, editorial assistant, maybe intern, hopefully paid. And you go and maybe you move to New York, or you live with six friends in a one-bedroom, all that.
Tim Fulton And here's our plug for the film Bright Lights, Big City.
Larry Smith It's totally Bright Lights, Big City, right?
Tim Fulton Right.
Larry Smith And that didn't not appeal to me, but San Francisco, having grown up on the East Coast, really appealed to me.
Tim Fulton Okay. Just because it was something different?
Larry Smith It was just something different, because I visited once as a kid with my family, and I fell in love with the Fisherman's Wharf, never to go back there again. Because, you know, you, you don't really go to Fisherman's Wharf.
Tim Fulton Right.
Larry Smith I mean, it's actually not bad, but-
Tim Fulton Right
Larry Smith ... it's, you know, once you're a local. And I did the other route, which is I waited tables and said yes to every opportunity I could get.
Tim Fulton To write?
Larry Smith To write.
Tim Fulton Okay.
Larry Smith To... I was an intern at a weekly newspaper and, and weekly newspapers were, they had a lot of, they had a lot of energy-
Tim Fulton Mm-hmm
Larry Smith ... and they were a compelling form of media back then.
Tim Fulton Right.
Larry Smith The web overtook that. Weekly newspapers are struggling. They don't quite have the resonance and the mind share. Uh, so I was an intern at a weekly newspaper called the SF Weekly-
Tim Fulton Mm-hmm
Larry Smith ... which was like, you know, like a little Village Voice, you know?
Tim Fulton Yep.
Larry Smith And I read the Village Voice in college and thought it was very cool. And I waited tables, and I wrote pieces for $40 and $50 and no dollars, and I just made friends, and eventually I got some opportunities at national magazines. Uh, well, one, one place I was, um, pretty much volunteering for, 'cause we all did, was called Might Magazine.
Tim Fulton Okay.
Larry Smith And the real magazine geeks may know this.
Tim Fulton It's Might, right?
Larry Smith In the audience.
Tim Fulton M-I-G-H-T.
Larry Smith M-I-G-H-T.
Tim Fulton Right.
Larry Smith And Might Magazine was Dave Eggers, who wrote A Heartbreaking Work of Staggering Genius, and Zeitoun, and What Is the What, and all sorts of great things. It was-
Tim Fulton And now the proprietor of McSweeney's as well.
Larry Smith I know, exactly.
Tim Fulton Right.
Larry Smith McSweeney's and 826 Valencia, which is a, uh, literary, literary, um, like a nonprofit for students.
Tim Fulton Like a community center, right.
Larry Smith So it's a community center around writing for, for, uh, kids in the community. Wonderful guy. And I remember when I met Dave Eggers, um, he had illustrated a, an overwrought piece I wrote about turning 20-something-
Tim Fulton Okay
Larry Smith ... for a weekly newspaper, which, like, it's, you know, you cringe to read your old writing. And Dave was the illustrator. 'Cause l- people don't know this about Dave, but he, he was a cartoonist and illustrator coming up in-
Tim Fulton Okay
Larry Smith ... in his, his professional life. And, uh, we didn't meet, but it was sort of somehow via the beginning of email. He's like, "Oh, I illustrated your piece and I liked it, and I'm starting this new magazine called Might Magazine. It's gonna be like a 20-something Harper's Magazine to tell people that 20-somethings are doing good things too." And I'm like, "Okay, cool." So I, I got to know him, and I did some stuff for him, and after issue one, the most precious, uh, issue of a magazine ever-
Tim Fulton Right
Larry Smith ... we were like, "God, what are we doing here? This is so precious." So then he- we started having fun. And then we became more like a 20-something spy magazine with smart articles and-
Tim Fulton Okay
Larry Smith ... and, uh, the more playful part of Harper's, uh, or, you know, The Village Voice or-
Tim Fulton Right
Larry Smith ... maybe Esquire in its glory days. So Dave started that. I said yes to Dave. And I always say in your 20s you say yes.
Tim Fulton Right.
Larry Smith In your 30s you say maybe, and in your 40s you have to say no a little bit.
Tim Fulton You start saying no.
Larry Smith You start saying no. You still say yes as much as you can. So I got, I did some stuff with Might Magazine, and a buddy from college started a, a kind of a young men's magazine, which was, like, combination of Men's Health and Forbes and, say, Outside Magazine.
Tim Fulton Okay.
Larry Smith It was work hard, play hard, called POV Magazine, for a guy's point of view. And he started that, and I was doing stuff for him for a couple hundred bucks an issue, and then lo and behold, he got funding, and he's like, "Hey, we got funding." I was like, "Wow, that never happens."
Tim Fulton Right.
Larry Smith And he said, "Do you wanna move to the East Coast and be one of my editors?" And, and that was it. I just, uh, had been in San Francisco about six years.
Tim Fulton Okay.
Larry Smith I had other jobs along the way, uh, journalism jobs, but this was the break. This was like, wow, magazines.
Tim Fulton Okay.
Larry Smith Um, print magazines. Can you imagine that? And-
Tim Fulton Right. Well, and so when was it that you moved back to the East Coast?
Larry Smith In 1997.
Tim Fulton Okay.
Larry Smith Yeah. And, uh, we opened up in Boston, and the idea was we were gonna open up in Boston and w- uh, the whole staff worked in this converted fraternity house, uh-
Tim Fulton Okay
Larry Smith ... near, uh, Fenway Park. We could see Fenway Park. And it was a genius idea he had, because most of his staff came from out of town, from New York or, me, San Francisco. And we didn't really know anyone in Boston, so we were like, we were like Real World magazine. We hung out together. We worked hours and hours. We drank together. We were in our, our, in our 20s.
Tim Fulton It was a little fraternity house.
Larry Smith It was.
Tim Fulton Right.
Larry Smith And we loved it, and I... These are still some of my best friends in the world. And we just worked and, and went out, and we created this. And then he moved us to New York, 'cause that's where you had to be to-
Tim Fulton To be in publishing
Larry Smith ... be in the sales team in publishing.
Tim Fulton Right.
Larry Smith And it lasted a while, and Maxim Magazine, uh, came on and did what we did, but not as smart, but had really pretty women on the cover-
Tim Fulton Right
Larry Smith ... and pretty much sent us out of business.
Tim Fulton Okay.
Larry Smith We had a good run.
Tim Fulton Okay.
Larry Smith You know, we had a good, we had a good... Let's see, '97 through 2001.
Tim Fulton Okay.
Larry Smith It wasn't bad-
Tim Fulton Yeah
Larry Smith ... for an independent magazine.
Tim Fulton Well, and employing people and yeah.
Larry Smith Employing people and, and all those people. Here's what... Another thing you don't know, uh, when you have your, your first jobs and, and you're, you get laid off or your magazine folds or your startup, uh, goes under.
Tim Fulton Right.
Larry Smith What happens then is, and you don't think about this in those days that follow, where you're crying into your beer and you're, "Oh my God," and, you know, and, and I've been there, and it, it's horrible, but that good people get other jobs. And now we spread like spores. This person's at Esquire. This person's at Vanity Fair. This person's on this new website. And like, oh, wow, um, now we're giving each other assignments.
Tim Fulton We, we all did, we all did okay.
Larry Smith Right, we did okay, but also we're helping each other. Now my network just amplified.
Tim Fulton Right.
Larry Smith And again, you just don't think about that. You're just bummed your thing went under.
Tim Fulton Well, and you're worried about making rent and-
Larry Smith You absolutely are.
Tim Fulton Yeah.
Larry Smith And so, and then you meet more people. And so there are, you know, failure, uh, happens. Uh, my wife's own six-word memoir, one of her six-word memoirs is, "You learn more from your failures." And, uh, there's a lot to learn from the failures.
Tim Fulton Absolutely. So basically, that job went under.
Larry Smith Yeah.
Tim Fulton What were you doing in the interim between that and Smith Mag?
Larry Smith Uh-
Tim Fulton Just freelance?
Larry Smith No, I went to, I went to be, I continued to be an editor.
Tim Fulton Okay.
Larry Smith Uh, I went to ESPN Magazine-
Tim Fulton Okay
Larry Smith ... which was wonderful. Uh, I love sports and I love sports journalism, and I love people who make it, and there's one real reason. If you can talk sports, you can talk to pretty much anyone.
Tim Fulton True.
Larry Smith It's better than the weather. And sportswriters and journalists in, in my experience, are the least pretentious people in the world.
Tim Fulton Okay.
Larry Smith And it was also a very, um, and some of the most diverse staffs I've been on, both in terms of gender and, uh, race and ethnicity. Sports is a great equalizer, and I loved ESPN. And then I went to work at Yahoo Internet Life-
Tim Fulton Okay
Larry Smith ... which, uh, imagine Wired Magazine, but like sort of m- with a little more of an Entertainment Weekly vibe to it-
Tim Fulton Okay
Larry Smith ... and sort of written more for your mom than that cool tech guy, you know?
Tim Fulton And it was a print publication as well?
Larry Smith It was print. It was a licensing deal with Yahoo.
Tim Fulton Okay.
Larry Smith And we had a good run for a little while there, but it turns out a ma- a print magazine about the internet is not destined to, uh, survive.
Tim Fulton Right.
Larry Smith And so it didn't. But I was, um, always into tech culture.
Tim Fulton Okay.
Larry Smith So even at ESPN, I was the guy who's like, "Let's ask athletes for their bookmarks. We'll call it Jock Marks." This was an innovative idea in the year 2000, right?
Tim Fulton Right.
Larry Smith And that idea of I'm not that fascinated by the gadgets, but how technology changes our lives, how it amplifies our lives-
Tim Fulton Well, how it-
Larry Smith ... how we use it
Tim Fulton ... and for you, how it was changing the game.
Larry Smith It was changing the game, and it was at Yahoo Internet Life where I had the perch to see, oh, now we're in like 2001 now.
Tim Fulton Okay.
Larry Smith 2002, right? I absolutely had the window to see the user-generated content explosion coming. I had the window to see that of course we all wanna tell stories.
Tim Fulton Right.
Larry Smith We've been doing this since cavemen grunting. And-
Tim Fulton Well, and are you seeing that because it's the, you know, the comments on articles and stuff? It's the people who are trying to contribute to the story that you've already written or edited?
Larry Smith Early, early chat rooms-
Tim Fulton Okay
Larry Smith ... and seeing it on things like I edited the first national magazine piece on blogs.
Tim Fulton Okay.
Larry Smith It was, it's in Wikipedia.
Tim Fulton There you go.
Larry Smith Uh, I didn't know it was at the time, but, uh, you know, uh, and the truth is, this is the way a, a lot of good ventures run, which is our youngest people at Yahoo Internet Life, and we were all pretty young-
Tim Fulton Mm-hmm
Larry Smith ... they were the ones who knew about blogs first.
Tim Fulton Okay.
Larry Smith You know, and at ESPN Magazine, the youngest reporters were really on the forefront. Now, we helped them edit and shape, and we had vision, but-
Tim Fulton Right
Larry Smith ... you, you've gotta listen to people, you know, who are out there in the world.
Tim Fulton Well, and is it because they frankly have more time in order to do that, and they're not mired by, oh, I've got... The, their rent is less, and so-
Larry Smith I think they have more time, and they're just, they're, you know, they're just like, "Give it to me." They're checking everything out.
Tim Fulton Okay.
Larry Smith You know, maybe that's part of the time thing.
Tim Fulton They dive deeper.
Larry Smith They dive deeper, and they're, they're so ADD that they're, they have so many interests, and some of those interests are gonna be real interesting to other people, and that's the editor's job, right? To pluck those out.
Tim Fulton Right.
Larry Smith So I saw the blog thing happen. You know, Facebook wasn't around yet. Instagram wasn't. But also you saw, um, the smartphone start to come.
Tim Fulton Mm-hmm.
Larry Smith And so many false starts, Palm Pilots and things. But I remember my editor in chief, who actually had come from T- TV Guide and Playboy, that's an interesting background. He was... During the great '70s Playboy, when it was this wonderful magazine-
Tim Fulton Uh-huh
Larry Smith ... and TV Guide when it was really important, you know-
Tim Fulton Right
Larry Smith ... as a, as a way to make sense of TV. He kept saying, "What's the Holy Grail? What's the Holy Grail?" And, and we knew it was some sort of phone, but again, it wasn't, it wasn't that obvious that it would... W- what would be the thing? And-
Tim Fulton Right
Larry Smith ... and at least to us, and so what we saw happening, which is now so blatantly obvious, is this. We all wanna tell stories. If you give people simple tools that anyone can use and then a place to share them, Instagram, Facebook, Twitter, six-word memoirs, and many others, they will do it.
Tim Fulton And so then that's the impetus for Smith Mag.
Larry Smith Exactly.
Tim Fulton Okay. Just to sort of put out prompts for people and say, "Tell me about this if you have a story about it."
Larry Smith Exactly. And in- Oh, from 2003 to 2006 I went around to the big media companies, 'cause I had the contacts, and I had a beautiful prototype and I said, "Listen, user-generated content is changing the world and I wanna do kind of a high-end magazine, a print magazine with a daily, a digital version" and I described it like this: the, the print magazine, and maybe it would be monthly, maybe it would be like six times a year, kind of thick paper, kind of a Monocle or a McSweeney's thing.
Tim Fulton Right
Larry Smith I wasn't sure, but we did have a prototype that's still, you know, in a basement somewhere.
Tim Fulton Right.
Larry Smith It's so nice, though. I can't part with it. The print will have a blog energy and the web will have a professional curation and design, and if you give people a place to share stories and it looks pro-
Tim Fulton Mm-hmm
Larry Smith ... they'll rise to the occasion.
Tim Fulton Right.
Larry Smith And then if it's a carrot of some of these stories will end up in a magazine, that's exciting. Now what happened was it turns out to be books. But I'll tell you one more story. Here's the moment I knew I was not gonna get any funding for this, at least from the traditional places.
Tim Fulton Okay.
Larry Smith I'm in Time Inc., big meeting, right? And I'm in with the number two editorial person at Time Inc., you know, a woman who had started many magazines, super smart.
Tim Fulton And this is someone who is able to make decisions about what moves forward.
Larry Smith Absolutely. And I said what I just said to you, which is, "You know, it would have a, a blog energy. The print would have a blog energy." And she looked at me and she said, and this is 2003, "What's a blog?" Now, okay, my mom in 2003 should know what a blog is, or didn't-
Tim Fulton Right
Larry Smith ... but, but she should've.
Tim Fulton Right.
Larry Smith And at that moment I thought, "I'm never gonna get this funded, because the rest of the people who can greenlight this, this, this is not where they are."
Tim Fulton If you have to translate that to them, we're-
Larry Smith We're so, we're so far apart.
Tim Fulton Right.
Larry Smith Yeah. So after a few years of thinking I needed to get the big money to do this, and I'm, that's the way I'm used to working, you know, with d- big magazines and budgets and fancy designers and... Which is a great way to work if you can. Uh, I listened to people like Dave Eggers who started my- magazine on fumes, like a woman named Shoshana Berger who started another great gone magazine called ReadyMade, which is like the DIY-
Tim Fulton Oh, yeah
Larry Smith ... you know, ReadyMade-
Tim Fulton Yeah
Larry Smith ... DIY Martha Stewart, and others who said, "Just start." They said, "Larry, you're very familiar with this thing called the web." Turns out you are, and what can happen on there for very little money. And so I did. A friend donated server space-
Tim Fulton Mm-hmm
Larry Smith ... and we just cobbled together this website with my partner who did all the tech and design, and we launched Smith Magazine on, uh, January 6, 2006.
Tim Fulton There you go. And so talk about, was Six-Word Memoirs originally just a prompt on Smith Mag and then you, you were like, "Oh, this is gonna be-"
Larry Smith Exactly. Smith was one part, uh, Six-Word Memoirs was one part of Smith Mag.
Tim Fulton Mm-hmm.
Larry Smith And for a while I kept the rest of it around, and it's still in an archive-
Tim Fulton Right
Larry Smith ... but eventually I thought, "Well, Six Words is really working, so go with that, and then use that perch of what Six Words can do and, and, uh, how much people really enjoy the formus- format of Six Words to do the other things I want to do." To do backstories.
Tim Fulton Okay.
Larry Smith You, you can do a backstory after your six words if you like on the site. To do events.
Tim Fulton So let's talk more about the backstory. You've crafted six words, whether that be something that's autobiographical, whether that be something that's simply compelling, or whether it be something about your city or the environment that you're in.
Larry Smith Or even something very much in the moment. Uh, and we did a book, Six-Word Memoirs by Teens, and teens are very much in the moment, and one of the six-word memoirs I put in there and I often share is, "I seriously love bean burritos." That's just his life story, you know? And it's not the whole story.
Tim Fulton Right.
Larry Smith It's not Mario Batali's, "Brought it to a boil often," you know, the celebrity chef, and brought it to a boil often is a great summation of Mario Batali's life.
Tim Fulton Right.
Larry Smith It's a different little slice of the life.
Tim Fulton Right. And so what, how do you do the backstories then? Is that simply through events? Is it-
Larry Smith Well, what happened-
Tim Fulton ... people interpreting-
Larry Smith What happened was-
Tim Fulton ... what somebody wrote?
Larry Smith What happened was when we first launched Six-Word Memoirs, when we first launched Six-Word Memoirs, by the way, it was just a one-month contest. I just thought it'd be another thing on the side-
Tim Fulton Right
Larry Smith ... for a little run. I had met these guys starting this goofy new thing called Twitter at a conference, uh, a few months before, and Twitter didn't even have all the E's in it back then. It was like Flickr and that whole thing without the E's.
Tim Fulton Right.
Larry Smith And, uh, we were talking a little bit about storytelling in short form, and we just chatted and I got, I got, like, Jack Dorsey's card. And he said, "Well, you ever think of something to do together, you know, give a call." So I did. Like, you could call Twitter in 2006 and Jack would be like, "Hi, I'm one of three people in the office."
Tim Fulton Right.
Larry Smith And we launched Six Words together.
Tim Fulton Okay.
Larry Smith And a- yeah, and the thing was we were giving away an iPod, which was a good present in, uh, 2006.
Tim Fulton Right.
Larry Smith And I went and totally bought it myself. There was no, like, sponsorship. And anyone could enter, uh-
Tim Fulton And so for, for Twitter it was sort of a, "Hey, we can use this on our platform-
Larry Smith Yeah
Tim Fulton ... because it is only..." You know, at the time Twitter was focused a lot on text messaging.
Larry Smith Yeah.
Tim Fulton Because you could receive tweets from other people via text as, like, an alert.
Larry Smith And there was no storytelling on Twitter.
Tim Fulton Okay.
Larry Smith I mean, I don't say that out of some, like, ego. It's just the truth. And y- you had to follow us on Twitter to win the iPod, but anyone could otherwise submit just to the site. And so-
Tim Fulton So there you're building up your user base.
Larry Smith Completely. And it's so funny, I have this awesome screen grab of a newsletter Twitter sent out in January 2007-
Tim Fulton Mm-hmm
Larry Smith ... and it, it's just so funny in hindsight. "We are so delighted to announce our first ever corporate partnership with Smith Mag," which is now, and I kid you not, it was @SmithMag, not @SixWords, which is now the most popular handle on Twitter, or, or has the most followers. I had, like, 2,000 followers. So for a little moment, Tim-
Tim Fulton Right
Larry Smith ... I was Shaquille O'Neal- ... or, you know, Britney Spears with, you know, my 2,000 followers. I was number one. I've got a newsletter to prove it. I spoke at Twitter a few years ago and I showed them that. And you know, and it's sort of like on-
Tim Fulton And everyone laughed
Larry Smith ... like on the one hand, like, amazing. On the other hand, like, huh, maybe I should have built this up a little more. But, uh, we did it with them. The early adopters spread the word. And, you know, if that had been it, even despite Twitter's growth, I wouldn't be talking to you 10 years later. It would've been a coastal thing, a hot or not thing, a flash in the pan.
Tim Fulton Right.
Larry Smith But I started getting some attention, uh, from the Columbus Post-Dispatch, which was one of the first, uh, city newspapers to write about, uh, Six-Word Memoirs. I still have that piece. And other places that weren't just coasts and DC and LA. And, uh, and now we had submissions from all across the country, and we really had a sustainable storytelling idea. Not just, uh, people who really wanna be writers or are in tech, which is how it started, and that's great. And that's why I love it, because I was trying to create a populous storytelling platform with Smith Magazine. And with the six-word form and all the things it's, it can do and continues to do, I really- Have that, a popular storytelling platform. And Six Word became, um, more than just a, a literary device and a way to tell a short story, but a tool to do so many other things.
Tim Fulton Okay, so talk to me about, I just wanna get back to the backstory.
Larry Smith Yeah.
Tim Fulton And so what do those backstories look like? Is it crafted by you? Is it someone who wrote a six-word memoir telling why they did this? Or is it something that simply lives in the consumer's mind of what could this mean?
Larry Smith I think all of the above.
Tim Fulton Okay.
Larry Smith So on the site we noticed before we had a, an option to write a backstory, now you can put a photo or, and a backstory and/or a backstory, and, uh, the writer of a memoir would sometimes leave the first comment and tell the backstory.
Tim Fulton Okay.
Larry Smith We're like, oh, well... And you, you know, you have to always listen to your community, especially if you like the direction they're going. I said, "Oh, well, if you wanna do that, guys-
Tim Fulton Right
Larry Smith ... then we'll create a backstory button." So you have this little box now. And, you know, maybe 10% of the people write a backstory. Sometimes it's a line, sometimes it's 5-600 words.
Tim Fulton And so literally it's something that the six-word memoir can live on its own-
Larry Smith Yeah
Tim Fulton ... or you can provide context for it.
Larry Smith Exactly. And then every week we do the backstories of the week on the site, and we tw- you know, we tweet some out and we put some on Facebook. So that's one way. The backstory, as you said, can live in the reader's mind, and that's really fun.
Tim Fulton Mm-hmm.
Larry Smith And-
Tim Fulton Is it ever something where that generates content as well, where someone is interpreting a story?
Larry Smith In the comments, yeah.
Tim Fulton Okay.
Larry Smith They do that, and they say, you know, they, and they tell their own version of that story and, absolutely. And then one of the most meaningful and fun, uh, parts of my work is the backstory shows.
Tim Fulton Okay.
Larry Smith So at these events, which we do at places such as the Black Box at the Wexner, the upcoming one on March 1st at Shadowbox Live-
Tim Fulton Mm-hmm
Larry Smith ... I've done them in alleys during literary festivals, and I've done them on houseboats, upper deck.
Tim Fulton Okay.
Larry Smith Um, we have a number of storytellers, usually between six and eight. They start with a six-word memoir on a theme, love, religion, creative life, Columbus, and then they reveal the backstory in usually six to 10 minutes.
Tim Fulton Got it.
Larry Smith And, uh, they don't use notes. It's sort of like The Moth-
Tim Fulton Right
Larry Smith ... which many of your listeners have heard on, on NPR and elsewhere. They tell the backstory, and usually I coach them.
Tim Fulton Okay.
Larry Smith So you've got a TEDx or TED level professionalism, is the idea.
Tim Fulton Okay.
Larry Smith And it usually works. And they, these storytellers work very hard, and I try to do a mix in terms of the performers, the storytellers of maybe a couple people you know, you know, in the community or out in the world-
Tim Fulton Mm-hmm
Larry Smith ... uh, a little bit known, someone who's never been on a stage before, who is probably frightened.
Tim Fulton Right.
Larry Smith And usually the person who gets through that, that evening or afternoon and says, "I am so glad I did this."
Tim Fulton Mm-hmm.
Larry Smith Slash, "I'm so glad you just forced you just kept bugging me till I said yes."
Tim Fulton Right.
Larry Smith And then people who are just the kind of people you, you know, your friends you see in bars, and you're just, God, I, I love hearing Tim's stories. Those guys, you know?
Tim Fulton Right.
Larry Smith Those guys, those women, those kids. And maybe they've never actually told a story on a stage. Maybe they have. So it's a mix.
Tim Fulton Yeah.
Larry Smith And I love that mix.
Tim Fulton Again, you can check out the next Six Words event March 1st at Shadowbox Live.
Larry Smith It's a very special story show. It's, it's a, a one, uh, it's, it's a story show unlike ever I've done befo- I've never done before.
Tim Fulton Okay. That's the theme, basically?
Larry Smith Well, the theme is student mentor.
Tim Fulton Okay.
Larry Smith So on this evening we will have eight students-
Tim Fulton Okay
Larry Smith ... from Columbus, or the vicinity, coached by eight people in the community.
Tim Fulton Okay.
Larry Smith So there'll be about four spoken word stories, classic storytelling. There'll be a few songs coached by Ben Shineberry.
Tim Fulton Mm-hmm.
Larry Smith He'll, he'll coach one from the Dick and Jane project. Joseph Barker, who runs Musicology, which is, uh, they teach, uh, music lessons to kids.
Tim Fulton Right.
Larry Smith Uh, he'll be, he'll be coaching a couple kids. And then there'll be a show poster. The Marshall Short, so a wonderful designer. He's working with, um, a, a young man to make the poster.
Tim Fulton Oh, okay.
Larry Smith Peter Mascara, my videographer, is working with a young videographer. So every element of the show from the, what's happening on the stage, what's happening in the background, will be mentors and students working together.
Tim Fulton That's great. Was that inspired by something?
Larry Smith It was, it was inspired, really, um, I've been thinking about... I always like to have-
Tim Fulton 'Cause the other events have been general in that it's all the same format of show.
Larry Smith Yeah.
Tim Fulton And it's been things like loss or dedication or conviction or-
Larry Smith Yeah.
Tim Fulton Yeah.
Larry Smith Well, it was inspired by occasionally we'll have a student or a teen as one of the seven or eight storytellers just because that's the way it worked out.
Tim Fulton Mm-hmm.
Larry Smith And they've always been really meaningful, and the applause in the audience is for a few reasons. One, the story was good, but two, like, they know it's hard.
Tim Fulton Right.
Larry Smith Especially if, you know, often if you're younger and not used to public speaking. And then I did a show last May, uh, the theme was Columbus, my first real live event in Columbus, and we had two storytellers who were in that kind of student mentor way. One wasn't a student, but Shannon Wilson, 15 months before that show, was incarcerated.
Tim Fulton Okay.
Larry Smith And she got out of prison and went to work at Hot Chicken Takeover with some steps and help to get there. And, you know, Joe Deloss was so important to her. And I met Shannon, and, um, she told her story of, you know, basically that story of, "15 months ago, I was incarcerated, and now I've had my fifth promotion, Hot Chicken Takeover." And I said, "Joe, you know what? Would you introduce her rather than me? Like, wouldn't that be nice?"
Tim Fulton Okay.
Larry Smith Plus, it's always good to have Joe Deloss on a stage, you know?
Tim Fulton Right.
Larry Smith So handsome and smart, you know?
Tim Fulton He'll, he's a draw.
Larry Smith He is a draw. And so Joe said, "Sure, this'll be great. It's the easiest speaking gig I've ever had. I just talk for a minute about someone who I admire so much."
Tim Fulton Right.
Larry Smith And so he did that, and Shannon was just so wonderful. And then later in the show, a young woman named Chloe White, who I think had just turned 16, from the ACPA School, the Arts College Preparatory Academy-
Tim Fulton Mm-hmm
Larry Smith ... where, where Ben Shineberry's also development director. Chloe- ... sung an original song called I'm Best Friends With My City. And I didn't coach her 'cause I don't know how to coach a guitar.
Tim Fulton A singer, right.
Larry Smith But I t- you know, I helped her get ready and sort of mentally for that kinda thing, but she had a lot of mentors in her life. And Chloe was so real and so raw, and I think she just ended her song just in tears, and the audience is in tears. And the roar from the crowd that went up when she finished, the standing ovation, I thought, not at that moment, but later, "I want seven of these."
Tim Fulton Got it.
Larry Smith "I want seven students. I want seven Shannon Wilsons who have had help from someone in their lives." And mentors are so important. That simple idea we hear over, over, over again, but when you see it in action, one person can change your life. I thought, "Let's do that. Let's tell the, the bigger story of mentorship, and let's just see seven or eight, um, pairs of people working together right in action."
Tim Fulton That's great. Walk us through 6ix in the City.
Larry Smith I got to Columbus on a very cold day in January 2015.
Tim Fulton Okay.
Larry Smith And I knew two people a little bit.
Tim Fulton You were just visiting at that point?
Larry Smith No, we had moved.
Tim Fulton Okay.
Larry Smith We had moved here. Um, don't move to Col-
Tim Fulton And we'll, and we'll get back into why
Larry Smith ... don't move to Columbus in January. That's my six words. What were we thinking? Three degrees, was that re- you know, remember the brutal winter two years ago?
Tim Fulton Yes.
Larry Smith This is a, this one's a piece of cake. Uh, we moved on a very cold day, and I really didn't know... I knew a couple of people, lovely people, but, you know, two acquaintances. I'm like, "Huh, what's this place all about?" My wife, uh, asked me to move and I was happy to do it. I'd had visited once and I liked it, and why not, you know? Just gotta roll where life takes you.
Tim Fulton Mm-hmm.
Larry Smith And so, you know, it's kind of a trick. How would you describe something, right? Like, "Tell me about Columbus." "Well, I don't know where to start," or, "I don't know where to end," right? I'm like, "Well, I do this thing called six-word memoirs." See, I'm wearing a T-shirt. It says, "Now I obsessively count the words," or, "So much crying, the baby too," which I wrote when my son was three months old and put that on a T-shirt. So that's what I do, and it's, you know, it's, it's a conversation starter.
Tim Fulton Right.
Larry Smith Ice break. "Well, tell me about Columbus in six words." I was just using it as just kind of a riff and, and, um, my, uh, my friend Ken Hughes said, "Bi-coastal arrogance ends here in Columbus." Bi-coastal arrogance ends here, here in Columbus.
Tim Fulton Hmm.
Larry Smith And then Lisa Schneider said, "No cows. Really zero f-ing cows," right?
Tim Fulton Mm-hmm.
Larry Smith And Julia Harrison said, "Small size makes big impact possible." I was like, "Wow, we have just-"
Tim Fulton Encapsulated
Larry Smith ... encapsulated many ideas of Columbus.
Tim Fulton Right.
Larry Smith And I had on one of those, you know, lists of things I wanna do that you keep moving from notebook to notebook, or Evernote to Evernote.
Tim Fulton Yep.
Larry Smith Uh, an idea called 6ix in the City. What if I took everything I've learned about how six words works, uh, in schools, digitally, in photographs, in backstories, in, in houses of faith, in corporations, and moved it in festivals, uh, street festivals. Six words is great at a street festival. What if we moved it through a city in an organized way to tell the story of the city, not from the top down, from the mayor's office.
Tim Fulton Right.
Larry Smith And that's fine, or, you know, the, the people who, you know, who, who are best known, but from the bottom up, and we tell the story of a city together. And we get those other people who are the known people in the city. We want their story too.
Tim Fulton Right.
Larry Smith And-
Tim Fulton But it goes back to your event. You want a mix. It is the total citizenry contributing to it.
Larry Smith Exactly. The mayor and, you know, a girl at South High who said in front of 100 peers, "Yes, I'm pregnant, but I'm graduating." And she got applause 'cause she owned her story. And I'd always wanted to start this in some city, and Columbus just organically became... I mean, it's so obvious now, right? The community here.
Tim Fulton Right.
Larry Smith The Columbus says yes vibe. The cooperation and, "Oh, you gotta meet this person and that person." I mean, I didn't know, you know? I mean, I knew about Midwestern charm and kindness.
Tim Fulton Right.
Larry Smith And by the way, Josh Radner, the Prince of Bexley, says in six words- ... "Midwesterners are kind, no small thing."
Tim Fulton Mm-hmm.
Larry Smith Um, but I realized that what was going on with the community here, and that's a big word in my work, and a big word in Columbus, and I know your work.
Tim Fulton Yeah.
Larry Smith Uh, this was the place to launch 6ix in the City Columbus. So I just sorta started it, and, um, it's been a little over a year now, and it's, it's been wonderful.
Tim Fulton Have you done it in other cities at this point?
Larry Smith No, this was the first city.
Tim Fulton Okay. I'm curious to hear how it goes over in other cities.
Larry Smith Yeah.
Tim Fulton Like, I'm sure it'll do well, but I'm interested to hear how much... We like to say that we are, you know, a city that says yes, we are smart, we are open, we are collaborative. I would like to think that that's unique to us, and I'm interested to hear.
Larry Smith We'll see, won't we? I mean-
Tim Fulton Yeah
Larry Smith ... it, it, it's interesting because the only two cities that I know, uh, well that have the pride of Columbus-
Tim Fulton Mm-hmm
Larry Smith ... that loves itself as much as Columbus, I mean that as a compliment-
Tim Fulton Yeah
Larry Smith ... are Brooklyn-
Tim Fulton Uh-huh
Larry Smith ... uh, and New Orleans.
Tim Fulton Okay.
Larry Smith And Brooklyn's a little different.
Tim Fulton So I'm interested, like, go down to Louisville and like-
Larry Smith Right
Tim Fulton ... see what happens there.
Larry Smith Yeah.
Tim Fulton And like, do they just talk about, you know, the bat factory?
Larry Smith Right. And the bourbon, right? And, and, you know, Louisville would be interesting. I think, you know, I think that, um, Nashville would be an interesting city.
Tim Fulton Mm-hmm.
Larry Smith Um, but I, but I think it does make sense. And this is, you know, when, when I g- when I got to town and, you know, one of the first people I met was David Ahl, you know, which was lucky-
Tim Fulton Mm-hmm
Larry Smith ... from CivicHacks, and he said, "Well, you know, dude, it's Test City USA." And I'm like, "I actually didn't know that." And so it is.
Tim Fulton Right.
Larry Smith And people test things here. And testing 6ix in the City here, almost a prototype, it really was a, a, a stroke of luck that I, I landed here because I really, I'm so interested in community and I love cities. You know, I learned a lot about what makes it work and, and fortunately because, uh, Columbus is, was so open to this and into it, um, I think it worked very well. And so the next city hopefully should be easier, though that city may be harder because Columbus-
Tim Fulton Right
Larry Smith ... is special in that way. But I've learned a lot, um, on, on, uh, my time doing 6ix in the City Columbus.
Tim Fulton Talk about how you guys made the decision to move here. 'Cause you were living in Brooklyn.
Larry Smith Yeah, no, the usual way.
Tim Fulton Okay.
Larry Smith Um, my wife wanted to teach writing in a prison. So, so, uh-
Tim Fulton Oh.
Larry Smith Yeah
Tim Fulton ... that old trope.
Larry Smith So, uh, my wife is Piper Kerman, and she wrote the memoir Orange is the New Black-
Tim Fulton Right
Larry Smith ... which became the TV show. And she's very, uh, interested in helping other people tell their story, as am I-
Tim Fulton As you are, right
Larry Smith ... but in different ways. And she's very interested in criminal justice and criminal justice reform.
Tim Fulton Mm-hmm.
Larry Smith And one of the ways you change hearts and minds is hearing people's stories, right? And as she was thinking about what she wanted to do next with her own work, she was-
Tim Fulton 'Cause you guys had a four-year-old at, at that point.
Larry Smith Yeah.
Tim Fulton So it's sort of like, okay, now's an easy time to move.
Larry Smith Right, exactly.
Tim Fulton You're not uprooting a, a four-year-old.
Larry Smith Yeah. So a few years before we moved here, maybe a year, she was invited to speak at a TEDx in the Marion Correctional-
Tim Fulton Okay
Larry Smith ... Institution. She was like, "Really? A TEDx in a prison?" She'd never heard of this.
Tim Fulton Right.
Larry Smith And nobody had because they were the first ones to do it.
Tim Fulton Right.
Larry Smith And now, uh, TEDx's in prisons is, is happening many places-
Tim Fulton Mm-hmm
Larry Smith ... but that, that started at Marion. And the prisoners ran the TEDx. They did all the AV and the coaching, and the TEDx was a combination of prisoners and guards, and then from the inside, and then outsiders, people come in and teach yoga, and poetry, and writing, and this kinda thing, and people who- Weren't associated with Marion, like Piper, but who were in the world of, of, of the prison world and prison-
Tim Fulton Right
Larry Smith ... reform. So she's like, "Okay." So she goes, she goes to-
Tim Fulton 'Cause in addition to her memoir, she's done advocacy work-
Larry Smith Yeah
Tim Fulton ... for that. Right.
Larry Smith Yeah, she's done a ton. Um, it's really what her life is about now. Um, it wasn't the plan. She didn't plan on, A, committing a crime, and B, going to prison, and C, writing a book, but all those things happened. And so she made the best out of a, of some poor decisions when she was younger.
Tim Fulton Yeah.
Larry Smith And so she comes back from the TEDx, and she's like, "This very interesting place over there at Marion Correctional. And actually they're doing a play in a couple months. They invited me back for the play." So she goes back to the play. And she's like, you know, written and directed by a prisoner and, you know, acted out by the, by the... An original play.
Tim Fulton Okay.
Larry Smith Then she said, "You know what? I think I wanna spend some time there. Maybe do a book about that prison, maybe teach in the prison." I said, "Okay." And she said, "Well, how would you feel about moving to Ohio? But we would move to Columbus, 'cause that's, you know-"
Tim Fulton The larger metropolitan area
Larry Smith ... a bigger city and we need that." You know, I was... I thought, "Why not?" You know? I'd, we had been in Brooklyn for 14 years. Change is good. And I don't know, I think, think that conversation was a shorter conversation than sometimes when we just takes longer to pick where to go to dinner, you know?
Tim Fulton Right.
Larry Smith And I just, the moment was, I was open to it. I, I was-
Tim Fulton You were like, "We're-"
Larry Smith I was being smart and open. Why not?
Tim Fulton "... we're able to do that."
Larry Smith Yeah.
Tim Fulton "Why not just do it?"
Larry Smith Yeah. So that's how we got here. And I just dove into the community. I'm not good at just sitting still, you know?
Tim Fulton Right.
Larry Smith I got to know people. I'm social. I love to share my work. I love to see how other people, uh, change my work, and I love collaboration, and that's what I've been doing for two years.
Tim Fulton Can you talk about sort of the business aspect of Six-Word Memoirs? There's some revenue generation from the events, I imagine.
Larry Smith Let's, let's hope so.
Tim Fulton Do you do, like, T-shirt sales?
Larry Smith We have T-shirts.
Tim Fulton Okay.
Larry Smith Uh, but the revenue largely comes from... Almost anyone who does live events, unless they really do it as a bigger company, knows it's a terrible way to make money. If you ever really like-
Tim Fulton Yes, it is
Larry Smith ... like cruise through the time, you know, Tim.
Tim Fulton Yeah.
Larry Smith Like, you d- you don't. You don't, you don't add your time 'cause then you just get sad. But, uh, I love the live events. We don't lose money. We, uh, make books of six-word memoirs.
Tim Fulton Okay.
Larry Smith Uh, I've done eight collections of six-word memoirs, and the ninth book, which I'm cooking now, it's an intense, uh, due date, it's coming soon, is Six Words on Immigration, Identity, and Coming to America.
Tim Fulton Uh-huh.
Larry Smith It's a book that-
Tim Fulton And you do a lot of photography with that one too, right?
Larry Smith We, we're gonna be doing more photography with this book than any other book, for sure.
Tim Fulton Okay.
Larry Smith And, uh, this was an idea that I had, uh, before the, the current election of, of Donald Trump. And after he was elected, the idea was suddenly so much more timely and important because of his views on immigration. And that'll be out in September.
Tim Fulton Mm-hmm.
Larry Smith That's a collaboration with the TV show Fresh Off the Boat, which is my first ever TV collaboration, which is, which is a kick. And, and they're great. It's a, it's, um, a show about a, a family who, uh, came... Uh, a Chinese family who immigrated, and the, the parents own a restaurant, and the kids are all young and hip-hoppy, so there's a whole like, you know, tale of two cultures and-
Tim Fulton This is a reality show? Narrative show?
Larry Smith It's, it's a narrative show. It's based on a memoir-
Tim Fulton Okay
Larry Smith ... by Eddie Huang, uh, called Fresh Off the Boat.
Tim Fulton Okay.
Larry Smith But it's, you know, but it's a, it's a narrative show and it's, it's, it's, um... When I'm in schools, and I was just in a bunch of schools the last, uh, few weeks with high school kids, and I say, "Hey, we're doing a new book on immigration. It's a collaboration with Fresh Off the Boat," the kids cheer. They love this show.
Tim Fulton Okay.
Larry Smith You know? So but the answer on the revenue, so, so that book will be out in September. And so we, we make books. Uh, we do have things like T-shirts.
Tim Fulton Mm-hmm.
Larry Smith I do, sometimes I'll, someone will wanna use the six-word memoir form, uh, for their business in some-
Tim Fulton Maybe you'll go out and do a workshop.
Larry Smith I do, I do, I do workshops.
Tim Fulton Speaking engagements.
Larry Smith Cor- s- yeah.
Tim Fulton Right.
Larry Smith Corporate workshops, non-profit workshops, speaking workshops. So, so it's, um, it's, it's a s- it's a, a scattered revenue streams, but it works.
Tim Fulton Right.
Larry Smith And, um-
Tim Fulton Well, but the, and there's some hustle to it.
Larry Smith The hustle, and the hustle is fun.
Tim Fulton I, I imagine you represent yourself.
Larry Smith I do.
Tim Fulton Okay.
Larry Smith Well, I have a speaking, uh, agent.
Tim Fulton Right.
Larry Smith And I have a book agent. So that stuff, the pro stuff, like it's good. They, they know how to do those things.
Tim Fulton Right.
Larry Smith They know how to... I actually don't wanna start, like, cold calling people on, on speaking.
Tim Fulton Right.
Larry Smith But, you know, once in a while you meet someone in a conference or... Somebody called me, he was on a plane, and he said to somebody, they just got to talking, "Oh, well, my company's doing a conference. Uh, did your company ever have any good speakers?" And I, I had just spoken to that company. It was a design conference, and his thing was a hotel conference. Totally different, but, like, you never know.
Tim Fulton But it works.
Larry Smith It, it, exactly.
Tim Fulton I mean, you can translate it.
Larry Smith So, so you gotta always show up when you have your gigs, right? 'Cause you never know where that's gonna go. But I like that. And, you know, I might be at something as corporate as a conference of supermarket owners.
Tim Fulton Okay.
Larry Smith I kid you not. In the Cayman Islands, by the way, which is like, that's great. And so at a fancy hotel, The Ritz, and like, and I'm like, "Why, why do they want me to speak?" And it was, it was this. This group of supermarkets was told by consultants or somebody, um, "Look, you need to be more like Trader Joe's and Whole Foods. The vibe, the employees like each other, or at least it seems like that."
Tim Fulton Right.
Larry Smith "The community vibe, and you, you need to do that. And so you need some team building, and you need some ways to connect to your customers, you know? Not just employee of the month, you know?"
Tim Fulton Right.
Larry Smith Sally's, Sally's little bio under there. So I'm like, "Okay." So I go, I'm in this big ballroom in the Cayman Islands, and look, here's the truth. That audience sees me as what stands between them and golfing or going to the beach. I understand.
Tim Fulton Okay.
Larry Smith Like, they don't wanna be there, you know? So it's a tough room, and this was one of my earlier speaking gigs.
Tim Fulton Well, and you're also sort of telling them how to do their job.
Larry Smith Yeah, but I have a sneaky way to not make that sound, like, condescending.
Tim Fulton Okay.
Larry Smith Like I say, "I have this tool and it worked for me, and here's some ideas. Once you understand how this tool works, it really is a tool to spark expression and, and build community. You'll come up with things I never thought of 'cause you're the experts in the supermarket business."
Tim Fulton Right.
Larry Smith And that is, by the way, the truth. And same deal if you're to veterinarians. Like, not veterans, which we also work with, but veterinarians, you know-
Tim Fulton Right
Larry Smith ... cats and dogs and, and ferrets. Um, they know their business. I have a tool. You know? So I'm doing, I'm doing my talk, and it's always interactive, so there'll be a point where we stop and share our own six-word memoir. If it's at a corporate thing, it might be, um, why do I do what I do?
Tim Fulton Right.
Larry Smith And here's where the win comes for the person who hired me, right? We're doing why do I do what I do in six words. Why do I, why do I own a supermarket? And, you know, going around the room, and bigger rooms are weirdly harder, 'cause if there's 40 people in a room, everyone contributes.
Tim Fulton Right.
Larry Smith If there's 400, people will hide, and you might also only get 40. Usually more like 60 or 100. But, and, and people are like, you know, "Dad's market now is mine," that's nice, and, "Because the butcher makes me smile" or something. It's these kind of things.
Tim Fulton Right.
Larry Smith You know, "Loyal customers open my heart." Fine, good, okay. People relate to that. That's nice. But this was the moment when, you know, we had them, which is this one, one of the few women in, in the audience is like, "Hi, I'm Sally. I own, uh, three, um, three supermarkets in Connecticut."
Tim Fulton Uh-huh.
Larry Smith "And my six words are 'Why are you screaming? It's detergent.'" And the room erupts. And here's why.
Tim Fulton Because there's a commonality.
Larry Smith Right. Nobody knows what your weird life is as a supermarket owner than the other people.
Tim Fulton Right.
Larry Smith And some lunatic in aisle nine is flipping out about detergent.
Tim Fulton Right.
Larry Smith And that's it. And so it's like, you know what? We're all in this together. And you could be with hospice workers, which I've been, or veterans, or veterinarians, or, uh, I did a conference of, of therapists who specialize in using play as therapy.
Tim Fulton Mm-hmm.
Larry Smith And they, nobody gets you like the other people in the room.
Tim Fulton Right.
Larry Smith And all I did was give them a tool and lead them to that point, and then they can go golfing.
Tim Fulton Well, and I think that that shows the, the value of-
Larry Smith That's the value
Tim Fulton ... of what you, what you do.
Larry Smith And that's, that's a word that at some point I realized, I don't know when I realized that, but I thought, "We don't just have a fun literary idea that's fun for the web and to make books. We actually have a valuable tool." And I love teaching that tool, and I love seeing that tool in action.
Tim Fulton Great. Larry, thank you so much for your time.
Larry Smith Tim, it's been a pleasure.
Tim Fulton Thank you for listening to the Confluence Cast presented by Columbus Underground. Again, you can get more information on what we discussed today in the show notes for this episode at theconfluencecast.com. Please rate, subscribe, share this episode of the Confluence Cast with your friends, family, contacts, enemies, your favorite storyteller. If you're interested in sponsoring the Confluence Cast, get in touch with us. We can be reached by email at info@theconfluencecast.com. Our theme music was composed by Benji Robinson. I'm your host, Tim Fulton. Have a great week.
